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The Forest Lover
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The Forest Lover Hardback - 2004

by Vreeland, Susan

It was Emily Carr (1871–1945) not Georgia O'Keeffe or Frida Kahlo who first blazed a path for modern women artists. Overcoming the confines of late Victorian culture, Carr became a major force in modern art. Her boldly original landscapes are praised today for capturing an untamed British Columbia and its indigenous peoples just before industrialization would change it forever.

In her latest novel, Susan Vreeland brings to life this fiercely independent and underappreciated figure. From illegal potlatches in tribal communities to prewar Paris, where her art was exhibited in the famed Salon d'Automne, Carr's story is as arresting as it is vibrant. Vreeland tells it with gusto and suspense, giving vivid portraits of Carr and the unconventional people to whom she was inevitably drawn: Sophie, a native basket maker; Harold, the son of missionaries, who embraces indigenous cultures; Fanny, a New Zealand artist who spends a summer with Carr painting in the French countryside; and Claude, a French fur trader who steals her heart. The result is a glorious novel that will appeal to lovers of art, native cultures, and lush historical fiction.


Summary

Before Georgia O'Keefe redefined the desert landscapes of New Mexico and Frida Kahlo revolutionized the art of self-portraiture, Emily Carr blazed a trail onto the early 20th century art scene with her boldly modern and inventive renditions of the British Columbian landscape. With her uncompromising brushstrokes and against all odds, she was able to capture not only the fading wilderness slowly marred by encroaching industrialization and assimilation, but also the indigenous villages, the tribal peoples, and their dying customs and art forms. With great detail, Vreeland conveys how Carr overcame self-doubt and grew to believe in her own passion and ability and chose, at no small cost, to live a life less ordinary. From illegal potlatches in tribal communities in the interior and a tryst with a French fur trader to Paris in 1911, where she was part of the birth of modernism and cubism, Carr's story is as arresting and vibrant as her many canvases. Above all, it is the story of a woman who faced hypocrisy and injustice, and was always true to herself and to her art.

From the publisher

It was Emily Carr (1871a1945)anot Georgia OaKeeffe or Frida Kahloawho first blazed a path for modern women artists. Overcoming the confines of late Victorian culture, Carr became a major force in modern art. Her boldly original landscapes are praised today for capturing an untamed British Columbiaaand its indigenous peoplesajust before industrialization would change it forever.

In her latest novel, Susan Vreeland brings to life this fiercely independent and underappreciated figure. From illegal potlatches in tribal communities to prewar Paris, where her art was exhibited in the famed Salon daAutomne, Carras story is as arresting as it is vibrant. Vreeland tells it with gusto and suspense, giving vivid portraits of Carr and the unconventional people to whom she was inevitably drawn: Sophie, a native basket maker; Harold, the son of missionaries, who embraces indigenous cultures; Fanny, a New Zealand artist who spends a summer with Carr painting in the French countryside; and Claude, a French fur trader who steals her heart. The result is a glorious novel that will appeal to lovers of art, native cultures, and lush historical fiction.

Details

  • Title The Forest Lover
  • Author Vreeland, Susan
  • Binding Hardback
  • Edition First Edition
  • Pages 352
  • Language EN
  • Publisher Viking Adult, New York, New York, U.S.A.
  • Date 2004-02-09
  • ISBN 9780670032679
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The Forest Lover
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The Forest Lover

by Susan Vreeland

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The Forest Lover : A Novel
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