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[Farnham, England]: Ashgate, 2010. First Edition. Hardcover. Near fine. Publisher's black cloth, spine lettered in silver, in color pictorial dust jacket. Light shelfwear to jacket, else fine. From the publisher: "New York City was the site of a remarkable cultural and artistic renaissance during the 1950s and '60s. In the first monograph to treat all five major poets of the New York School-John Ashbery, Barbara Guest, Kenneth Koch, Frank O'Hara, and James Schuyler-Mark Silverberg examines this rich period of cross-fertilization between the arts. Silverberg uses the term 'neo-avant-garde' to describe New York School Poetry, Pop Art, Conceptual Art, Happenings, and other movements intended to revive and revise the achievements of the historical avant-garde, while remaining keenly aware of the new problems facing avant-gardists in the age of late capitalism. Silverberg highlights the family resemblances among the New York School poets, identifying the aesthetic concerns and ideological assumptions…
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THE NEW YORK SCHOOL POETS AND THE NEO-AVANT-GARDE : BETWEEN RADICAL ART AND RADICAL CHIC
by Silverberg, Mark
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Brooklyn, New York, United States
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NEXT TO NOTHING
by Bowles, Paul [et al.]
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Brooklyn, New York, United States
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Kathmandu, Nepal: Bardo Matrix [at Sharada Printing Press], 1976. First Edition. Softcover. Near fine. Maya, Lee Baarslag, Dana Young, Sydney Hushhour, Petra Vogt. [13] ff. (rectos only) including in-text designs and illustrations and mounted photograph. Original pictorial wrappers, side-stitched. Near fine. Bardo Matrix's STARSTREAMS Poetry Series No. 5, numbered 208 of an edition of 500 copies. Ira Cohen published under the Bardo Matrix imprint throughout the 1970s in Kathmandu, collaborating with Angus Maclise and other fellow expatriates with the help of Nepali craftsmen and woodblock artsts. In his account of the press he wrote for the May/June 1995 issue of NEW OBSERVATIONS, "The Great Rice Paper Adventure Kathmandu, 1972-1977," Cohen highlights the process and production of NEXT TO NOTHING: "In 1976 Paul Bowles sent me his poem, Next to Nothing, written specially for Bardo Matrix. Although I knew that Paul expressed a preference for an unadorned presentation of the text with little or no…
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NIGHT
by Bita, Lili; Robert Zaller (trans.)
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Brooklyn, New York, United States
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[Detroit]: The Glass Bell Press, 1974. First Separate Edition. Broadside. Fine. Broadside, 11 x 8 inches, printed on red paper. Fine. Broadside poem, translated from the Greek, by Greek-born American poet, Lili Bita. Detroit's Glass Bell Press published poems by women from 1974 to 1979, largely in broadside form. In 1975, Glass Bell printed 10 broadsides for the portfolio collection, TEN MICHIGAN WOMEN POETS. The present broadside is one of nine Glass Bell printed in 1974 for which we have found records, but it remains unclear whether the 1974 broadsides were also intended to be issued as a collection. Scarce, with OCLC locating one copy, at Brown University.
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