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ON LATE STYLE: MUSIC AND LITERATURE AGAINST THE GRAIN

ON LATE STYLE: MUSIC AND LITERATURE AGAINST THE GRAIN

ON LATE STYLE: MUSIC AND LITERATURE AGAINST THE GRAIN
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ON LATE STYLE: MUSIC AND LITERATURE AGAINST THE GRAIN

by Said, Edward W. (Author) & Wood, Michael (Contributor)

  • Used
  • Fine
  • Hardcover
  • first
Condition
Fine/Fine Dust Jacket.
ISBN 10
074758365X
ISBN 13
9780747583653
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About This Item

London, England: Bloomsbury Publishing, 2006. First Edition. First Printing.. Hardcover. Fine/Fine Dust Jacket.. London, England: Bloomsbury Publishing, 2006. Hardcover. Fine/Fine. First Edition/First Printing. 185 pages. Valedictory collection of essays, published posthumously. One of Edward Said's finest achievements. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions, of which there are several. Published in a small and limited first print run as a hardcover original only. The First Edition is now rare. Presents Edward Said's "On Late Style: Music And Literature Against The Grain". One of the most poignant literary texts of our time, a terminally ill writer's reflections, against all odds, on the true meaning of art and literature, as reflected in particular writers' and artists' "late style". Shortly after he completed his book, Said died of inoperable leukemia (in 2003), which he had endured during the last decade and a half of his life. What is "late style", and why is it so revealing? It is "possessed by the puzzlingly beautiful artistic works that are created late in an artist's career, after decades of creative output, yet suggest not closure and resolution but rather intransigence, difficulty, and unresolved contradiction, the 'non-harmonious, non-serene tension' of an artist renewed with youthful energy in the face of imminent mortality. Put differently, Said is fascinated by artists who refuse to go gentle into that good night, finding, instead, an autumn-summer adolescence that subverts their peers and perhaps their earlier oeuvre as well as complicates matters for critics and admirers. This quality is in Benjamin Britten's dark operatic rendition of Thomas Mann's 'Death In Venice', where a discordant amalgam of text and music shows struggle but not resolution and in 'Cosi Fan Tutte', in Mozart's gestures of longing, coldness, and technical mastery amid superficial artifice. Said suggests that Modernism itself may be a form of late style" (Brendan Driscoll). Edward Said's book is itself his stubborn refusal to accept imminent death with socially-preferred equanimity, working vehemently instead, until the very end, to complete these essays, themselves a magnificent example of "late style". An absolute "must-have" title for Edward Said collectors. This title is a great book. As far as we know, this is the only copy of the First Hardcover Edition/First Printing (British) available online and is in especially fine condition: Clean, crisp, and bright. Please note: This book was a surprising commercial success. Almost ALL other copies available online are subsequent printings even if their dealers don't say so. This is surely an accessible and lovely alternative. A rare copy thus. One of the greatest literary and political writer/thinkers of the 20th century. A fine copy. (SEE ALSO OTHER EDWARD W. SAID TITLES IN OUR CATALOG). ISBN 074758365X.

Synopsis

In his fascinating last book, Edward Said looks at a selection of essays, poems, novels, films, and operas to determine what late style may explain about the evolution of the creative life. He discusses how the approaching death of an artist can make its way "with anachronism and anomaly" into his work, as was the case in the late work of Thomas Mann, Richard Strauss, Jean Genet, Giuseppe Tomasi di Lampedusa, and C. P. Cavafy. Said examines Beethoven's Missa Solemnis, Genet's Le captif amoureux and Les paravents, Mozart's Cosi fan tutte, Visconti's film of Lampedusa's The Leopard, Euripides' The Bacchae and Iphigenia at Aulis, and Thomas Mann's Death in Venice, among other works.He points out that one can also find an "unearthly serenity," in last works, for example, in Sophocles, Shakespeare, Rembrandt, Matisse, Bach, and Wagner, which, as Said puts it, "crown a lifetime of aesthetic endeavor." But in On Late Style he concentrates on artistic lateness as "intransigence, difficulty, and unresolved contradiction." He also writes about Theodor Adorno and about Glenn Gould, who chose to stop performing, thereby creating his own form of lateness. Said makes clear that most of the works discussed are rife with deep conflict and an almost impenetrable complexity. In fact, he feels that lateness is often "a form of exile." These works frequently stood in direct contrast to what was popular at the time, but they were forerunners of what was to come in each artist's particular discipline--works of true genius.Eloquent and impassioned, brilliantly reasoned and revelatory, On Late Style is Edward Said's own great last work.From the Hardcover edition.

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Details

Bookseller
Modern Rare US (US)
Bookseller's Inventory #
23496
Title
ON LATE STYLE: MUSIC AND LITERATURE AGAINST THE GRAIN
Author
Said, Edward W. (Author) & Wood, Michael (Contributor)
Format/Binding
Hardcover
Book Condition
Used - Fine
Jacket Condition
Fine Dust Jacket.
Quantity Available
1
Edition
First Edition. First Printing.
ISBN 10
074758365X
ISBN 13
9780747583653
Publisher
Bloomsbury Publishing
Place of Publication
London, England
Date Published
2006
Pages
185

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About the Seller

Modern Rare

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This seller has earned a 5 of 5 Stars rating from Biblio customers.
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CHICAGO, Illinois

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