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New York: Abbeville Press, 1982. First American edition of this historical survey of the bed in theory and practice, "a wealth of general bed-lore" by Clockwork Orange author Anthony Burgess. "We may divine that kings and queens did not sleep any better on their ornate machines than peasants on their mud floors (Shakespeare is always going on about this), but the elaboration of a bed had nothing to do with somniference. It was all a matter of symbolism . . . the kingly bed anticipated the kingly tomb, and even hinted at the possibility of resurrection." Lavishly illustrated with photographs of famous beds, including those of Mary Tudor, George Washington, and Napoleon Bonaparte, and beds painted by the likes of Raphael, Goya, Delacroix, and Van Gogh, with a reproduction of Toulouse-Lautrec's "In Bed" on the dust jacket. A crisp fine copy. Single volume, measuring 9.5 x 6.5 inches: 96. Original full brown textured cloth, spine lettered in dark brown, original unclipped color pictorial dust jacket.…
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On Going to Bed
by Burgess, Anthony
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Orlando Furioso di Lodovico Ariosto
by Ariosto, Lodovico; Cipriani, Gian Battista (illustrator); Moreau, Jean-Michel (illustrator); Eisen, Charles-Dominique-Joseph (illustrator); Cochin, Charles-Nicolas (illustrator); Monnet, Charles (illustrator); Greuze, Jean-Baptiste (illustrator)
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Birmingham: Baskerville, 1773. First edition of the Baskerville Ariosto, octavo issue, with forty-six engraved plates. Set during the Saracen invasion of France, Orlando Furioso (1516-1532) follows the adventures of Charlemagne's high-strung knight Orlando, who goes mad for love. Ariosto's comic epic was hugely influential, going on to inspire works as various as The Faerie Queene, Much Ado About Nothing, Don Quixote, and Don Juan. Gaskell 48. Text in Italian. A very good set, in handsome contemporary bindings. Four octavo volumes: [34], lviii, 362, [2]; [2], 450, [2]; [2], 446, [2]; [2], 446 [2]. Contemporary full tree calf, Greek key border and floral cornerpieces in gilt to boards, raised bands, spine compartments ruled and patterned in gilt, red and black morocco spine labels lettered in gilt, gilt dentelles, marbled endpapers. Copperplate frontispiece of Ariosto and forty-six engraved plates. Associati and Errata bound before Vita in Volume I (all present). Bookplates of Francis Broderip and…
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