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Yale University Press, 1995-04-26. Paperback. Clean & Unmarked . 5x0x8. A very nice clean & straight copy. Nearly new. 366 pp.
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The Political Theory of Painting from Reynolds to Hazlitt: The Body of the Public Paperback - 1995
by John Barrell
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- Title The Political Theory of Painting from Reynolds to Hazlitt: The Body of the Public
- Author John Barrell
- Binding Paperback
- Edition New edition
- Pages 378
- Volumes 1
- Language ENG
- Publisher Yale University Press, New Haven
- Date 1995-04-01
- ISBN 9780300063554 / 0300063555
- Weight 1.06 lbs (0.48 kg)
- Dimensions 8.5 x 5.5 x 0.85 in (21.59 x 13.97 x 2.16 cm)
- Dewey Decimal Code 750.1
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The Political Theory of Painting from Reynolds to Hazlitt: "The Body of the Politic" (Body of the Public)
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The Political Theory of Painting from Reynolds to Hazlitt
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The Political Theory of Painting from Reynolds to Hazlitt: "The Body of the Public"
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The Political Theory of Painting from Reynolds to Hazlitt: ""The Body of the Politic"" (Body of the Public)
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The Political Theory of Painting from Reynolds to Hazlitt: "The Body of the Public"
by John Barrell
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Paperback / softback. New. What is the function of painting in a commercial society? This text describes how British artists of the late-18th and early-19th centuries attempted to answer this question.
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The Political Theory of Painting from Reynolds to Hazlitt: 'The Body of the Public'
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Yale Univ Press, 1986 HARDCOVER 1986 1st Printing in dust jacket AS NEW, Fine in Fine, no remainder or other markings, age-tanning to jacket edges, else Fine (dj in mylar); 8vo; xii + 366pp indexed & illus. First Edition. Hard Cover. Fine/Fine.
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The Political Theory of Painting from Reynolds to Hazlitt: "The Body of the Politic" (Body of the Public)
by Barrell, John
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Yale University Press, 1995-04-26. Paperback. New. New. In shrink wrap. Looks like an interesting title!
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The Political Theory of Painting from Reynolds to Hazlitt: "The Body of the Politic"
by Barrell, John
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Yale University Press, 1995 8vo (21.5 cm), 378 pp. Laminated wrappers. "What is the function of painting in a commercial society? John Barrell discusses how British artists and writers of the late eighteenth and early nineteenth centuries, including Sir Joshua Reynolds, William Blake, and James Barry attempted to answer this question. His provocative and illuminating book offers a new perspective on both art criticism and eighteenth-century British culture." (from the publisher's description)
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