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Bach Interpretation: Articulation Marks in Primary Sources of J. S. Bach

Bach Interpretation: Articulation Marks in Primary Sources of J. S. Bach

Bach Interpretation: Articulation Marks in Primary Sources of J. S. Bach Hardback - 1990

by John Butt

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Hardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This study is a comprehensive assessment of J.S. Bach's use of articulation marks (i.e. slurs and dots) in the large body of primary sources. Dr Butt analyses their role within the compositional processes, how they relate to the norms o
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Details

  • Title Bach Interpretation: Articulation Marks in Primary Sources of J. S. Bach
  • Author John Butt
  • Binding Hardback
  • Edition First Edition
  • Condition New
  • Pages 296
  • Volumes 1
  • Language ENG
  • Publisher Cambridge University Press, Toronto, ON, Canada
  • Publication date 1990-06-29
  • Bookseller's Inventory # ria9780521372398_inp
  • ISBN 9780521372398 / 0521372399
  • Weight 1.11 lbs (0.50 kg)
  • Dimensions 9.01 x 6.15 x 0.82 in (22.89 x 15.62 x 2.08 cm)
  • Category Music/Songbooks
  • Library of Congress subjects Bach, Johann Sebastian - Criticism and, Performance practice (Music) - 18th century
  • Library of Congress Catalogue Number 89007141
  • Dewey Decimal Code 780.92
  • Quantity available 452

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Reader reviews for Bach Interpretation: Articulation Marks in Primary Sources of J. S. Bach

From the publisher

This study is a comprehensive assessment of J. S. Bach's use of articulation marks (i.e. slurs and dots) in the large body of primary sources. Dr Butt analyses the role of such markings within the compositional process, how they relate to the norms of articulation of the period, and how they might assist us in a deeper understanding and evaluation of Bach's style. With its extensive catalogue of the most common slurring patterns based on a study of over 100 concerted vocal works, this book is invaluable both for performers on all baroque instruments, and for scholars with an interest in Bach's style and source studies. It also contributes to our perception of Bach's position in music history: the purpose of music in the Lutheran Germany of Bach's time and its rhetorical power; the close relationship between composer and performer within the context of 'practical' music; and the functions and development of notation.
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