The Widening Circle

U.S.A.: Cambridge University Press, 1997. Book. Fine. Hardcover. Signed by Author(s). 1st Edition.. A Fine copy inscribed and signed by the author..

Cambridge: Cambridge University Press, 1997. First Edition. Paperback. Very Good/No d/j as Published. 8vo - over 7¾" - 9¾" tall. Type: Book In this collection of critical essays the well-known critic Barry Schwabsky reexamines the art produced since the 1960s, demonstrating how the achievements of "high modernism" remain consequential to it, through tensions among representation, abstraction, and… Read more about this item

Cambridge University Press 1997 . Hard cover Very good. No dust jacket. Sewn binding. Cloth over boards. 248 p. Cambridge Artists & Their Critics. Audience: General/trade. .

Cambridge, United Kingdom: Cambridge University Press, 1997. silver gilt lettering on spine and front cover, text clean and tight. First Edition. hardcover. New/No Dust Jacket. Clean Copy.

Cambridge University Press, 1997. Softcover. Fine Condition. Clean unmarked pages, very slight wear to covers. In this collection of critical essays, Barry Schwabsky re-examines the art produced since the 1960s, demonstrating how the achievements of 'high modernism' remain consequential to it, through tensions between representation, abstraction, and pictorial language. Offering close readings of works produced… Read more about this item

Cambridge University Press. Binding sound, text clean, very light shelfwear. Heavy book: priority or international shipping may require additional charges. . Very Good+. Soft cover. 1997.

Cambridge University Press, 1997. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:0521562821

New. New Book; Fast Shipping from UK; Not signed; Not First Edition; In this collection of critical essays, Barry Schwabsky re-examines the art produced since the 1960s, demonstrating how the achievements of 'high modernism' remain consequential to it, through tensions between representation, abstraction

Cambridge University Press. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Cambridge University, 1997. 1st. Paperback. New/New.

Paperback / softback. New. In this collection of critical essays, Barry Schwabsky re-examines the art produced since the 1960s, demonstrating how the achievements of 'high modernism' remain consequential to it, through tensions between representation, abstraction, and pictorial language.

Cambridge University Press, 1997-07-13. Paperback. New. New. In shrink wrap. Looks like an interesting title!

hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.