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Bhagavad Gita: A New Translation
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Bhagavad Gita: A New Translation Paperback - 2002

by Stephen Mitchell

"The Bhagavad Gita" is universally acknowledged to be one of the world's literary and spiritual masterpieces. Stephen Mitchell surpasses all previous editions of this classic Indian work, conveying for the first time the irresistible poetic force of the original text.


Summary

Stephen Mitchell is widely known for his ability to make ancient masterpieces thrillingly new, to step in where many have tried before and create versions that are definitive for our time. His celebrated version of the Tao Te Ching is the most popular edition in print, and his translations of Jesus, Rilke, Genesis, and Job have won the hearts of readers and critics alike. Stephen Mitchell now brings to the Bhagavad Gita his gift for breathing new life into sacred texts.The Bhagavad Gita is universally acknowledged as one of the world's literary and spiritual masterpieces. It is the core text of the Hindu tradition and has been treasured by American writers from Emerson and Thoreau to T. S. Eliot, who called it the greatest philosophical poem after the Divine Comedy. There have been more than two hundred English translations of the Gita, including many competent literal versions, but not one of them is a superlative literary text in its own right.Now all that has changed. Stephen Mitchell's Bhagavad Gita sings with the clarity, the vigor, and the intensity of the original Sanskrit. It will, as William Arrowsmith said of Mitchell's translation of The Sonnets to Orpheus, "instantly make every other rendering obsolete."From the Hardcover edition.

From the publisher

Stephen Mitchell is widely known for his ability to make ancient masterpieces thrillingly new, to step in where many have tried before and create versions that are definitive for our time. His celebrated version of the Tao Te Ching is the most popular edition in print, and his translations of Jesus, Rilke, Genesis, and Job have won the hearts of readers and critics alike. Stephen Mitchell now brings to the Bhagavad Gita his gift for breathing new life into sacred texts. The Bhagavad Gita is universally acknowledged as one of the world's literary and spiritual masterpieces. It is the core text of the Hindu tradition and has been treasured by American writers from Emerson and Thoreau to T. S. Eliot, who called it the greatest philosophical poem after the Divine Comedy. There have been more than two hundred English translations of the Gita, including many competent literal versions, but not one of them is a superlative literary text in its own right. Now all that has changed. Stephen Mitchell's Bhagavad Gita sings with the clarity, the vigor, and the intensity of the original Sanskrit. It will, as William Arrowsmith said of Mitchell's translation of The Sonnets to Orpheus, "instantly make every other rendering obsolete."

First line

In the field of righteousness, the field of Kuru, tell me, Sanjaya, what happened when my army and the Pandavas faced each other, eager for battle?

From the jacket flap

Stephen Mitchell is widely known for his ability to make ancient masterpieces thrillingly new, to step in where many have tried before and create versions that are definitive for our time. His celebrated version of the Tao Te Ching is the most popular edition in print, and his translations of Jesus, Rilke, Genesis, and Job have won the hearts of readers and critics alike. Stephen Mitchell now brings to the Bhagavad Gita his gift for breathing new life into sacred texts.
The Bhagavad Gita is universally acknowledged as one of the world's literary and spiritual masterpieces. It is the core text of the Hindu tradition and has been treasured by American writers from Emerson and Thoreau to T. S. Eliot, who called it the greatest philosophical poem after the "Divine Comedy. There have been more than two hundred English translations of the Gita, including many competent literal versions, but not one of them is a superlative literary text in its own right. Now all that has changed. Stephen Mitchell's "Bhagavad Gita sings with the clarity, the vigor, and the intensity of the original Sanskrit. It will, as William Arrowsmith said of Mitchell's translation of "The Sonnets to Orpheus, "instantly make every other rendering obsolete."

"From the Hardcover edition.

Details

  • Title Bhagavad Gita: A New Translation
  • Author Stephen Mitchell
  • Binding Paperback
  • Edition Reprint
  • Pages 224
  • Volumes 1
  • Language ENG
  • Publisher Harmony, New York, New York, U.S.A.
  • Date 2002-08-27
  • ISBN 9780609810347 / 0609810340
  • Weight 0.55 lbs (0.25 kg)
  • Dimensions 9.1 x 5.4 x 0.6 in (23.11 x 13.72 x 1.52 cm)
  • Themes
    • Religious Orientation: Hindu
    • Topical: New Age
  • Library of Congress subjects Hinduism
  • Dewey Decimal Code 294.592

Excerpt

ARJUNA'S DESPAIR

King Dhritarashtra said:

In the field of righteousness, the field of Kuru, tell me, Sanjaya, what happened when my army and the Pandavas faced each other, eager for battle?

