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Instruments of Embodiment: Costuming in Contemporary Dance

Instruments of Embodiment: Costuming in Contemporary Dance

Instruments of Embodiment: Costuming in Contemporary Dance Paperback - 2024

by Eric Mullis

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Paperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Instruments of Embodiment draws on fashion theory and the philosophy of embodiment to investigate costuming in contemporary dance.
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Details

  • Title Instruments of Embodiment: Costuming in Contemporary Dance
  • Author Eric Mullis
  • Binding Paperback
  • Condition New
  • Pages 180
  • Volumes 1
  • Language ENG
  • Publisher Routledge
  • Publication date 2024-10-07
  • Illustrated Yes
  • Features Bibliography, Illustrated, Index
  • Bookseller's Inventory # ria9780367644826_inp
  • ISBN 9780367644826 / 0367644827
  • Weight 0.61 lbs (0.28 kg)
  • Dimensions 9.21 x 6.14 x 0.41 in (23.39 x 15.60 x 1.04 cm)
  • Category Performing Arts
  • Library of Congress subjects Modern dance - Philosophy, Dance costume
  • Library of Congress Catalogue Number 2022035167
  • Dewey Decimal Code 792.8
  • Quantity available 880

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Reader reviews for Instruments of Embodiment: Costuming in Contemporary Dance

From the publisher

Instruments of Embodiment draws on fashion theory and the philosophy of embodiment to investigate costuming in contemporary dance.

It weaves together philosophical theory and artistic practice by closely analyzing acclaimed works by contemporary choreographers, considering interviews with costume designers, and engaging in practice-as-research. Topics discussed include the historical evolution of contemporary dance costuming, Merce Cunningham's innovative collaborations with Robert Rauschenberg, and costumes used in Ohad Naharin's Virus (2001) and in a ground-breaking Butoh solo by Tatsumi Hijikata. The relationship between dance costuming and high fashion, wearable computing, and the role costume plays in dance reconstruction are also discussed and, along the way, an anarchist materialism is articulated which takes an egalitarian view of artistic collaboration and holds that experimental costume designs facilitate new forms of embodied experience and ways of seeing the body.

This book will be of great interest to students and scholars working in performance philosophy, philosophy of embodiment, dance and performance studies, and fashion theory.

About the author

Eric C. Mullis is Associate Professor of Philosophy at Queens University of Charlotte, USA. He has published essays on somaesthetics, dance technology, and dance ethics, as well as the book, Pragmatist Philosophy and Dance: Interdisciplinary Dance Research in the American South (2019).

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