Skip to content

Lines on the Water: A Fisherman's Life on the Miramichi
Stock Photo: Cover May Be Different

Lines on the Water: A Fisherman's Life on the Miramichi Hardcover - 1998

by David Adams Richards


From the publisher

David Adams Richards is best known for his Miramichi trilogy: Nights Below Station Street (1988), winner of the Governor General's Award; Evening Snow Will Bring Such Peace (1990), winner of the Canadian Authors Association Award; and For Those Who Hunt the Wounded Down (1993), which was shortlisted for the Governor General's Award. His most recent novel is Hope in the Desperate Hour (1996). He recently won the New York International Film Festival Award for Best Script for "Small Gifts," an original screenplay. He lives with his family in Toronto.

Details

  • Title Lines on the Water: A Fisherman's Life on the Miramichi
  • Author David Adams Richards
  • Binding Hardcover
  • Edition 1st Edition
  • Pages 240
  • Volumes 1
  • Language ENG
  • Publisher Doubleday Canada, Toronto
  • Date 1998-04-13
  • ISBN 9780385256964 / 0385256965
  • Weight 0.94 lbs (0.43 kg)
  • Library of Congress subjects Richards, David Adams, Fly fishing - New Brunswick -
  • Library of Congress Catalog Number 98179860
  • Dewey Decimal Code 799.124

Excerpt

Besides what little clothing I had, I didn't bring much with me except my oilcloth map of Newfoundland, a fishermen's union pullover with its codfish-emblazoned badge, which I planned to wear while working at the Call, and my father's History of Newfoundland.

My parents and brothers and sisters went with me to the railway station to say goodbye, and though they made quite a fuss, especially my mother and the girls (my father and the boys manfully shook hands with me and clapped me on the back), they were upstaged by the entire Jewish community of St. John's, about whom I had written a laudatory feature in the Telegram two months before and who were surreally on hand to see me off, waving their black hats and weeping as if one of their number was leaving them for good.

Because of them and because of my oversized nose, many of my fellow passengers took me to be Jewish, a misconception I did nothing to discourage, since it made them less likely to sit with me, not because they had anything against the Jews, but simply because they doubted they could sustain a conversation for long with so exotic an individual. Normally, there is nothing I would rather do than talk, and I knew if I got started I might well talk all the way from St. John's to Port aux Basques, oblivious to the landscape we were passing through. I would, many times in the future, spend cross-country train trips in just that manner, staying awake twenty-eight hours at a stretch, hardly noticing when one exhausted listener made way for the next, but on this trip I wanted to keep to myself and that, for the most part, is what I did.

The building of the railway had been one of the few great ventures in Newfoundland not connected with the fishery. Its primary purpose was not to link the scattered settlements around the coast, but to convey passengers and freight back and forth between the eastern and western seaports, St. John's and Port aux Basques, to give Newfoundlanders access to both the ships that crossed the ocean to England and those that crossed the gulf to the mainland. Its route was not determined by the sea, nor was the sea visible at more than a few points along the way.

We started out from St. John's just after sunrise. In two hours, we had crossed the Bog of Avalon, a sixty-mile stretch of barrens and rock scraped bare and strewn with boulders since the ice age. This gave way to a lonely, undifferentiated tract of bog and rolling hills devoid of trees because of forest fires that had burned away even the topsoil so that nothing would ever grow there again that was more than three feet high. It was September, but not so far into the month that the browning of the barrens had begun. An overcast day with a west wind that would keep the fog at bay. There was beauty everywhere, but it was the bleak beauty of sparsity, scarcity and stuntedness, with nothing left but what a thousand years ago had been the forest floor, a landscape clear-cut by nature that never would recover on its own. It was a beauty so elusive, so tantalizingly suggestive of something you could not quite put into words that it could drive you mad and, however much you loved it, make you want to get away from it and recall it from some city and content yourself with knowing it was there.