The poet Sanjaya said:

Seeing the ranks of the Pandavas' forces, Prince Duryodhana approached his teacher, Drona, and spoke these words: "Look at this great army, led by the son of Drupada, your worthy pupil. Many great warriors stand ready to do battle, many great archers, men as formidable as Bhima and Arjuna: Yuyudhana, Virata, the mighty Drupada, Dhrishtaketu, Chekitana, the heroic king of Benares, Purujit, Kuntibhoja, Shaibya that bull among men, bold Yudhamanyu, Uttamaujas famous for his courage, the son of Subhadra, and the sons of Draupadi, all of them great warriors. Now, most honored of priests, look at the great men on our side, the leaders of my army: you, first of all, then Bhishma, Karna, the always-victorious Kripa, Ashvatthama, Vikarna, the son of Somadatta, and many other heroes--all of them skilled in war and armed with many kinds of weapons--who are risking their lives for my sake. Limitless is this army of ours, led by Bhishma; but their army, led by Bhima, is limited. Wherever the battle moves, all of you must stand firm and make sure that Bhishma is well protected."

Then Bhishma, the aged grandfather of the Kurus, roared his lion's roar and blew a powerful blast on his conch horn, and Duryodhana's heart leapt with joy. Immediately all the conches blared, and the kettledrums, cymbals, trumpets, and drums: a deafening clamor. Standing in their great chariot yoked with white horses, Krishna and Arjuna blew their celestial conches: Krishna blew the conch called "Won from the Demon Panchajanya"; Arjuna blew "God Given"; ferocious, wolf-bellied Bhima blew the mighty conch called "King Paundra"; Prince Yudhishthira blew "Unending Victory"; Nakula and his twin, Sahadeva, blew "Great Noise" and "Jewel Bracelet"; the king of Benares that superb archer, the great warrior Shikhandi, Dhrishtadyumna, Virata, the unconquerable Satyaki, Drupada, Draupadi's sons, the huge-armed Abhimanyu--all of them, O King, blew their conches at once. The uproar tore through the hearts of Dhritarashtra's men and echoed throughout heaven and earth.

Then Arjuna, looking at the battle ranks of Dhritarashtra's men, raised his bow as the weapons were about to clash, and said to Krishna, "Drive my chariot and stop between the two armies, so that I can see these warriors whom I am about to fight, drawn up and eager for battle. I want to look at the men gathered here ready to do battle service for Dhritarashtra's evil-minded son."

After Arjuna had spoken, Krishna drove the splendid chariot and brought it to a halt midway between the two armies. Facing Bhishma, Drona, and the other great kings, he said: "Look, Arjuna. From here you can see all the Kurus who are gathered to do battle."

Arjuna saw them standing there: fathers, grandfathers, teachers, uncles, brothers, sons, grandsons, fathers-in-law, and friends, kinsmen on both sides, each side arrayed against the other. In despair, overwhelmed with pity, he said: "As I see my own kinsmen, gathered here, eager to fight, my legs weaken, my mouth dries, my body trembles, my hair stands on end, my skin burns, the bow Gandiva drops from my hand, I am beside myself, my mind reels. I see evil omens, Krishna; no good can come from killing my own kinsmen in battle. I have no desire for victory or for the pleasures of kingship. What good is kingship, or happiness, or life itself, when those for whose sake we desire them--teachers, fathers, sons, grandfathers, uncles, fathers-in-law, grandsons, brothers-in-law, and other kinsmen--stand here in battle ranks, ready to give up their fortunes and their lives? Though they want to kill me, I have no desire to kill them, not even for the kingship of the three worlds, let alone for that of the earth. What joy would we have in killing Dhritarashtra's men? Evil will cling to us if we kill them, even though they are the aggressors. And it would be unworthy of us to kill our own kinsmen. How could we be happy if we did? Because their minds are overpowered by greed, they see no harm in destroying the family, no crime in treachery to friends. But we should know better, Krishna: clearly seeing the harm caused by the destruction of the family, we should turn back from this evil. When the family is destroyed, the ancient laws of family duty cease; when law ceases, lawlessness overwhelms the family; when lawlessness overwhelms the women of the family, they become corrupted; when women are corrupted, the intermixture of castes is the inevitable result. Intermixture of castes drags down to hell both those who destroy the family and the family itself; the spirits of the ancestors fall, deprived of their oVerings of rice and water. Such are the evils caused by those who destroy the family: because of the intermixture of castes, caste duties are obliterated and the permanent duties of the family as well. We have often heard, Krishna, that men whose family duties have been obliterated must live in hell forever. Alas! We are about to commit a great evil by killing our own kinsmen, because of our greed for the pleasures of kingship. It would be better if Dhritarashtra's men killed me in battle, unarmed and unresisting."

Having spoken these words, Arjuna sank down into the chariot and dropped his arrows and bow, his mind heavy with grief.


From the Hardcover edition.

Media reviews

"Of this world-beloved, timeless classic this is the most poetic rendition."        
-- Huston Smith


From the Hardcover edition.

About the author

Stephen Mitchell's many books include The Selected Poetry of Rainer Maria Rilke, The Book of Job, Tao Te Ching, Parables and Portraits, The Gospel According to Jesus, Meetings with the Archangel, and The Frog Prince.
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