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The Audio Dictionary: Third Edition, Revised and Expanded

The Audio Dictionary: Third Edition, Revised and Expanded

The Audio Dictionary: Third Edition, Revised and Expanded
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The Audio Dictionary: Third Edition, Revised and Expanded Paperback - 2005

by White, Glenn D.; Louie, Gary J

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University of Washington Press. paperback. New. New. In shrink wrap. Looks like an interesting title!
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Details

  • Title The Audio Dictionary: Third Edition, Revised and Expanded
  • Author White, Glenn D.; Louie, Gary J
  • Binding Paperback
  • Edition 3 Rev Exp
  • Condition New
  • Pages 516
  • Volumes 1
  • Language ENG
  • Publisher University of Washington Press
  • Publication date 2005-08-01
  • Features Bibliography, Table of Contents
  • Bookseller's Inventory # Q-0295984988
  • ISBN 9780295984988 / 0295984988
  • Weight 1.7 lbs (0.77 kg)
  • Dimensions 9 x 6 x 1.3 in (22.86 x 15.24 x 3.30 cm)
  • Category Technology & Industrial Arts
  • Library of Congress subjects Sound - Recording and reproducing -
  • Library of Congress Catalogue Number 2004029425
  • Dewey Decimal Code 621.389
  • Quantity available 1

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From the publisher

The Audio Dictionary is a comprehensive resource, including historical, obsolete, and obscure as well as contemporary terms relating to diverse aspects of audio such as film and TV sound, recording, Hi-Fi, and acoustics.

The Third Edition includes four hundred new entries, such as AAC (advanced audio coding), lip synch, metadata, MP3, and satellite radio. Every term from previous editions has been reconsidered and often rewritten. Guest entries are by Dennis Bohn, cofounder and head of research and development at Rane Corporation, and film sound expert Larry Blake, whose credits include Erin Brockovich and Ocean's Eleven. The appendixes--tutorials that gather a lifetime's worth of experience in acoustics--include both new and greatly expanded articles.

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Citations

  • American Reference Bks Annual, 01/01/2006, Page 507
  • Univ PR Books for Public Libry, 01/01/2006, Page 1

About the author

Glenn D. White has been a freelance recording engineer for more than thirty years, specializing in instrumentation for acoustic and vibration measurements. His clients include the University of Washington, Vassar College, Rutgers University, and the Boeing Company. Gary J. Louie has been the music recording specialist at the University of Washington School of Music for over twenty-five years. His recordings have been released on labels including Harmonia Mundi, Musical Heritage Society, and Warner Brothers. He is secretary of the Pacific Northwest Section of the Audio Engineering Society.

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