No one, not even aboriginals, had ever lived on this part of the island. It was impossible to speak of its history except in geological terms.

On one treeless, wind-levelled stretch of barrens, there were crater-like sink-holes of mud where the surface had collapsed. I saw an eastward-leaning stand of junipers, all bent at the same angle to the earth as though half-levelled by a single gust of wind.

Crossing the narrow isthmus of Avalon, I could for a time see ocean from both sides of the train. Fifty years later, after the train had ceased to run, travellers on the highway would be able to see from there the ruins of my refinery at Come by Chance; after it was mothballed, small amounts of crude oil would still be sent there for refining, so that, at night, you would be able to see the flame from the highest of the stacks from forty miles away.

Next came the Bog of Bonavista, and I began to think that Newfoundland would be nothing but a succession of bogs with clumps of storm-stunted spruce trees in between. We stopped at Gambo, the town where I was born and that I was really seeing for the first time, having been too young when I left to remember anything about it. Gambo was the one place in the 253 miles between Port Blandford on the east coast and Humbermouth on the west coast where the railway touched the shoreline, but it was not a fishing village, for the cod did not come that far up Bonavista Bay. It was a logging town and a coastal supply depot, boats sailing up Bonavista Bay to unload their cargo there, where it was then reloaded onto the train and transported inland to towns whose only link with the rest of the island was one of the world's most primitive railways, a narrow-gauge track with spindle-thin rails on which the cars swayed about like sleds on ice.

Gambo was not much to look at, just a cluster of crude, garishly painted one-storey houses, log cabins and unbelievably primitive tar-paper shacks whose front yards were linered with a lifetime of debris: bottles, wooden crates, discarded clothing, broken barrels. I self-ashamedly thanked God we had forsaken the place and our lumber business there in favour of St. John's. I saw the house where I was born -- my mother had described its location and appearance to me. I will admit that it was one of the better houses within view, a white, blue-trimmed two-storeyed salt-and-pepper house with a gabled attic window that I could all too easily imagine myself looking out to sea from on a Sunday afternoon. I had fancied, before the trip began, that when we stopped in Gambo, I would proudly announce it to my fellow passengers as the place where I was born. But having seen it, I kept this information to myself and turned sideways in my seat, staring crimson-faced out the window and trying not to imagine the Smallwood that might have been, standing out there, staring in wonderment and longing at the train.

As a boy, I dreamed of fishing before I went, and went fishing before I caught anything, and knew fisherman before I became one. As a child, I dreamed of finding remarkable fish so close to me that they would be easy to  catch. And no one, in my dreams, had ever found these fish before me.

I remember the  water as dark and clear at the same time -- and by clear I suppose I mean clean. Sometimes it looked like gold or copper, and at dusk the eddies splashed silver-toned, and babbled like all the musical instruments of the world. I still think of it this way now, years later.

As a child I had the idea that the trout were golden, or green, in the deep pools hidden away under the moss of a riverbank. And that some day I would walk in the right direction , take all the right paths to river and find them there.

In fact, trout, I learned, were far more textured and a better colour tan just golds and greens. They were the colour of nature itself -- as naturally outfitted in their coat of  thin slime as God  could manage. They were hidden around bends and in the deep shaded pools of my youth.

I had the impression from those Mother Goose stories that all fish could talk. I still do.

My first fishing foray was along the bank of a small brook to the northwest of  Newcastle, on the Miramichi. A sparkling old brook that lord Beaverbrook took his name from.

My older brother and a friend took me along with them, on a cool blowy day. We had small cane rods and old manual reels, with hooks and sinkers and worms, the kind all kids used. The kind my wife used as a child on the Bartibog River thirteen miles downriver from my town of Newcastle, and her brothers used also, at the same time that I was trudging with my brother.

It was a Saturday in May of 1955 and I was not yet five years of age. Fishing even then could take me out of myself, far away from the worry of my life, such as it was, and into another life better and more complete.

