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Bring That Beat Back: How Sampling Built Hip-Hop

Bring That Beat Back: How Sampling Built Hip-Hop

Bring That Beat Back: How Sampling Built Hip-Hop Paperback / softback -

by Nate Patrin

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Paperback / softback. New. How sampling remade hip-hop over forty years, from pioneering superstar Grandmaster Flash through crate-digging preservationist and innovator Madlib Sampling-incorporating found sound and manipulating it into another form entirely-has done more than any musical movement in the twentieth century to maintain a continuum of popular music as a living document and, in the process, has become one of the most successful (and commercial) strains of postmodern art. Bring That Beat Back traces the development of this transformative pop-cultural practice from its origins in the turntable-manning, record-spinning hip-hop DJs of 1970s New York through forty years of musical innovation and reinvention. Nate Patrin tells the story of how sampling built hip-hop through the lens of four pivotal artists: Grandmaster Flash as the popular face of the music's DJ-born beginnings; Prince Paul as an early champion of sampling's potential to elaborate on and rewrite music history; Dr. Dre as the superstar who personified the rise of a stylistically distinct regional sound while blurring the lines between sampling and composition; and Madlib as the underground experimentalist and record-collector antiquarian who constantly broke the rules of what the mainstream expected from hip-hop. From these four artists' histories, and the stories of the people who collaborated, competed, and evolved with them, Patrin crafts a deeply informed, eminently readable account of a facet of pop music as complex as it is commonly underestimated: the aesthetic and reconstructive power of one of the most revelatory forms of popular culture to emerge from postwar twentieth-century America. And you can nod your head to it.
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Details

  • Title Bring That Beat Back: How Sampling Built Hip-Hop
  • Author Nate Patrin
  • Binding Paperback
  • Condition New
  • Pages 336
  • Volumes 1
  • Language ENG
  • Publisher University of Minnesota Press
  • Features Bibliography, Index
  • Bookseller's Inventory # A9781517906283
  • ISBN 9781517906283 / 1517906288
  • Weight 0.95 lbs (0.43 kg)
  • Dimensions 9.2 x 6.1 x 1 in (23.37 x 15.49 x 2.54 cm)
  • Category Music/Songbooks
  • Library of Congress subjects Rap music - History and criticism, Rap music - Production and direction -
  • Library of Congress Catalogue Number 2019033190
  • Dewey Decimal Code 782.421
  • Quantity available 3

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Reader reviews for Bring That Beat Back: How Sampling Built Hip-Hop

From the publisher

How sampling remade hip-hop over forty years, from pioneering superstar Grandmaster Flash through crate-digging preservationist and innovator Madlib

Sampling--incorporating found sound and manipulating it into another form entirely--has done more than any musical movement in the twentieth century to maintain a continuum of popular music as a living document and, in the process, has become one of the most successful (and commercial) strains of postmodern art. Bring That Beat Back traces the development of this transformative pop-cultural practice from its origins in the turntable-manning, record-spinning hip-hop DJs of 1970s New York through forty years of musical innovation and reinvention.

Nate Patrin tells the story of how sampling built hip-hop through the lens of four pivotal artists: Grandmaster Flash as the popular face of the music's DJ-born beginnings; Prince Paul as an early champion of sampling's potential to elaborate on and rewrite music history; Dr. Dre as the superstar who personified the rise of a stylistically distinct regional sound while blurring the lines between sampling and composition; and Madlib as the underground experimentalist and record-collector antiquarian who constantly broke the rules of what the mainstream expected from hip-hop. From these four artists' histories, and the stories of the people who collaborated, competed, and evolved with them, Patrin crafts a deeply informed, eminently readable account of a facet of pop music as complex as it is commonly underestimated: the aesthetic and reconstructive power of one of the most revelatory forms of popular culture to emerge from postwar twentieth-century America. And you can nod your head to it.

Media reviews

Citations

  • Library Journal, 03/27/2020, Page 1

About the author

Nate Patrin is a longtime music critic whose writing has appeared in dozens of publications including Pitchfork, Stereogum, Spin, Bandcamp Daily, Red Bull Music Academy, and his hometown Twin Cities' alt-weekly City Pages. This is his first book.

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