LES AVENTURES DE TÉLÉMAQUE, FILS D'ULYSSE
by (FRENCH ILLUSTRATED BOOKS). FÉNELON, FRANÇOIS DE SALIGNAC
- Used
- Condition
- See description
- Seller
-
McMinnville, Oregon, United States
Payment Methods Accepted
About This Item
Amsterdam: Wetstein & G. Smith; Rotterdam: Jean Hofhout, 1734. First Printing of this Edition. ONE OF 150 COPIES IN FOLIO FORMAT. 375 x 265 mm. (14 3/4 x 10 1/2"). 4 p.l. including portrait and frontispiece, x, xxvi (i.e. xvi), 395, [1] pp. Like most copies, ours lacks the suppressed material designed to follow page 395.
FINE CONTEMPORARY RED STRAIGHT-GRAIN MOROCCO, covers with palmette roll border, central panel with gilt-ruled frame and lozenge accented with bead and lozenge roll, spine gilt and inlaid with olive morocco bands tooled with gilt chalice and leaves between the double raised bands, spine compartments with central urn ornament surrounded by small tools, calligraphic flourishes at corners, gilt titling, turn-ins with elaborate gilt roll featuring leaves and moths, blue watered silk endleaves, all edges gilt (lower board with three older repaired patches). In a modern marbled paper slipcase. Ornamental headpieces and tailpieces, title page decorated with vignette, author portrait by Drevet after Vivien, and 25 more plates illustrating the tale engraved by Folkéma and others, predominantly in classical style, three (including the frontispiece) designed by Picart, 16 by Dubourg, and six by Debrie, with original tissue guards; 45 vignettes serving as headpieces (24) and tailpieces (21), designed by Dubourg and Shenk, one engraved folding map, and extra-illustrated with a portrait of Fenelon by Jean Coraboeuf dated 1920. Text with ornamental border throughout. Front pastedown with the bookplate of Arthur Meyer. Cohen-de Ricci 381-82; Ray 1; Brunet II, 1214; Graesse II, 564. ◆A few darkened patches on boards, small chip to olive band at tail of spine, corners gently bumped, occasional minor foxing or light browning, otherwise QUITE AN EXCELLENT COPY, the binding altogether pleasing with only insignificant wear, the text clean and fresh, with rich impressions of the plates.
This is a very well-preserved copy of the luxury version of one of the most impressive French illustrated books of the 18th century, offered in a Neoclassical binding appropriate for its contents. Ray says that in our volume "all the formal elements of the mid-18th century French masterpieces are present." He describes the 25 plates as "stately and elaborate" and singles out Picart's frontispiece (which he reproduces in one of the rare full-page illustrations in his book) as being "developed with exceptional spirit and inventiveness." Not only the handsome plates, but also the leafy frames of each text page, the large type, and the many charming headpieces and tailpieces make it an elegant object that provides for a visually memorable experience. Fénelon (1651-1715) wrote this utopian work for Louis XIV's grandson, whom he was employed to tutor. The book was designed to give the future ruler more farsighted political, social, and economic ideas than he might otherwise have met with. Unfortunately, the boy died before he could come to power, and Fénelon fell into disgrace, partly because "Telemaque" reflected badly on the government of Louis. According to Graesse, our "beautiful" edition, supervised by the marquis de Fénelon, is much more correct than previous printings, as a great many errors have been corrected and lacunae have been filled in. While the unsigned binding is not quite up to the level of émigré binders Kalthoeber and Staggemeier & Welcher, it is in their style and is certainly impressive enough to look handsome on the shelf. Former owner Arthur Meyer (1844-1924) was a French press baron whose collection focused on fine bindings and beautiful illustrations..
FINE CONTEMPORARY RED STRAIGHT-GRAIN MOROCCO, covers with palmette roll border, central panel with gilt-ruled frame and lozenge accented with bead and lozenge roll, spine gilt and inlaid with olive morocco bands tooled with gilt chalice and leaves between the double raised bands, spine compartments with central urn ornament surrounded by small tools, calligraphic flourishes at corners, gilt titling, turn-ins with elaborate gilt roll featuring leaves and moths, blue watered silk endleaves, all edges gilt (lower board with three older repaired patches). In a modern marbled paper slipcase. Ornamental headpieces and tailpieces, title page decorated with vignette, author portrait by Drevet after Vivien, and 25 more plates illustrating the tale engraved by Folkéma and others, predominantly in classical style, three (including the frontispiece) designed by Picart, 16 by Dubourg, and six by Debrie, with original tissue guards; 45 vignettes serving as headpieces (24) and tailpieces (21), designed by Dubourg and Shenk, one engraved folding map, and extra-illustrated with a portrait of Fenelon by Jean Coraboeuf dated 1920. Text with ornamental border throughout. Front pastedown with the bookplate of Arthur Meyer. Cohen-de Ricci 381-82; Ray 1; Brunet II, 1214; Graesse II, 564. ◆A few darkened patches on boards, small chip to olive band at tail of spine, corners gently bumped, occasional minor foxing or light browning, otherwise QUITE AN EXCELLENT COPY, the binding altogether pleasing with only insignificant wear, the text clean and fresh, with rich impressions of the plates.