We had packed a lunch an had got to the brook about ten in the morning. Just as we entered the woods, I saw the brook, which seemed to be no deeper in places than my shoe. In we went (a certain distance) until the sounds of the town below us were left behind.

Leaning across the brook was a maple, with its branches dipping into the water. At the upper end of the  tree, the current swept about a boulder, and gently tailed away into a deep pocket about a foot from the branches. The place was shaded, and the sunlight filtered through  the trees on the water beyond us. The boys were in a hurry and moved on to that place where all the fish really are. And I lagged behind. I was never any good at keeping up, having a lame left side, so most of the time my older brother made auxiliary rules for me -- rules that by and large excluded me.

"You can fish there, " he said.

I nodded. " Where?"

"There, see. Look -- right there. Water. Fish. Go at her.  We'll be back."

I nodded.

I sat down on the moss and looked about, and could see that my brother and his friends were going away from me. I was alone. So I took out my sandwich and ate it. ( It was in one pocket, my worms were in the other. My brother doled the worms out to me a few at a time.)

I was not supposed  to be, from our mother's instructions, alone.

"For Mary in heaven's sake, don't leave your little brother alone in the woods." I could hear her woods.

I could also hear my brother and our friend moving away, and leaving me where I was. In this little place we out of sight of one another after about twenty feet. I had not yet learned to tie my sneakers: they had been tied for me by my brother in a hurry, for the second time, at the railway track, and here again they were loose. So I took them of. And then I rolled up my pants.

I had four worms in my pocket. They smelled of the dark earth near my grandmother's back garden where they  had come from, and all worms smell of earth, and therefore all earth smells of trout.

I spiked a worm on my small hook the best I could. I had a plug-shot sinker about six inches up my line, which my father had squeezed for me the night before. But  my line was kinked and old, and probably half-rotted, from years laid away.

I grabbed the rod in one hand, the line in the other, and tossed it at the boulder. It hit the boulder and slid underneath the water. I could see it roll one time on the pebbled bottom, and then it was lost to my sight under the brown cool current. The sun was at my back splaying down through the trees. I was standing on the mossy bank. There  was a young twisted maple on my right.

Almost immediately I felt a tug on the line. Suddenly it all came to me -- this is what fish do -- this was their age-old secret.

The line tightened, the old rod bent, and a trout -- the first trout of my life -- came splashing and rolling to the top of the water. It was a trout about eight inches long, with a plump belly.

"I got it," I whispered. " I got it. I got it."

But no one heard me: " I got it. I got it."

For one moment  I looked at the trout, and the trout looked at me. It seemed to be telling me something. I wasn't sure what. It is something I  have been trying to hear ever since.

When I lifted it over the bank, and around the maple, it spit the hook, but it was safe in my possession a foot or two from the water.

For a moment no one came, and I was left to stare at it. The worm had changed colour in the water. The trout was wet and it  had most beautiful glimmering orange speckles I ever saw. It reminded me, or was to remind me as I got older, of spring, of Easter Sunday, of the smell of snow being warmed away by the sun.

My brother's friend came back. He looked at it, amazed that I had actually caught something. Picking up a stick, and hunching over it he shouted, " Get out of the way -- I'll kill it."

And he slammed the stick down beside it. The stick missed the fish, hit a leaf branch of that maple that the fish was lying across, and catapulted the trout back into the brook.

I looked at him, he looked at me.

"Ya lost him," he said.

My brother came up, yelling, "  Did you get a fish?"

"He lost him," my brother's friend said, standing.

"Oh  ya lost him," my brother said, half derisively, and I think a little happily.

I fished frantically for the time remaining, positive that this was an easy thing to do. But nothing else tugged at my line. And as the day wore on I became less enthusiastic.

We went home a couple of hours later. The sun glanced off the steel railway tracks, and I walked back over the ties in my bare feet because I had lost my sneakers. My socks were stuffed into my pockets. The air now smelled of steely soot and bark, and the town's houses stretched below the ball fields.

