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Native Informant: Essays on Film, Fiction, and Popular Culture
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Native Informant: Essays on Film, Fiction, and Popular Culture Hardcover - 1991

by Leo Braudy


From the publisher

Native Informant is Leo Braudy's first book after his widely acclaimed and award-winning history of fame, The Frenzy of Renown. With a verve that breaks down the boundaries between film, literature, and popular culture, Braudy discusses writers and filmmakers such as Alfred Hitchcock, Daniel
Defoe, Ernst Lubitsch, Emile Zola, Susan Sontag, and Richard Condon. His subjects include madness in the eighteenth century, the Hollywood blacklist, westerns, and pornography. Throughout this lively and insightful collection, his perspective is not that of the critic as a detached voice of
professional authority but as a member of a particular culture--a native informant--whose gaze looks simultaneously inward and outward, subjective but self-aware. Like the wide-ranging Frenzy of Renown, Native Informant will appeal to specialist and interested reader alike.

Details

  • Title Native Informant: Essays on Film, Fiction, and Popular Culture
  • Author Leo Braudy
  • Binding Hardcover
  • Edition First Printing
  • Pages 336
  • Volumes 1
  • Language ENG
  • Publisher Oxford University Press, USA, New York
  • Date 1991
  • Illustrated Yes
  • ISBN 9780195052749 / 0195052749
  • Weight 1.06 lbs (0.48 kg)
  • Dimensions 8.57 x 5.56 x 0.88 in (21.77 x 14.12 x 2.24 cm)
  • Library of Congress subjects Popular culture, Motion pictures
  • Library of Congress Catalog Number 90032975
  • Dewey Decimal Code 814.54

Media reviews

Citations

  • Library Journal, 11/01/1990, Page 0
  • Publishers Weekly, 11/02/1990, Page 0
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Native Informant: Essays on Film, Fiction, and Popular Culture
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Native Informant: Essays on Film, Fiction, and Popular Culture

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Native Informant: Essays on Film, Fiction and Popular Culture
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New York Oxford: Oxford University Press, 1991. First Printing . Hard Back. Near Fine/Very Good. 6 1/4" x 9 1/4. 304 Pages Indexed. The essays in this collection break down the boundaries that separate film from literature, popular culture fromk lhigh culture, and analyzing and criticizing from teaching and understanding. Braudy views the critic not as a detached voice of professional authority but rather as a membere of a particular culture --- a native informant --- whose gaze looks simultaneously inward and outward, subjective but self-aware. He discusses a wide variety of subjects, including writers and filmmakers --- such as Hitchcock, Defoe, Lubitsch, Emile Zola, Sontage, and Richard Condon --- madness in the 18th centure, the Hollywood blacklist, westerns, pornography, the humanities, and teaching. Eveer sensitive to the mingled strands of language and feeling that constitute both artistic creativity and our response to it, Braudy places each suject in its own time and place, as… Read More
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NATIVE INFORMANT:  Essays on Film, Fiction, and Popular Culture.
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