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The Hako: Song, Pipe and Unity in a Pawnee Calumet Ceremony
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The Hako: Song, Pipe and Unity in a Pawnee Calumet Ceremony Paperback - 1996

by Alice C. Fletcher; Edwin S. Tracy (Translator); James R. Murie (With)


From the publisher

One of the more complex and widespread rituals practiced by Native American groups focused on the calumet, a sacred pipe with a feathered shaft. The Calumet Ceremony was a powerful ritual through which members of another tribe were adopted. It also promoted social unity within tribes and facilitated contact and trade between them. Perhaps the most detailed description of a Calumet Ceremony was recorded near the turn of the century by ethnographer Alice C. Fletcher. Fletcher witnessed the Hako, a version of the Calumet Ceremony practiced by the Chaui clan of the Pawnee. With the invaluable assistance of Tahirussawichi, a Pawnee Ku'rahus or ceremonial leader, and renowned Indian scholar James R. Murie, himself a Pawnee, the author describes in marvelous detail the intricate rhythm and structure of the ceremony. Each song of the Hako is transcribed, translated, interpreted by the Pawnee Ku'rahus, and later analyzed by the author. Fletcher concludes that the Hako promised longevity, fertility, and prosperity to individuals and worked to insure "friendship and peace" between clans and tribes. The Hako, was originally published in 1904. Helen Myers, an associate professor of music at Trinity College and the ethnomusicology editor of the New Grove Dictionary of Music and Musicians.

From the rear cover

One of the more complex and widespread rituals practiced by Native American groups focused on the calumet, a sacred pipe with a feathered shaft. The Calumet Ceremony was a powerful ritual through which members of another tribe were adopted. It also promoted social unity within tribes and facilitated contact and trade between them. Perhaps the most detailed description of a Calumet Ceremony was recorded near the turn of the century by ethnographer Alice C. Fletcher. Fletcher witnessed the Hako, a version of the Calumet Ceremony practiced by the Chaui clan of the Pawnee. With the invaluable assistance of Tahirussawichi, a Pawnee Ku'rahus or ceremonial leader, and renowned Indian scholar James R. Murie, himself a Pawnee, the author describes in marvelous detail the intricate rhythm and structure of the ceremony. Each song of the Hako is transcribed, translated, interpreted by the Pawnee Ku'rahus, and later analyzed by the author. Fletcher concludes that the Hako promised longevity, fertility, and prosperity to individuals and worked to insure "friendship and peace" between clans and tribes. The Hako, originally published in 1904, is introduced by Helen Myers, an associate professor of music at Trinity College and the ethnomusicology editor of the New Grove Dictionary of Music and Musicians.

Details

  • Title The Hako: Song, Pipe and Unity in a Pawnee Calumet Ceremony
  • Author Alice C. Fletcher; Edwin S. Tracy (Translator); James R. Murie (With)
  • Binding Paperback
  • Edition Reprint
  • Pages 390
  • Volumes 1
  • Language ENG
  • Publisher Bison, Lincoln, Nebraska, U.S.A.
  • Date 1996-11-01
  • ISBN 9780803268890 / 0803268890
  • Weight 1.16 lbs (0.53 kg)
  • Dimensions 8.99 x 6.03 x 0.82 in (22.83 x 15.32 x 2.08 cm)
  • Reading level 1090
  • Themes
    • Cultural Region: Plains
    • Ethnic Orientation: Native American
  • Library of Congress subjects Hako (Pawnee rite), Pawnee Indians - Rites and ceremonies
  • Library of Congress Catalog Number 96034257
  • Dewey Decimal Code 299.74

About the author

Helen Myers, an associate professor of music at Trinity College and the ethnomusicology editor of the New Grove Dictionary of Music and Musicians.
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The Hako: Song, Pipe, and Unity in a Pawnee Calumet Ceremony
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by Alice C. Fletcher; James R. Murie; Translator-Edwin S. Tracy; Introduction-Helen Myers

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Lincoln NE: University of Nebraska Press, 1996. Reprint of 1904 Edition. Paperback. Near Fine. Perhaps the most detailed description of the Hako, a version of the Calumet Ceremony (sacred pipe with a feathered shaft), was recorded near the turn of the century by ethnographer Alice C. Fletcher." 372 pages; 6 x 9
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