MIRO. (Seiyo Bijutsu Bunko.) by Takiguchi Shuzo

Tucson, Arizona: Ironwood, 1972. Softcover. Very Good. First edition. 86pp. Printed wrappers. Text block edges slightly foxed, covers with a few small marks, very good. Contributions by Philip Levine, Richard Hugo, W.S. Merwin, Pablo Neruda, Heather McHugh, Sam Pereira, Shuzo Takiguchi, Terry Stokes, Sonya Dorman, James Bertolino, Lyn Lifshin and more.

Tokyo: Gallery Kawakami. Very Good. 1983. Softcover. Inscribed and dated 1986, by Mitsu Masa on front endpaper. 96 pp.; 4to; white wrappers; full page reproductions of the artwork, chiefly in black & white; text mainly in Japanese, some French; captions in Japanese and French. Bottom edge crimped near foot of spine, cresed lower leading corner; with a stain on edge not affecting pages. .

s.l.: s.e., 1958. Foglio piu' volte ripiegato, aperto misura cm 30 x 44,5, chiuso misura cm 10 x 22, con testi in lingua francese e riproduzioni fotografiche delle opere presentate dagli artisti giapponesi in mostra: Kenzo Okada, Ryushi Kawabata, Seison Maeda, Ichiro Fukuzawa.

Aperture, 2009. Hardcover. Fine. 156x12x206.

Bijutsu shubbansha, N.A. Soft Cover. Fine. Number of Pages: 192p Illustration Size: 35×26cm Number of Books: 1

Bijutsu shubbansha, 1959. Soft Cover. Fine. Volume: 1

Bijutsu shubbansha, 1956. Soft Cover. Fine. The book is in fine condition.

Daiichishobo, 1936. Soft Cover. Fine. Number of books: 1

Not Available, N.A. Soft Cover. Fine. The book is in fine condition.

Odzuchi-sha, 1972. Soft Cover. Fine. The book is in fine condition.

N. Nomura & Co., Ltd., 1986. Book. Like New. Boxed Set. 8vo - over 7¾ - 9¾" tall. A hardcover book and a softcover book in a cloth-covered box, all in like-new condition. Clamshell box is covered in natural-covered linen with brown lettering to spine and brown facsimile signature on top. Hardcover with three-quarter charcoal-gray cloth with blue marbled (faux) boards; no text other than a tipped-in plate with title, etc. in English; pages are facsimile reproductions of the sketched art--b&w and color of Leda and Swan; no title on binding. Softcover is staplebound with blue cardstock cover with title etc. in English on front; approx. 27 pages; b&w photo frontispiece of artist; 7 plates of art; text in Japanese. Books are about 9-1/2" by 6-1/4". Box is 10-1/2" by 6-3/4"..

Book cover like new, slight wear at end caps - pages clean, bright and unmarked – spine like new.
Jacket like new.
Proceeds benefit Friends of the Library.
"Honest and reliable service - every book hand-packaged with care."
The Sakuteiki, or "Records of Garden Making," was written nearly 1000 years ago, making it the oldest work on Japanese gardening; in fact, the oldest book on gardening in the world! In this edition of the Sakuteiki, the authors provide both an English-language translation of this classic work; and an introduction to the cultural and historical context that led to the development of Japanese gardening. A Japanese court noble wrote the Sakuteiki during the Heian period (794-1184). During this critical era in Japanese history cultural influences on poetry, clothing-and gardening-that had been imported from China and Korea over the previous centuries were reexamined and reinterpreted into their unique Japanese forms. The Sakuteiki contains the first systematic record of this new… Read More

Rosemary Bandini, London, 1999, Fine Hardcover / Near Fine Dustjacket, 174 pages, 8.75" x 11.25", slight edgewear on dustjacket, otherwise clean and tight. Collector Harriet Szechenyi concentrated on collecting "netsuke" of animals and mythical beings.

NY: Braziller, 1988. First edition. Hard cover in dust jacket. Published NY: Braziller, 1988, first printing. Folio, 10 1/4" x 14 1/2", 192pp., illustrated with 91 full color plates. Fine in near fine. price clipped dust jacket.. 1st. Hard. Fine/Near Fine. Folio.

New York: Asia Society Museum / Harry N. Abrams: 2010. First edition / First printing. Illustrated laminated boards in die-cut illustrated slipcase. Very fine in a very fine slipcase.

Kodansha International, 1986. First Edition. Fine in Near Fine DJ. Minor shelf and handling wear to DJ. Else Fine. Photo is of the copy at Barbed Wire Books.

Kodansha, 2009. Paperback with dust jacket. Used- Fine condition. Book is in Japanese. Book is clean and tight. Book shows very light shelf wear. Very light scuffing along to top edges of the dust jacket. Small tear on the top right corner of the bottom black banner on the front cover. No markings on the inside of the book.Photos are of the book we have here at Barbed Wire Books.

Both the book and dj are in 'as new' condition. It has . 10 unpaginated pages followed by 362 numbered pages. It was published to coincide with the exibition of the same name. A beautiful book with well over 100 color illustrations and even more in b&w. The book includes a series of essays on the historic, economic, and cultural environment of Edo period Japan and the collections focus on early Kabuki actor prints, including many by the artists Toyokuni and Kuniyoshi).

Book will be priority mailed to any domestic address. International sale may incur additional charges.

Leiden: Brill, 2011. First Edition. Boards. Near fine/near fine. Vol 2 in the series, Japanese Visual Culture. Tall 8vo. (25.5cm). Boards, lettered title to cover. In unclipped dust jacket. pp. 296. W/ 98 colour plates. Some faint edgewear to jacket, minor signs of use, a very sound, almost as new copy.

Stated First Edition.
Book cover like new, slight shelf wear - pages clean, bright and unmarked – spine like new.
Jacket like new, slight shelf wear, price-clipped. Cardboard slipcase near new, light soil/shelf wear.
Proceeds benefit Friends of the Library; books sold are NOT ex-library.
"Honest and reliable service - every book hand-packaged with care."
From flyleaf: Between the years 1814 and 1878 there was published in Japan a series of woodblock printed volumes entitled Hokusai Manga, or Hokusai's Sketches from Life, which was destined to be one of the most popular art publications ever issued anywhere in the world. With its rich tapestry of life as it was lived in the boisterous Tokyo of the day and its magical evocation of the beauties of the Japanese countryside, it was an immediate best-seller in Japan, and then, upon the West's discovery of Japanese art, went on to win the hearts of people everywhere. It is from this amazing book, amazing both in execution and breadth of scope, that the… Read More