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Method or Madness?

Method or Madness?

Method or Madness?
Stock photo: cover may vary

Method or Madness? Paperback - 2017

by Lewis, Robert

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Description

Concord Theatricals. Used - Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
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Details

  • Title Method or Madness?
  • Author Lewis, Robert
  • Binding Paperback
  • Edition Reprint
  • Condition Used - Good
  • Pages 188
  • Volumes 1
  • Language ENG
  • Publisher Concord Theatricals, New York
  • Publication date 2017-03-09
  • Bookseller's Inventory # 5293724-6
  • ISBN 9780573690334 / 0573690332
  • Weight 0.48 lbs (0.22 kg)
  • Dimensions 8.24 x 5.27 x 0.42 in (20.93 x 13.39 x 1.07 cm)
  • Category Performing Arts
  • Library of Congress subjects Acting, Method acting
  • Dewey Decimal Code 792.028
  • Quantity available 3

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Better World Books is a for-profit, socially conscious business and a global online bookseller that collects and sells new and used books online, matching each purchase with a book donation. Each sale generates funds for literacy and education initiatives in the U.S., the UK, and around the world. Since its launch in 2003, Better World Books has raised over $35 million for libraries and literacy, donated over 38 million books, and reused or recycled more than 475 million books.

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Reader reviews for Method or Madness?

From the publisher

A dynamic inventive and articulate stage director explores in practical down-to-cases language "The Method: " what it is and is not; the nonsense the misconceptions the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production.

From the rear cover

Common sense has become rather desperately needed in regard to the Method which may simply be defined as a codified formalization of the technique of acting. The author is trying to make the point that there is an historical or chronological correspondence between the realistic school of dramaturgy and the Method, the Method relates to every kind of acting - good acting - and not narrowly to realistic acting as such.
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