Search Results: Titles starting with U from Andrew Cahan: Bookseller, Ltd

NY: William Morrow & Company, 1969. First editions. 4tos. Variable paginations, largely illustrated from b&w and occasionally color photographs. The first four issues, 1935 - 1939, are spiral bound with printed wrappers. Issues from 1940 to 1964 are bound in the publisher's cloth. From 1965 to 1970, the issues have photo-illustrated wrappers. Several years have the original dust jackets. Some soiling or wear to edges of wrappers. A good to very good set. A complete run in 36 volumes of this annual publication; there was no issue published in 1938. The title became U.S. CAMERA ANNUAL beginning in 1949, and again changed to U.S. CAMERA WORLD ANNUAL in 1966. Some volumes have distinctive titles, such as: "International Edition" 1950, "American-International," 1951, "Pictures that Talk..." 1959. Edited by Tom Maloney. The publisher changed in 1950 to U.S. Camera Pub. Corp. An outstanding annual, which included critical, technical and historical articles by the leading writers, with individual images and… Read More

V Olomouci: Nakladatelstvi R. Prombergra, 1930. First edition. Padouk, Rudolf. 4to., 91 pp., plus 32 full-page b&w plates. Printed paper wrappers. A slight bump to the crown and tip, else a very good copy. Anthology of Pictorial photography; contains photographs by the following: Rudolf Padouk, Léonard Misonne, Charles Job, Dr. Max Thorek, Drummond Young, Jene (sic) Reece, William Mortensen, Dr. Ruzicka, and others. Text in Czech.

(NY): Aperture, 1990. Salgado, Sebastiao. First ed. Folio, 156 pp., b&w photographs. A fine, as new copy in the illustrated dust jacket, still sealed in the publisher's shrinkwrap. "From a Brazilian mine where 50,000 mud-covered men haul heavy bags of dirt up and down slippery ladders in search of a stray nugget of gold, to a former lake in western Africa now swallowed by the encroaching desert, where emaciated, starving people walk over its surface of sand, photographer Sebastião Salgado explores the lives of the planet's often ignored people with a critical eye and an empathetic heart." (jacket).

Millerton, NY: Aperture, 1982. First edition. Shore, Stephen. Oblong 4to., 63 pp., 49 full-page color photographs. A fine copy in the color illustrated dust jacket. These large format color photos from 1973 through 1981 were responsible for placing the photographer in the vanguard of the "new color photography." SIGNED by the photographer on the half-title page. Review information laid-in.

Millerton, NY: Aperture, 1982. First edition. Hardcover. Shore, Stephen. Oblong 4to., 63 pp., 49 full-page color photographs. A fine copy in the color illustrated dust jacket. These large format color photos from 1973 through 1981 were responsible for placing the photographer in the vanguard of the "new color photography.

Millerton, NY: Aperture, 1982. First edition. Hardcover. Shore, Stephen. Oblong 4to., 63 pp., 49 full-page color photographs. A fine copy in the color illustrated dust jacket that has a mild wrinkel along the top edge of the front panel. These large format color photos from 1973 through 1981 were responsible for placing the photographer in the vanguard of the "new color photography.

New York: Alfred Stieglitz, 1904. .. High quality halftone, 7 5/16 x 5 1/8 inches [18.57 x 13.02 cm] printed on a thin stock and tipped on tissue, which is tipped to the original laid paper leaf, 11 3/4 x 8 1/8 inches [29.85x 20.96 cm]. The image is a fine full-range halftone from CAMERA WORK 6, 1904. William A. Cadby (1866 - 1937) began making photographs in 1891. By 1893 he exhibited at the London Photographic Salon, the Photographic Society, the Bristol International, and other British salons, joining The Linked Ring a year later. Both Will and his wife, Carine exhibited works in the 1894 London Salon - they later would collaborate on a series of children's books which Will illustrated with photographs. From 1912 through 1932, Will and Carine contribute "London Letter" a column for the popular magazine, Photo-Era.

