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GLOBAL SCRIPTWRITING

GLOBAL SCRIPTWRITING

GLOBAL SCRIPTWRITING
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GLOBAL SCRIPTWRITING Hardback - 2015

by Dancyger, Ken

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Description

Taylor & Francis, 2015. Hardcover. New. 268 pages. 9.25x6.25x0.63 inches.
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Ships from Revaluation Books (Devon, United Kingdom)

Details

  • Title GLOBAL SCRIPTWRITING
  • Author Dancyger, Ken
  • Binding Hardback
  • Condition New
  • Pages 268
  • Volumes 1
  • Language ENG
  • Publisher Taylor & Francis
  • Publication date 2015
  • Bookseller's Inventory # x-1138174181
  • ISBN 9781138174184 / 1138174181
  • Weight 1.22 lbs (0.55 kg)
  • Dimensions 9.21 x 6.14 x 0.63 in (23.39 x 15.60 x 1.60 cm)
  • Category Performing Arts
  • Dewey Decimal Code 808.23
  • Quantity available 2

About Revaluation Books Devon, United Kingdom

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General bookseller of both fiction and non-fiction.

Terms of Sale: 30 day return guarantee, with full refund including original shipping costs for up to 30 days after delivery if an item arrives misdescribed or damaged.

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Reader reviews for GLOBAL SCRIPTWRITING

From the publisher

Global Scriptwriting offers a look at an exciting new phase in screen storytelling, as writers and directors from all over the world infuse traditional forms with their own cultural values to create stories that have an international appeal and suggest a universality among readers, viewers, and listeners. A unique blend of screenwriting technique and film studies, Global Scriptwriting discusses screen stories as they have evolved through the years, focusing first on the basics of scriptwriting, then going on to afford a more sophisticated look at script via different models of scriptwriting: the Hollywood model, the independent model, the national model, and various alternative models. It examines the internationalization of storytelling, and illustrates how particular innovations have helped national screen stories to international success.

This book is the first to incorporate the basics of the classical form with the innovative edge of the last decade, as well the culture specific changes that have taken place outside of North America. It offers readers a view of the enriched repertoire available to writers resulting from the introduction of cultural perspectives into traditional story forms. Specific topics examined include, the ascent of voice, the search for new forms, the struggle between style and content, and the centrality of megagenre.

About the author

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University.
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