The houses in our town were for the most part the homes of working men. The war was over, and it was the age of the baby boomers, of which I was one. Old pictures in front of those houses, faded with time, show seven or eight children, all smiling curiously at the camera. And I reflect that we baby boomers, born after a war that left so many dead, were much like salmon spawn born near the brown streams and  great river. We were born to reaffirm life and the destiny of the human race.

When we got home, my brother showed his trout to my mother, and my mother looked at me.

"Didn't you get anything, dear?"

"I caught a trout -- a large trout. It -- it -- I -- "

"Ya lost him, Davy boy," my brother said, slapping me on the back.

"Oh well," my mother said. "That's all right, there will always be a next time."

And that was the start of my fishing life.

That was a long time ago, when fishing was innocent and benevolent. I have learned since that I would have to argue my way through life -- that I was going to become a person who could never leave to rest the idea of why things were the way they were. And fishing was to become part of this idea, just as hunting was. Why would the fish take one day, and not the next? What was the reason for someone's confidence one year, and their lack of it the next season, when conditions seemed to be exactly the same?

Or the great waters -- the south branch of the Sevogle that flows into the main Sevogle, that flows into the Norwest Miramichi, itself a tributary of the great river, What infinite source propelled each separate individual fish to return on those days, at that moment, when my Copper killer, or Green Butt Butterfly -- or anyone else's -- was skirting the pool at exactly the right angle at the same moment, and when was it all announced and inscribed in the heavens -- as insignificant as it is -- as foreordained.

About the author

David Adams Richards is best known for his Miramichi trilogy" Nights Below Station Street" (1988), winner of the Governor General's Award; "Evening Snow Will Bring Such Peace" (1990), winner of the Canadian Authors Association Award; and" For Those Who Hunt the Wounded Down ("1993), which was shortlisted for the Governor General's Award. His most recent novel is "Hope in the Desperate Hour" (1996). He recently won the New York International Film Festival Award for Best Script for "Small Gifts," an original screenplay. He lives with his family in Toronto.
Back to Top

More Copies for Sale

Lines on the Water:   A Fisherman's Life On The Miramichi
Stock Photo: Cover May Be Different

Lines on the Water: A Fisherman's Life On The Miramichi

by Richards, David Adams

  • Used
  • Hardcover
  • first
Condition
Used - Very Good in Fine dust jacket
Edition
First Edition; First Printing
Binding
Hardcover
ISBN 10 / ISBN 13
9780385256964 / 0385256965
Quantity Available
1
Seller
Amherst, Nova Scotia, Canada
Seller rating:
This seller has earned a 5 of 5 Stars rating from Biblio customers.
Item Price
A$18.38
A$14.55 shipping to USA

Show Details

Description:
Doubleday Canada. Very Good in Fine dust jacket. 1998. First Edition; First Printing. Hardcover. 0385256965 . Tight clean book with inscription to front endpaper; in crisp dust jacket ; 256 pages .
Item Price
A$18.38
A$14.55 shipping to USA
Lines on the Water:   A Fisherman's Life On The Miramichi
Stock Photo: Cover May Be Different

Lines on the Water: A Fisherman's Life On The Miramichi

by Richards, David Adams

  • Used
  • Hardcover
  • first
Condition
Used - Very Good+ in Fine dust jacket
Edition
First Edition; First Printing
Binding
Hardcover
ISBN 10 / ISBN 13
9780385256964 / 0385256965
Quantity Available
1
Seller
Amherst, Nova Scotia, Canada
Seller rating:
This seller has earned a 5 of 5 Stars rating from Biblio customers.
Item Price
A$18.38
A$14.55 shipping to USA

Show Details

Description:
Doubleday Canada. Very Good+ in Fine dust jacket. 1998. First Edition; First Printing. Hardcover. 0385256965 . Tight clean book with name to front endpaper; in crisp dust jacket ; 256 pages .
Item Price
A$18.38
A$14.55 shipping to USA
Lines on the Water   A Fisherman's Life on the Miramichi