[Paris]: Marval, 1992. First edition. 4to., 117 pp., [48] pages of plates from color photographs. Fine in the photo-illustrated dust jacket. Inscribed by Lucien Clergue on the half-title page. An hommage to the legendary Spanish bullfighter, Francisco Romero López. The photographs, in vibrant color, follow the entire fight to the dramatic end. Text in Spanish.

Paris: Bibliothèque Nationale, 1976. First edition. 4to., viii, 153 pp., numerous b&w photos in text, 49 full-page b&w plates. Illustrated stiff wrappers. Near fine. Catalogue for an exhibition held at the Bibliothèque Nationale, 12 June to 14 August, 1976. Includes extensive notes on the plates, and for numerous photographers who were members in the Société Française de Photographie: Bayard, Bisson, Davanne, Demachy, Emerson, Fenton, Marville, Nadar, Puyo, Rejlander, Robinson, Tournachon, et al.

NY: Published by Pudney & Russell, 1860. First edition. 8vo., xii, 168 pp.; [with] [A Directory to the Principal Objects of Interest in New-York] 7-42 pp., illustrated plates from wood engravings, 1 folding plate, a color advertisement. Gilt-decorated cloth, a.e.g. Extremities moderately rubbed. Lacking the terminal blank free endpaper. Very good. Includes a description of the American and Foreign Stereoscopic Emporium and Depot of Photographic Materials, E. Anthony, with a full-page illustration of their storefront. Tiffany & Co. is listed under Clocks, Diamonds and Jewelry, and Fancy Goods, Rich, etc.

New York: Alfred Stieglitz, 1906. Seeley, George H.. Hand-pulled photogravure, 4 3/4 x 6 inches [12.07 x 15.24 cm] printed on tissue and tipped on to the original laid paper leaf, 11 3/4 x 8 1/8 inches [29.85x 20.96 cm]. Archivally matted on rag board with window overmat. Fine. The image is a fine full-tone photogravure from CAMERA WORK 15, 1906. George H. Seeley (1880 - 1955) studied painting and drawing at the Massachusetts Normal Art School, 1897 - 1902. A visit to the studio of F. Holland Day in 1902, rekindled an early interest in photography. A series of exhibitions in 1904, brought Seeley to the attention of Alfred Stieglitz, and an invitation to become a Fellow of the Photo-Secession. In 1906, two photogravures were included in an issue of Camera Work, and five photographs are exhibited in the inaugural exhibition of the Photo-Secession Galleries; subsequently, a joint exhibition with Baron de Meyer, and a solo exhibition were held at the Photo-Secession Galleries. In 1908, Seeley's failure… Read More

New York: Anton Kern Gallery, 1998. First edition. 8vo., [16] pp., 13 plates from photographs. Stiff wrappers. Near fine. Includes an introduction by Neville Wakefield and a checklist.

New York: Alfred Stieglitz, 1906. Seeley, George H.. Hand-pulled photogravure, 6 x 7 5/8 inches [15.24 x 19.37 cm] printed on tissue and tipped on to the original laid paper leaf, 11 3/4 x 8 1/8 inches [29.85x 20.96 cm]. Archivally matted on rag board with window overmat. Fine. The image is a fine full-tone photogravure from CAMERA WORK 15, 1906. George Henry Seeley (1880 - 1955) studied painting and drawing at the Massachusetts Normal Art School, 1897 - 1902. A visit to the studio of F. Holland Day in 1902, rekindled an early interest in photography. A series of exhibitions in 1904, brought Seeley to the attention of Alfred Stieglitz, and an invitation to become a Fellow of the Photo-Secession. In 1906, two photogravures were included in an issue of Camera Work, and five photographs are exhibited in the inaugural exhibition of the Photo-Secession Galleries; subsequently, a joint exhibition with Baron de Meyer, and a solo exhibition were held at the Photo-Secession Galleries. In 1908, Seeley's… Read More

