MEXICO VISTO POR EL CINE EXTRANJERO by EMILIO GARCIA RIERA - 1987 - 1990: 6 VOLS.

Hatje Cantz Publishers, Ostfildern-Ruit, 2004. Book. Fine Condition. Cloth. Inscribed by the Artist. 176 pages, with 97 illustrations, 68 of which are in full color. Upper right corners of the boards are lightly bumped, but otherwise this hardcover monograph is in virtually new condition. Boldly inscribed in silver metallic ink on the front free endpaper "To Barry love Julian 06". Texts are in German and English. Bound in black paper covered boards with red stamping to spine and cover. Dustjacket now protected by Mylar cover..

London: Sotheby Wilkinson & Strand`. Good. 1876 & 1877. Hardcover. 2 soft cover catalogues with original covers in a hard cover binding. Catalogue #1: 1876. 301pp. Etched and engraved works by the best masters formed during thirty years by James Anderson Rose. First, the history and progress of etching. Second, The progress of engravings. Rare portrait illustrations. Catalogue #2: 358pp. 1877. Fine collection of engravings formed by the Rev. J. Burleigh James. Engraved illustrations. Purple cloth, leather spine has gilt title. Text tight & intact. Top edge gilt. Marbled endpaper. Deckle page edges. Spine ends are chipped. Corners are rubbed. Front internal hinge cracked with cover firmly attached. A few pages have edge chips. Burlington Fine Art Club's book plate. Art ; Engravings; Large 8vo 9" - 10" tall; 659 pages .

New York: Venus Over Manhattan, 2014. (1st Edition). Softcover. Very good/very good. [104p.] Top corner of cover and about half the pages are lightly creased (or dented). Published on the occasion of an exhibition of works in ink, watercolor, oil, and gouache held April 3 - May 17, 2014. For those around the Los Angeles punk scene of the 1970s and 1980s, Pettibon's distinctive flyers promoting gigs for South Bay and Harbor Area bands like the Minutemen and his brother's band, Black Flag, were ubiquitous. Considered a biting political critic, albeit tempered with a touch of nostalgia and humor, his works are in the permanent collections of Centre Georges Pompidou in Paris, The Museum of Modern Art in New York, and the Tate Gallery in London. Color photographs. (11"x8-1/2")

London: Thames & Hudson. 1967. Quarto Size [approx 24cm x 30.5cm]. Very Good copy in Very Good Dust jacket - now protected in our purpose-made clear archival plastic sleeve. Bookseller stamp/label to front paste-down. Signed by Arthur Boyd on half-title page. Illustrated with 44 colour and 134 black & white reproductions. 288 pages. Arthur Boyd, AC OBE was one of the leading Australian painters of the late 20th Century. A member of the prominent Boyd artistic dynasty in Australia, his relatives included painters, sculptors, architects or other arts professionals. Boyd's work ranges from impressionist renderings of Australian landscape to starkly expressionist figuration, and many canvases feature both. He was a member of the Antipodeans, a group of Melbourne painters that also included Clifton Pugh, David Boyd, John Brack, Robert Dickerson, John Perceval and Charles Blackman. Robust, professional packaging and tracking provided for all parcels. . 1st Edition. Hardback.

Léon Arnoult: La Variabilité du Gout dans les Arts. Les phases ornamentales de la mode (The variability of taste in the arts. The ornamental phases of fashion). Printed and published by Devambez "À l'enseigne du masque d'Or". Paris, 1921. ARNOULT Léon - William ABLETT (1877-1937 illustrator). Preowned, Signed. A l'Enseigne du Masque d'Or, chez Devambez, 1921, in-4°, 87 pp + 7 plate illustrations, printed in 303 numbered copies. Sewn, original printed stiff wrapper over blind wrapper. Printed wrapper, interior fine, uncut and unopened copy. Two of the illustrations are mixed technique plates by William Ablett, one is signed in pencil by the artist: a circular engraving with a lithographic image printed on it and heightened with gold. Editorial paperback, Jacket with title to the framed flat, beautiful allegorical friezes, endpapers, eyelet, cover page with the same frieze (antique collection stamp). The quantity of circulation - 303 copies justified, and numbering - №120, a preface paper,… Read More

