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Globalgothic

Globalgothic

Globalgothic Hardback - 2013

by Glennis Byron (Editor)

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Hardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; 'The dead travel fast and, in our contemporary globalised world, so too does the gothic.' Examining how gothic has been globalised and globalisation made gothic, this collection of essays explores an emerging globalgothic that is simult
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Details

  • Title Globalgothic
  • Author Glennis Byron (Editor)
  • Binding Hardback
  • Condition New
  • Pages 240
  • Volumes 1
  • Language ENG
  • Publisher Manchester University Press
  • Publication date 2013-07-31
  • Illustrated Yes
  • Features Bibliography, Illustrated, Index, Table of Contents
  • Bookseller's Inventory # ria9780719087950_inp
  • ISBN 9780719087950 / 0719087953
  • Weight 0.95 lbs (0.43 kg)
  • Dimensions 8.6 x 5.1 x 0.9 in (21.84 x 12.95 x 2.29 cm)
  • Category Literature - Classics / Criticism
  • Quantity available 1016

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Reader reviews for Globalgothic

From the publisher

'The dead travel fast and, in our contemporary globalised world, so too does the gothic.' Examining how gothic has been globalised and globalisation made gothic, this collection of essays explores an emerging globalgothic that is simultaneously a continuation of the western tradition and a wholesale transformation of that tradition which expands the horizons of the gothic in diverse new and exciting ways.

Globalgothic contains essays from some of the leading scholars in gothic studies as well as offering insights from new scholars in the field. The contributors consider a wide range of different media, including literary texts, film, dance, music, cyberculture, computer games, and graphic novels.

This book will be essential reading for all students and academics interested in the gothic, in international literature, cinema, and cyberspace.

From the rear cover

This collection of essays redefines what gothic has become in the contemporary world, examining the idea of an emerging gothic that is inextricable from the broader global context in which it circulates. Simultaneously a continuation of the western tradition and a wholesale transformation of that tradition, 'globalgothic' expands the horizons of the genre in diverse new and exciting ways.

As these essays well demonstrate, gothic has energetically participated in the cultural flows that characterise globalisation. One of the more striking features of western gothic has always been its delight in consuming and recycling certain persistent motifs, and these flows have functioned both to reinvigorate and intensify this tendency by opening up multiple new fields of play. At the same time as it takes full advantage of the transcultural flows, however, globalgothic often exploits the flows precisely in order to give form to anxieties attendant upon the processes of globalisation. While the products made available through globalisation are eagerly appropriated, they are frequently exploited in order to articulate the processes of globalisation as monstrous, spectral, cannibalistic. Globalisation itself becomes a gothic manifestation.

Globalgothic contains essays from some of the leading scholars in gothic studies as well as offering insights from new scholars in the field. The contributors consider a wide range of different media, including literary texts, film, dance, music, cyberculture, computer games, and graphic novels.

This book will be essential reading for all students and academics interested in the gothic, in international literature, cinema, and cyberspace.

About the author


Glennis Byron is Professor of English at the University of Stirling
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