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Introduction to Digital Audio Coding and Standards (The Springer International Series in Engineering and Computer Science, 721)

Introduction to Digital Audio Coding and Standards (The Springer International Series in Engineering and Computer Science, 721)

Introduction to Digital Audio Coding and Standards (The Springer International
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Introduction to Digital Audio Coding and Standards (The Springer International Series in Engineering and Computer Science, 721) Hardback - 2002

by Bosi, Marina

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Springer, 2002-12-31. 2003. hardcover. Used: Good. 6.50x1.33x9.46. Buy with confidence. Excellent Customer Service & Return policy.
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Details

  • Title Introduction to Digital Audio Coding and Standards (The Springer International Series in Engineering and Computer Science, 721)
  • Author Bosi, Marina
  • Binding Hardback
  • Edition 2003
  • Condition Used: Good
  • Pages 434
  • Volumes 1
  • Language ENG
  • Publisher Springer, Boston
  • Publication date 2002-12-31
  • Illustrated Yes
  • Features Bibliography, Illustrated, Index
  • Bookseller's Inventory # SONG1402073577
  • ISBN 9781402073571 / 1402073577
  • Weight 1.71 lbs (0.78 kg)
  • Dimensions 9.46 x 6.5 x 1.33 in (24.03 x 16.51 x 3.38 cm)
  • Size 6.50x1.33x9.46
  • Category Technology & Industrial Arts
  • Library of Congress subjects Sound - Recording and reproducing - Digital, Data compression (Computer science)
  • Library of Congress Catalogue Number 2002040686
  • Dewey Decimal Code 621.389
  • Quantity available 1

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Reader reviews for Introduction to Digital Audio Coding and Standards (The Springer International Series in Engineering and Computer Science, 721)

From the publisher

Introduction to Digital Audio Coding and Standards provides a detailed introduction to the methods, implementations, and official standards of state-of-the-art audio coding technology. In the book, the theory and implementation of each of the basic coder building blocks is addressed. The building blocks are then fit together into a full coder and the reader is shown how to judge the performance of such a coder. Finally, the authors discuss the features, choices, and performance of the main state-of-the-art coders defined in the ISO/IEC MPEG and HDTV standards and in commercial use today.
The ultimate goal of this book is to present the reader with a solid enough understanding of the major issues in the theory and implementation of perceptual audio coders that they are able to build their own simple audio codec. There is no other source available where a non-professional has access to the true secrets of audio coding.

First line

We hear a sound and we want to store it for later replay - what information do we need to capture?
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