This is a very well-preserved copy of the luxury version of one of the most impressive French illustrated books of the 18th century, offered in a Neoclassical binding appropriate for its contents. Ray says that in our volume "all the formal elements of the mid-18th century French masterpieces are present." He describes the 25 plates as "stately and elaborate" and singles out Picart's frontispiece (which he reproduces in one of the rare full-page illustrations in his book) as being "developed with exceptional spirit and inventiveness." Not only the handsome plates, but also the leafy frames of each text page, the large type, and the many charming headpieces and tailpieces make it an elegant object that provides for a visually memorable experience. Fénelon (1651-1715) wrote this utopian work for Louis XIV's grandson, whom he was employed to tutor. The book was designed to give the future ruler more farsighted political, social, and economic ideas than he might otherwise have met with. Unfortunately, the boy died before he could come to power, and Fénelon fell into disgrace, partly because "Telemaque" reflected badly on the government of Louis. According to Graesse, our "beautiful" edition, supervised by the marquis de Fénelon, is much more correct than previous printings, as a great many errors have been corrected and lacunae have been filled in. While the unsigned binding is not quite up to the level of émigré binders Kalthoeber and Staggemeier & Welcher, it is in their style and is certainly impressive enough to look handsome on the shelf. Former owner Arthur Meyer (1844-1924) was a French press baron whose collection focused on fine bindings and beautiful illustrations..
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Details
- Bookseller
- Phillip J. Pirages Fine Books and Medieval Manuscripts (US)
- Bookseller's Inventory #
- ST12855
- Title
- LES AVENTURES DE TÉLÉMAQUE, FILS D'ULYSSE
- Author
- (FRENCH ILLUSTRATED BOOKS). FÉNELON, FRANÇOIS DE SALIGNAC
- Book Condition
- Used
- Quantity Available
- 1
- Edition
- First Printing of this Edition. ONE OF 150 COPIES IN FOLIO FORMA
- Publisher
- Wetstein & G. Smith; Rotterdam: Jean Hofhout
- Place of Publication
- Amsterdam
- Date Published
- 1734
- Weight
- 0.00 lbs
Terms of Sale
Phillip J. Pirages Fine Books and Medieval Manuscripts
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About the Seller
Phillip J. Pirages Fine Books and Medieval Manuscripts
Biblio member since 2006
McMinnville, Oregon
About Phillip J. Pirages Fine Books and Medieval Manuscripts
Phillip J. Pirages Fine Books an Manuscripts was established in 1978 on a ping pong table in a basement in Kalamazoo, Michigan. From the beginning, its founder was willing to sell a range of material, but over the years, the business has gravitated toward historical artifacts that are physically attractive in some way--illuminated material, fine bindings, books printed on vellum, fore-edge paintings, beautiful typography and paper, impressive illustration. Today, the company still sells a wide range of things, from (scruffy) ninth century leaves to biblical material from all periods to Wing and STC imprints to modern private press books to artists' bindings. While we are forgiving about condition when something is of considerable rarity, we always try to obtain the most attractive copies possible of whatever we offer for sale.
Glossary
Some terminology that may be used in this description includes:
- Vignette
- A decorative design or illustration placed at the beginning or end of a ...
- Bookplate
- Highly sought after by some collectors, a book plate is an inscribed or decorative device that identifies the owner, or former...
- Title Page
- A page at the front of a book which may contain the title of the book, any subtitles, the authors, contributors, editors, the...
- Gilt
- The decorative application of gold or gold coloring to a portion of a book on the spine, edges of the text block, or an inlay in...
- Marbled Paper
- Decorative colored paper that imitates marble with a veined, mottled, or swirling pattern. Commonly used as the end papers or...
- Folio
- A folio usually indicates a large book size of 15" in height or larger when used in the context of a book description. Further,...
- Morocco
- Morocco is a style of leather book binding that is usually made with goatskin, as it is durable and easy to dye. (see also...
- G
- Good describes the average used and worn book that has all pages or leaves present. Any defects must be noted. (as defined by AB...
- Leaves
- Very generally, "leaves" refers to the pages of a book, as in the common phrase, "loose-leaf pages." A leaf is a single sheet...
- Fine
- A book in fine condition exhibits no flaws. A fine condition book closely approaches As New condition, but may lack the...
- Spine
- The outer portion of a book which covers the actual binding. The spine usually faces outward when a book is placed on a shelf....
- Edges
- The collective of the top, fore and bottom edges of the text block of the book, being that part of the edges of the pages of a...
- Tail
- The heel of the spine.
- Raised Band(s)
- Raised bands refer to the ridges that protrude slightly from the spine on leather bound books. The bands are created in the...
This Book’s Categories
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