Roni Horn

New York: Self-published, 1992. A fine copy, virtually untouched save the extremities which are just touched. 4to. [92] pages. 16 color and 29 tritone images. Original cloth. The third volume of 'ONE OF THE MOST EPIC AND AMBITIOUS OF ARTIST'S BOOKS' (The Photobook). One of 750 copies. This is the third in Horn's ongoing series of books concerning… Read more about this item

Baltimore: The Baltimore Museum of Art, 1994. Softcover. Booklet [8.5x10.25 inches]; VG-/paperback; light beige spine without text; covers show only slight wear; previous bookshop's small sticker to rear; French flaps; intact binding; textblock clean; illustrated; pp 20. 1365974. FP New Rockville Stock.

West Germany: Kunstraum Munchen, 1983. Trade Paperback. Very Good. A clean, unmarked copy with a tight binding. 103 pages. Many color photos. Wraps in slightly soiled white dust jacket; small tear at top of spine. Previous owner's name inside. Text in German.

New York: Mary Boone Gallery, 1991. Hardcover. Near Fine. Near Fine in black silk-covered boards, Near Fine condition, very minor shelf-wear to covers barely evident. 72 pages with 36 four-color plates. One of 700 copies designed by the artist with Andrew McCall Associates. The second in the "Ísland: To Place" series.

Los Angeles: Museum Of Contemporary Art, 1990. Paperback. Near Fine. Quarto, 10.25 x 9 inches, wraps, fine, still in shrinkwrap. Unpaginated, ca. 60 pp. Illustrated. Near fine.

Steidl Verlag, Göttingen, 2011. Ex-Library. Good. Cloth. 144 pages. Hardcover artist book, bound in black cloth covered boards, issued without a dustjacket. Withdrawn from an institutional library whose name remains stamped twice on the title page, and whose label is affixed to the inside rear cover. There is some wear to the corners of the boards. Else, there are no… Read more about this item

U.S.A.: Steidl Verlag, 2015. 104pgs. Red Boards, shrinkwrapped.. Her work revolves around language, poetry and literature. She works with literary texts, by authors such as the French philosopher Hélène Cixous and the Canadian poet Anne Carson. This volume shows a series of drawings, Hack Wit, developed between 2013 and 2015, in which Horn cuts up English figures of speech such… Read more about this item

London & Gottingen: Steidl / Thames & Hudson. Octavo. 120 pages. The limited, signed edition, this being number 75 of 100 copies. In the original selaed packaging as issued. Images are available on request. Published at £240.00 . New. Hardcover. 1st Edition. 1st Printing. 2006.

London & Gottingen: Steidl / Thames & Hudson. Octavo. 120 pages. The limited, signed edition, this being number 96 of 100 copies. In the original selaed packaging as issued. Images are available on request. Published at £240.00 . New. Hardcover. 1st Edition. 1st Printing. 2006.

Museum of Contemporary Art. A beautiful crisp clean uncracked softcover copy in very good condition, faint rubbing to cover. . Very Good. Soft cover. 1990.

Gottingen: Steidl, 2016. Hardcover. New in shrinkwrap.. Pale blue cloth boards with white stamped lettering. Unpaginated. Color illustrations. On the occasion of an exhibition held at Fondation Beyeler, Riehen/Basel, June 11, 2016 - January 8, 2017.

Museum of Contemporary Art, 1990-03. Paperback. Good.

Edition 7L. Hardcover. New. New. In shrink wrap. Looks like an interesting title!

Hardback. New. Focuses on a playful and complex body of work developed between 2013 and 2015, using cliches or proverbs and watercolor. For each work, the artist made two watercolors of a different proverb, cut them apart and then combined them into one. This book book concentrates on artists work style.

Scalo. Used - Very Good. 2000. Paperback. Stated frist Scale edition. Paperback, wraps, quarto, unpaginated. Slight buming to corners. Overall, a bright, fine copy. Very Good.

Paperback. Very Good.

Hardback. New.

Paperback / softback. New.

Paperback. Like New.

Steidl/Dangin, Gottingen, 2004. Book. Near Fine. Wrappers. Unpaginated, but approximately 130 pages. Square format paperback, bound in printed stiff paper French fold covers. No text. Minimal shelfwear to the edges. Else, the binding is tight and solid, with an uncreased spine and clean, unmarked interior. Haunting and erotic black and white images..