Vintage cyanotype photograph, circa 1890 - 1900, measuring 8 1/16 x 6 1/8 inches, mounted on light brown board 12 x 10 7/8 inches and stamped signed "Louis C. Tiffany" beneath the image at the lower right corner. Written in pencil on the mount is "24", and there is a small chip to the lower right corner of the board. The reverse of the board is blank. Fine. "Tiffany was America's design master at the turn of the century. Most people know his lamps, many know his revolutionary and internationally heralded leaded-glass windows, and some know of his mosaics and interior design. But few have any idea that he was also a photographer whose interest in the medium went beyond the help it could be on a practical level and extended to the regions of photographic art. His many subjects included people, plants, boats, and landscapes... The ownership stamp—Louis C. Tiffany—often can be found on the mats around the images, identifying them as photographs taken during his travels as early as the 1870s. As the… Read More

Carmel, California: The Friends of Photography, 1973. First edition. 4to., 96 pp., b&w plates from photographs. Photo-illustrated stiff wrappers. Near fine. Contains photos by Lee Friedlander, Adam Clark Vroman, Jerry Uelsmann, Ralph Gibson; "A Manifesto for Photographic Education" by A.D. Coleman; "Creativity is Contagious: A Second Look at the Creative Experience Workshop" by Fred Parker and other articles. The cover illustration is a self portrait by Jerry Uelsmann.

Chicago: A Chicago Book, 1982. First edition. 16mo., (23) pp.,1 b&w plate from photograph, 3 sheets of card stock clipped to a leaf, one 35 mm slide of text clipped to a leaf, and a plastic bag containing a fragment of glass clipped to a leaf. Shallow creasing caused by the paperclips, offsetting on the blank rear wrapper, else a near fine copy. SIGNED by the artist. An illustrated conceptual piece based upon a narrative. OCLC locates 4 copies.

Carmel, California: Friends of Photography, 1978. First edition. 4to., 61 pp., plus 6 leaves of plates from b&w photographs. Stiff wrappers. Very good or better. Contributions by: Robert Adams, Jack Welpott, Robert Barry, Susan Sontag, Homer Sykes, Peter Turner, John Spence Weir, et al.

Krims, Les. Original vintage Kodalith gelatin silver photograph, 7 1/4 x 4 7/8 inches, mounted to archival board. SIGNED and dated 1970 below the image in pencil by the photographer. Printed label from a print sale at the Photographic Studies Workshop (Visual Studies Workshop, Rochester, NY) reading "Leslie Krims" affixed to the blank verso of the mount. Window overmat. Fine. An early vintage photograph on Kodalith gelatin silver photographic stock.

[NY, 1970. Original silver gelatin photograph, 9 x 9 inches, printed on double weight photographic stock 11 x 14 inches. Tipped-on to museum board with window over mat 14 x 18 inches. Fine. Stamped in ink on the blank reverse of the photograph" Laurence Fink / 55 Chrystie Street / New York, N.Y. 10002 / 212-477-6228.

Vintage gelatin silver photograph 7 9/16 x 9 5/16 inches [18.98 x 23.65 cm.], printed prior to 1960. The verso is signed in pencil by the photographer in his distinctive hand, " Walter Chappell, Reproproof." A fine print. Walter Chappell (1925 - 2000) was affiliated with a long list of noted American photographers: Edward Weston, Alfred Stieglitz, Ansel Adams, Imogen Cunningham, Paul Caponigro, Carl Chiarenza, et al. His association with Minor White, as a student, coworker at the George Eastman House, and with Aperture Magazine was one of his most enduring. He was represented by the Carl Siembab Gallery, one of the first galleries devoted solely to photography. In the early 1960s, the home he shared with his wife, the painter, Nancy Barrett Dickinson, was destroyed by fire, taking most of his negatives and prints. Photographs made prior to the fire are rare. This photograph was reproduced as plate XXXIII, in, UNDER THE SUN: The Abstract Art of Camera Vision, By Nathan Lyons, Syl Labrot, Walter… Read More