Search Results: Titles starting with U from J & J Lubrano Music Antiquarians LLC

Wien-London: Universal Edition [PN 12050], 1951. Small folio. Decorative wrappers printed in red. [2], xi, [i], 79 pp. With biographical summaries in German, French, and English. "Diese Sammlung erschien im Jahre 1951 aus Anlaß des fünfzigjährigen Bestehens des Verlages" Contains 25 pieces previously published separately: REGER, Max. Humoreske SIBELIUS, Jean. Rondino SZYMANOWSKI, Karol. Etude LARSSON, Lars-Erik. Lento KODÁLY, Zoltán. Il pleut dans mon cœur comme il pleut sur la ville MARTIN, Frank. Prelude KRENEK, Ernst. Klavierstück POOT, Marcel. Fughetta BURKHARD, Willy. Adagio BARTÓK, Béla. Allegretto ; The night's music SCHOENBERG, Arnold. Klavierstück ; Kleines Klavierstück APOSTEL, Hans Erich. Marcia moderato HAUER, Josef. XXII. Zwölftonspiel für Klavier WEBERN, Anton. Variation JELINEK, Hans. Zweistimmige Invention WAGNER-RÉGENY, Rudolf. Zwei Klavierskizzen : in ein Album für Gerty Herzog PETYREK, Felix. Griechische Rhapsodie AKSES, Necil Kâzum. Das Dorf. VLADIGEROV, Pancho.… Read More

Genéve: Minkoff Reprint, 1984. Softcover. Very Good. Octavo. Wrappers. xxxiv, 238 pp. Facsimile reprint of the edition of 1890.

Paris: Ménestrel, Heugel et Cie. [PN H. 2447], 1900. Large octavo. Original publisher's dark ivory wrappers with title within decorative border. 1f. (recto title within decorative border, verso blank), 1f. (recto notes on first performance, named cast list, and contents, verso blank), 74 pp. Named cast includes Guyot, Geoffroy, Tautin, and Geoffroy. Annotations to cast list in pencil. Wrappers worn, soiled, and slightly chipped; spine with small tears and minor loss; detached; publisher's handstamp to lower margin. Browned; small circular publisher's handstamps to lower margin of title; former owner's handstamp to upper margin of second leaf. Re-issue from first edition plates. Le mari à la porte, to a libretto by Delacour, was first performed in Paris at the Bouffes-Parisiens on 22 June 1859. "[Offenbach] was, with Johann Strauss (ii), one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful… Read More

18 measures, marked "Andantino" at head. Notated on the first page of a bifolium in black ink on dark red staff lines within decorative dark red ruled borders with elaborate cornerpieces on ivory Lard-Esnault, Paris paper common to Rossini's late period. Oblong octavo (162 x 244 mm). Quaderni rossiniana xi, p. 60. Internationally-recognized Rossini scholar Professor Philip Gossett referred to this composition as "a lovely little Rien [trifle] with some musical substance to it despite its modest length." E-mail correspondence with a former owner "No composer in the first half of the 19th century enjoyed the measure of prestige, wealth, popular acclaim or artistic influence that belonged to Rossini. His contemporaries recognized him as the greatest Italian composer of his time. His achievements cast into oblivion the operatic world of Cimarosa and Paisiello, creating new standards against which other composers were to be judged. That both Bellini and Donizetti carved out personal styles is undeniable;… Read More

Milan: Ricordi [PN 7475-7493], 1835. Oblong folio. Leather-backed marbled boards with titling gilt to spine. 1f. (title), 1f. (cast list, contents), 5-264 pp. With contemporary signature to title page. Engraved throughout. Binding worn, rubbed and bumped. Minor foxing and browning; corners thumbed; minor marginal tears, some repairs; remnants of early binding to inner margin of title page. First Edition. Rare. OCLC 32110020 (1 copy only). Un'Avventura di Scaramuccia was first performed in Milan at La Scala on 8 March 1834. The Italian composer Ricci achieved "a notable success with Un'avventura di Scaramuccia, written to a witty libretto, part romance, part theatrical satire, by Felice Romani ... [His] is one of the more individual voices of Italian opera of the period. His chief gift was for comedy, to which he brought not only a complete mastery of the traditional devices but also a new, robust buffo manner characterized by a wealth of bouncing allegretto melodies, mostly in duple time, and a… Read More

London: Ascherberg, Hopwood & Crew, 1944. Softcover. Very Good. Octavo. Wrappers. 77 pp. In worn dustjacket.

[Paris]: Bibliothèque Nationale, 1986. Softcover. Very Good. Quarto. Green illustrated wrappers. 66 pp. With occasional illustrations.

[Paris]: L'Atelier d'Art, 1904. Image size 220 x 181 mm, sheet size 360 x 278. On laid paper. A man holds music and sings while a woman in the background covers her ears. Signed "Vierge" in the plate, with "Daniel Vierge del. et sc." and "Imprimé par L'Atelier d'Art" beneath image along with titling. Plate 40 in the series L'Eau-forte, published in Paris between 1903 and 1904. From the collection of the distinguished American mezzo-soprano Marilyn Horne (b. 1934). Slightly worn and browned at edges; remnants of tape to upper margin; hinge mount to verso. Spanish printmaker and painter Daniel Vierge is often referred to as "the father of modern illustration" for his contributions to the technique of image reproduction. He came to Paris in 1869 from Madrid and began working for major periodicals such as Le Monde Illustre and La Vie Moderne. During the 1870s, Vierge provided hundreds of illustrations to editions of Victor Hugo and histories of France. The masterpiece of Vierge's artistic genius… Read More

Mainz: B. Schott Söhne [PN 32089], 1928. Folio. Stapled. Original publisher's light tan wrappers with titling in black and device in red within decorative teal blue borders. [1-5] (half title, series listing, title, foreword, contents), 6-68 pp. Lyrics in Hungarian and German, commentary in German. Contains 44 songs for voice and piano. Wrappers slightly chipped with some loss to spine. From Schott's series Das Lied der Volker.

London: Robert Hale, 1977. Hardcover. Very Good. Octavo. Full orange cloth with titling silver to spine. 272 pp. With several illustrative plates. Upper portion of front free endpaper and dustjacket very slightly foxed.

Leipzig: Peters, 1978. Hardcover. Very Good. Octavo. Boards. 156 pp. With musical examples.

Mainz: B. Schott's Sohne, 1939. Softcover. Very Good. 2 volumes. Octavo. Wrappers. 189; 260 pp. Wrappers slightly worn.

London: Universal Edition [UE 15366], 1970. Paperback. Good. BIRTWISTLE, Harrison b. 1934, arr.. Folio. 18 pp. Arranged for flute, soprano saxophone or clarinet, glockenspiel, piano, viola, and cello. Reproduced from the composer's manuscript. Somewhat worn and browned. First Edition.