Search Results: Titles starting with D from Sebra Prints

1803. Copper-line engraving. 320mm by 250mm (sheet). Born in Yorkshire, Julius Caesar Ibbetson was a watercolour and oil painter who specialized in small landscapes that contained some human and animal figures. He worked mostly out of his hometown but also spent some time in London, Scotland, and the Lake District. Ibbetson was also an etcher and published a painting treatise in 1803.

1896. Chromolithograph. 115mm by 180mm (sheet). From 'A hand-book to the marsupialia and monotremata' by Richard Lydekker from the series 'Lloyd's natural history'.

Lithograph, 2001. 850mm by 745mm (frame) 430mm by 350mm (image). Signed by the artist and sitter beneath the image. Editioned in pencil. Limited edition lithograph (350) produced from the original oil painting by Richard Stone of Dame Joan Sutherland (1926-2010), the Australian soprano singer. In 2000, the Rotary Club of Camberwell commissioned Richard Stone, the Royal Court Painter, to paint a portrait of Dame Joan Sutherland as part of Australia's Centenary of Federation celebrations. The artist supervised the printing of the image at The Curwen Studios, Cambridge in 2001.The original oil now hangs in the Dame Joan Sutherland Performing Arts Centre in Penrith. Framed. With Certificate of Authenticity.

1876. Wood-engraving. 400mm by 290mm (sheet). In October 1875, Albert Edward Prince of Wales, the eldest son of Queen Victoria, embarked on an extensive tour of the Indian subcontinent. Here the Prince visited more than 21 towns and cities before returning to England in May 1876. CONDITION : Unrelated text on the reverse.

1835. Steel-engraving. 275mm by 180mm (sheet). 'Danse des naturels de l'Australie, Ornithorrynque and Wombat ou desman' From Jules Dumont D'Urville's 'Voyage pittoresque autour du monde', published in Paris 1834 / 1835.Very faint off-setting.

Chromolithograph, 1931. 195mm by 270mm (sheet). Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporting dogs. Accompanied by descriptive text in French.

1820. Copper-line engraving. 360mm by 230mm (platemark). Daniel Finch, 2nd Earl of Nottingham, 7th Earl of Winchelsea PC (1647 - 1730), was an English Tory statesman during the late seventeenth and early eighteenth centuries. From Houbraken's series of portrait engravings which he set within elaborate cartouches. They were published by Knapton originally C1740, this impression is c1820.Jacobus Houbraken (1698-1780) was a Dutch line engraver who is known best for this series of portraits.

1817. Copper-line engraving. 305mm by 445mm (platemark). This is a scene of a dance in the Friendly Islands, now known as Tonga. From Jacques-Julien Houtou de La Billardiere's (1755-1834) 'Atlas du Voyage a la recherche de la Perouse', published in Paris, 1817 edition.

1843. Lithograph. 145mm by 225mm (sheet). From Elie Le Guillou's 'Voyage autour du monde de l'Astrolabe et de la Zelee, sous les ordres du contre-amiral Dumont-d'Urville, pendant les annees 1837, 38, 39 et 40.' Published in Paris in 1843. Elie de Guillou (1806-1855) held the position of chief surgeon (chirurgien-major) aboard the Zelee.

1843. Lithograph. 225mm by 145mm (sheet). From Elie Le Guillou's 'Voyage autour du monde de l'Astrolabe et de la Zelee, sous les ordres du contre-amiral Dumont-d'Urville, pendant les annees 1837, 38, 39 et 40.' Published in Paris in 1843. Elie de Guillou (1806-1855) held the position of chief surgeon (chirurgien-major) aboard the Zelee.A few light marks outside image area. Faint cockling to sheet.

1835. Steel-engraving. 135mm by 185mm (sheet). 'Dasyures deverent un Phoque' Half-page illustration from Jules Dumont D'Urville's 'Voyage pittoresque autour du monde', published in Paris 1834 / 1835.

1859. Wood-engraving. 275mm by 210mm (sheet). ''Date Obulum !' The Next Great Classical Impersonation which the antique Roman may be expected to assume.' Depicts George Samuel Evans (1802-1868), barrister, editor and politician. From 'Melbourne Punch'. Melbourne Punch began in 1855. From 1855-1861 Nicholas Chevalier was one of the principal cartoonists most of whose work was engraved by Samuel Calvert. Reverse blank.

