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Authenticity and Early Music
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Authenticity and Early Music Paperback - 1989

by Nicholas Kenyon (Editor)


From the publisher

Nothing has more profoundly influenced the development of music making over the last two decades than the growth of the historical performance movement. Perceived by some as a threat, an indication of our loss of faith in our powers of musical creation, and by others as part of the evolution of modern attitudes towards performing styles, this trend towards "historically correct" interpretation has inspired lively debate among scholars and performers. Examining and questioning the prevailing basis for the so-called "authenticity" movement, this collection of papers deals with the conflict between approaching early music performance with respect for the composer's original intentions, and the shortcomings, according to many musicians, that this produces. The contributors include Gary Tomlinson, Will Crutchfield, Howard Mayer Brown, Robert Morgan, Philip Brett, and Richard Taruskin.

From the rear cover

This book attempts for the first time to explore the thinking behind the search for so-called authenticity in musical performance, and to question some of the received opinions about its worth and purpose.

Details

  • Title Authenticity and Early Music
  • Author Nicholas Kenyon (Editor)
  • Binding Paperback
  • Edition First Edition
  • Pages 240
  • Volumes 1
  • Language ENG
  • Publisher OUP Oxford, Oxford
  • Date 1989-01-12
  • ISBN 9780198161530 / 0198161530
  • Weight 0.7 lbs (0.32 kg)
  • Dimensions 8.52 x 5.42 x 0.57 in (21.64 x 13.77 x 1.45 cm)
  • Reading level 1590
  • Library of Congress subjects Music, Style, Musical
  • Library of Congress Catalog Number 88015464
  • Dewey Decimal Code 781.63
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Authenticity and Early Music: A Symposium
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