Lines on the Water A Fisherman's Life on the Miramichi

by David Adams Richards

  • Used
  • Very Good
  • Hardcover
  • first
Condition
Used - Very Good
Edition
1st Printing
Binding
Hardcover
ISBN 10 / ISBN 13
9780385256964 / 0385256965
Quantity Available
1
Seller
Palgrave, Ontario, Canada
Seller rating:
This seller has earned a 5 of 5 Stars rating from Biblio customers.
Item Price
A$22.97
A$21.44 shipping to USA

Show Details

Description:
Doubleday Canada, 1998. 1st Printing. Hardcover. Very Good/Good. Full run of numbers. Book is very clean. Dust jacket has some edge wear and a small triangular chip on rear lower edge otherwise good.
Item Price
A$22.97
A$21.44 shipping to USA
Lines On The Water:   A Fisherman's Life On The Miramichi
Stock Photo: Cover May Be Different

Lines On The Water: A Fisherman's Life On The Miramichi

by Richards, David Adams

  • Used
  • Hardcover
  • first
Condition
Used - Fine in Fine dust jacket
Edition
First Edition; First Printing
Binding
Hardcover
ISBN 10 / ISBN 13
9780385256964 / 0385256965
Quantity Available
1
Seller
Amherst, Nova Scotia, Canada
Seller rating:
This seller has earned a 5 of 5 Stars rating from Biblio customers.
Item Price
A$24.50
A$14.55 shipping to USA

Show Details

Description:
Doubleday Canada. Fine in Fine dust jacket. 1998. First Edition; First Printing. Hardcover. 0385256965 . Tight unamrked book in crisp dust jacket. ; 8.30 X 5.80 X 1.10 inches; 256 pages .
Item Price
A$24.50
A$14.55 shipping to USA
Lines on the water: A fisherman's life on the Miramichi

Lines on the water: A fisherman's life on the Miramichi

by Richards, David Adams

  • Used
  • Good
  • Paperback
Condition
Used - Good
Binding
Paperback
ISBN 10 / ISBN 13
9780385256964 / 0385256965
Quantity Available
2
Seller
Seattle, Washington, United States
Seller rating:
This seller has earned a 4 of 5 Stars rating from Biblio customers.
Item Price
A$39.19
FREE shipping to USA

Show Details

Description:
Doubleday Canada, Limited, 1998. Paperback. Good. Disclaimer:A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed.
Item Price
A$39.19
FREE shipping to USA
Lines on the water: A fisherman's life on the Miramichi

Lines on the water: A fisherman's life on the Miramichi

by Richards, David Adams

  • Used
  • as new
  • Paperback
Condition
New
Binding
Paperback
ISBN 10 / ISBN 13
9780385256964 / 0385256965
Quantity Available
1
Seller
Seattle, Washington, United States
Seller rating:
This seller has earned a 4 of 5 Stars rating from Biblio customers.
Item Price
A$39.19
FREE shipping to USA

Show Details

Description:
Doubleday Canada, Limited, 1998. Paperback. As New. Disclaimer:An apparently unread copy in perfect condition. Dust cover is intact; pages are clean and are not marred by notes or folds of any kind. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed.
Item Price
A$39.19
FREE shipping to USA
Lines On The Water: A Fisherman's Life On The Miramichi
Stock Photo: Cover May Be Different

Lines On The Water: A Fisherman's Life On The Miramichi

by Richards, David Adams

  • Used
  • Good
  • Hardcover
Condition
Used - Good
Binding
Hardcover
ISBN 10 / ISBN 13
9780385256964 / 0385256965
Quantity Available
1
Seller
Newport Coast, California, United States
Seller rating:
This seller has earned a 5 of 5 Stars rating from Biblio customers.
Item Price
A$102.69
FREE shipping to USA

Show Details

Description:
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.
Item Price
A$102.69
FREE shipping to USA