1848. Lithograph. 365mm by 245mm (sheet). PROUDHON. Aputre du socialisme, ennemi de la propriete et son destructeur brevete (sans garantie du gouvernement).' 'PROUDHON. Apostle of socialism, enemy of capitalism and it' patented destroyer (without state guarantee).'Pierre-Joseph Prudhon (1809 - 1865) was a French politician, the founder of Mutualist philosophy, an economist and a socialist. He was the first person to declare himself an anarchist and is among its most influential theorists. He is considered by many to be the "father of anarchism". He became a member of the French Parliament after the revolution of 1848, whereafter he referred to himself as a federalist.Original lithograph by Honore Daumier published in Paris in 1848. From a series titled 'Les Representans Representes' (The representative represented) depicting the portraits of the 'Assemblee Constituante' (Constituent Assembly) and the 'Assemblee Legislative' (Legislative Assembly). Honore Daumier (1808-1879), was a French printmaker,… Read More

1849. Lithograph. 250mm by 350mm (sheet). The French text below the image translates to : Victor Hugo, in a discourse of three points, shows the worthlessness of military glory and proves by example that the crown of laurels can be advantageously replaced by the rosary! That gives him the advantage of creating a new affect of the forehead.Text on the reverse as issued.Original lithograph by Honore Daumier published in Paris in 1849. Initialled 'HD' in the image. From his series titled Souvenirs Du Congres de La Paix.Honore Daumier (1808-1879), was a French printmaker, caricaturist, painter, and sculptor, whose many works offer commentary on social and political life in France in the 19th century. A prolific and reknown draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behaviour of his countrymen. One small spot in the image and closely cut to title at top of the sheet.

1847. Lithograph. 300mm by 225mm (sheet). 'An indispensable New Year's visit at Aunt Rabourdin's' Original lithograph by Honore Daumier published in Paris in 1844. Initialled 'HD' in the image. From the series 'Les Bons Bourgeois' (The Petty Bourgeois) from the Parisian magazine 'Le Charivari'. Honore Daumier (1808-1879), was a French printmaker, caricaturist, painter, and sculptor, whose many works offer commentary on social and political life in France in the 19th century. A prolific and renown draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen.Sheet trimmed but not affecting image or title etc. Folds as issued, text on the reverse as issued. Some off-setting.

1845. Lithograph. 305mm by 240mm (sheet). The French text below the image translates to : - (The president) You did have means of existence, what did you do with them? - (The accused) I existedText on the reverse as issued.Original lithograph by Honore Daumier published in Paris in 1842. Initialled 'HD' in the image. From his series titled EMOTIONS PARISIENNES (Parisian emotions).Honore Daumier (1808-1879), was a French printmaker, caricaturist, painter, and sculptor, whose many works offer commentary on social and political life in France in the 19th century. A prolific and reknown draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behaviour of his countrymen.One spot in image, one spot in margin.

1840. Lithograph. 355mm by 250mm (sheet). Caricature portrait of Daumier shown smoking a pipe and with a folio of 'Robert Macaire' under his arm. From 'Le Charivari' and from a series titled 'Pantheon Charivarique'. Unrelated text on the reverse.Honore Daumier (1808-1879), was a French printmaker, caricaturist, painter, and sculptor, whose many works offer commentary on social and political life in France in the 19th century.

1847. Lithograph. 300mm by 225mm (sheet). Original lithograph by Honore Daumier published in Paris in 1847. Initialled 'HD' in the image. From a series titled 'Les Bons Bourgeois' which was published in the French magazine 'Le Charivari'. Honore Daumier (1808-1879), was a French printmaker, caricaturist, painter, and sculptor, whose many works offer commentary on social and political life in France in the 19th century. A prolific and reknown draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behaviour of his countrymen.Sheet trimmed but not affecting image or title etc. Folds as issued, text on the reverse as issued. Some off-setting.

1855. Lithograph. 240mm by 305mm (sheet). AUX CHAMPS ELYSEES. Degustation des produits de l'industrie des differents brasseurs.' (ON THE CHAMPS-ELYSEES. Tasting of the industrial products of different brewers.)Original lithograph by Honore Daumier published in Paris in 1855. Initialed 'HD' in the image. From a series titled 'L'Exposition Universelle' which was published in the French magazine 'Le Charivari'.Honore Daumier (1808-1879), was a French printmaker, caricaturist, painter, and sculptor, whose many works offer commentary on social and political life in France in the 19th century. A prolific and reknown draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen.Sheet trimmed slightly. Faint folds as issued, text on the reverse as issued. One crease. Faint off-setting. Worm hole in upper title.Beer interest.

1844. Lithograph. 325mm by 240mm (sheet). 'Voyez donc un peu, Ismenie!.... Comment le Gouvernement permet-il d'afficher de pareilles turpitudes ?....' Just look at that, Ismenie!... How can the government allow posters advertising such disgraceful rubbish!Original lithograph by Honore Daumier published in Paris in 1844. From a series titled 'Les Bas Bleus' (The Bluestockings) which was published in the French magazine 'Le Charivari'. Honore Daumier (1808-1879), was a French printmaker, caricaturist, painter, and sculptor, whose many works offer commentary on social and political life in France in the 19th century. Faint folds as issued, text on the reverse as issued.