Search Results: Titles starting with M from Robert Frew Ltd

Vanity Fair, Sept. 21, 1889. Drawn by Pal. Original chromolithograph. Page size approx. 38 x 26.5cm. Image size approx. 32 x 19cm. With original leaf of biographical text.

Vanity Fair, Dec 28, 1893. Drawn by Guth. Original chromolithograph. Page size approx. 38 x 26.5cm. Image size approx. 32 x 19cm. With original leaf of biographical text.

Vanity Fair, November 23, 1906. Drawn by Spy. Original chromolithograph. Page size approx. 38 x 26.5cm. Image size approx. 32 x 19cm. Without text leaf.

Vanity Fair, March 21, 1901. Drawn by W.A.G. Original chromolithograph. Page size approx. 38 x 26.5cm. Image size approx. 32 x 19cm. Without Text leaf.

London: William Heinemann. [1898]. c.26 x 21cm. Original lithograph after hand coloured woodcut.

London: William Heinemann. [1898]. c.26 x 21cm. Original lithograph after hand coloured woodcut.

. Pencil on paper 10½ x 8¼ in (27 x 21 cm).

Paris: Ch. Motte, 1834.. Original lithograph (50 x 39 cm.) with later hand-colour. Good condition.

Vanity Fair, Oct. 7, 1882. Drawn by Spy. Original chromolithograph. Page size approx. 38 x 26.5cm. Image size approx. 31 x 18.5cm. With original leaf of biographical text.

London: John and Josiah Boydell, 1800 [1803].. Original copper engraving (60 x 44 cm, overall sheet 68 x 55 cm). From "A Collection of Prints ... Illustrating the Dramatic Works of Shakespeare." published by Boydell, London, 1803. In 1789, the publisher John Boydell opened the Shakespeare Gallery, an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' (the practice of depicting scenes from the Bible, mythology or the classics) in contemporary British art, a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare, which had become so popular and so integral to British identity by the mid-18th century? The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84, along with dozens of 'Small… Read More

London: John and Josiah Boydell, 1802 [1803].. Original copper engraving (44 x 60 cm, overall sheet 55 x 68.5 cm). Light scattered foxing to lower margin, not affecting plate. From "A Collection of Prints ... Illustrating the Dramatic Works of Shakespeare." published by Boydell, London, 1803. In 1789, the publisher John Boydell opened the Shakespeare Gallery, an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' (the practice of depicting scenes from the Bible, mythology or the classics) in contemporary British art, a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare, which had become so popular and so integral to British identity by the mid-18th century? The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55… Read More

Vanity Fair, Sept. 1, 1888. Drawn by Spy. Original chromolithograph. Page size approx. 38 x 26.5cm. Image size approx. 32 x 19cm. With original leaf of biographical text.

Vanity Fair, Sept. 1, 1888. Drawn by Spy. Original chromolithograph. Page size approx. 38 x 26.5cm. Image size approx. 32 x 19cm. With original leaf of biographical text.

Vanity Fair, Nov 14, 1895. Drawn by Guth. Original chromolithograph. Page size approx. 38 x 26.5cm. Image size approx. 32 x 19cm. With original leaf of biographical text.

Paris: Pavard [et al.] 1788. (Plate size: 18 x 12 cm). Original hand coloured copper engraving from 'Costumes Civils Actuels de Tous les Peuples Connus'. Good.

London: Sampson Low [et al.] 1910.. 8vo. (19 x 12 cm.) pp. [xiii, ads]+xviii+[354]+59 (ads.) Original blue cloth, titled with a decorative vignette of a palm tree to upper cover and to spine. 1 folding table, 2 folding engravings, 8 folding maps. A very nice example.

London: Simpkin, Marshall, Ltd. 1932. 8vo. (19 x 12 cm.) pp. [xiii, ads]+xx+[396]+43 (ads.) Original grey cloth, titled with a decorative vignette of a palm tree to upper cover and to spine. 5 diagrams, 9 folding coloured maps, 9 leaves of black and white photographic illustrations. An excellent copy.

Vanity Fair, Jan. 24, 1891. Drawn by Bint. Original chromolithograph. Page size approx. 38 x 26.5cm. Image size approx. 32 x 19cm. With original leaf of biographical text.

Vanity Fair, Jan. 24, 1891. Drawn by Bint. Original chromolithograph. Page size approx. 38 x 26.5cm. Image size approx. 32 x 19cm. With original leaf of biographical text.

London: Society for the Diffusion of Useful Knoweldge. [1847]. 31.5 x 37.5 cm. Original outline colour. Engraved plan of Madrid. Generally good condition.