Paris: Editions du Chronique du Jour, 1931. Book. Very Good. Hardcover. Signed by Author(s). First Edition. 4to (21 x 25cm). A very good copy with excellent provenance - signed and inscribed by the author Luc Haesaerts and dedicated to Madame Lyle. Haesaerts thanks her for her hospitality during his stay at Barrington Court and is dated Barrington, le 22 Sept 1935. (The Lyles took over the lease of Barrington Court from the National Trust and oversaw and financed its extensive restoration - the Lyles had made their money from sugar i.e. Tate & Lyle). This copy is no. 517 of 1000. 703 pages, colour frontispiece and black and white images throughout. Original cream cloth binding with paper on-lay to the front front board, very good with a little general wear and rubbing, a little dust marked. Contents clean and tight, minimal spotting to page edges, otherwise unmarked. A very good copy with outstanding provenance signed by Luc Haesaerts..

London: Thames & Hudson. 1967. Quarto Size [approx 24cm x 30.5cm]. Very Good copy in Very Good Dust jacket - now protected in our purpose-made clear archival plastic sleeve. Bookseller stamp/label to front paste-down. Signed by Arthur Boyd on half-title page. Illustrated with 44 colour and 134 black & white reproductions. 288 pages. Arthur Boyd, AC OBE was one of the leading Australian painters of the late 20th Century. A member of the prominent Boyd artistic dynasty in Australia, his relatives included painters, sculptors, architects or other arts professionals. Boyd's work ranges from impressionist renderings of Australian landscape to starkly expressionist figuration, and many canvases feature both. He was a member of the Antipodeans, a group of Melbourne painters that also included Clifton Pugh, David Boyd, John Brack, Robert Dickerson, John Perceval and Charles Blackman. Robust, professional packaging and tracking provided for all parcels. . 1st Edition. Hardback.

Léon Arnoult: La Variabilité du Gout dans les Arts. Les phases ornamentales de la mode (The variability of taste in the arts. The ornamental phases of fashion). Printed and published by Devambez "À l'enseigne du masque d'Or". Paris, 1921. ARNOULT Léon - William ABLETT (1877-1937 illustrator). Preowned, Signed. A l'Enseigne du Masque d'Or, chez Devambez, 1921, in-4°, 87 pp + 7 plate illustrations, printed in 303 numbered copies. Sewn, original printed stiff wrapper over blind wrapper. Printed wrapper, interior fine, uncut and unopened copy. Two of the illustrations are mixed technique plates by William Ablett, one is signed in pencil by the artist: a circular engraving with a lithographic image printed on it and heightened with gold. Editorial paperback, Jacket with title to the framed flat, beautiful allegorical friezes, endpapers, eyelet, cover page with the same frieze (antique collection stamp). The quantity of circulation - 303 copies justified, and numbering - №120, a preface paper,… Read More

London: Cassell, 1998. First edition thus. First English edition (UK). Trade softcover. Published London: Cassell, 1998, first printing. Large 8vo. wrappers, 6 1/4" x 9 1/4", xvii+200pp., illustrated with b/w and color plates. Near very fine, crisp, tight.. 1st. Soft Cover. Near Very Fine/No Jacket, As Issued. 8vo.

Fuller Museum of Art, 2001. Paperback. Very Good. 0x0x0. Unmarked. Catalog for exhibition at the Fuller Museum of Art, Brown University, and the University of Massachusetts Dartmouth. Beautifully illustrated. This exhibit, based on Dion's strong ecological concerns, was culled from a series of pseudo-archaeological digs undertaken in Providence, Brockton and New Bedford. Contributions from Gregory Volk, Leah Rosenmeier, Denise Markonish, Antone G. Souza, Jr., and Murney Gerlach. Photography by Bob Braine. 49p.