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MOONLIGHT

MOONLIGHT

MOONLIGHT
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MOONLIGHT Pb - 1994

by PINTER,H

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  • Used
  • fair
  • Paperback
Used - Fair

Description

pb. Fair. Obviously worn, but no text pages missing. May have highlighting and marginalia, but markings do not interfere with readability. Textbooks do not have accompanying CDs or access codes. Ships from an indie bookstore in NYC.
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Ships from Book Culture (New York, United States)

Details

  • Title MOONLIGHT
  • Author PINTER,H
  • Binding Paperback
  • Edition First Edition
  • Condition Used - Fair
  • Pages 112
  • Volumes 1
  • Language ENG
  • Publisher Grove Press, New York
  • Publication date 1994
  • Bookseller's Inventory # 9780802133939.u2
  • ISBN 9780802133939 / 0802133932
  • Weight 0.28 lbs (0.13 kg)
  • Dimensions 8.22 x 5.49 x 0.32 in (20.88 x 13.94 x 0.81 cm)
  • Themes
    • Ethnic Orientation: British
  • Category Plays / Drama
  • Library of Congress subjects Fathers and sons - Drama, England - Drama
  • Library of Congress Catalogue Number 94076461
  • Dewey Decimal Code 822.914
  • Quantity available 1

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Reader reviews for MOONLIGHT

From the publisher

In one of the most exciting theatrical events of the nineties, Harold Pinter has written his first full-length play since the internationally acclaimed Betrayal in 1978. Pinter, one of the most important playwrights of our day (The New York Times), again proves himself a vital and innovative literary voice. Set in two bedrooms and an indefinite dark space, Moonlight is the story of a father on his deathbed, rehashing his youth, loves, lusts, and betrayals with his wife, while simultaneously his two sons - clinical, conspiratorial, the bloodless, intellectual offspring of a hearty anti-intellectual - sit in the shadows, speaking enigmatically and cyclically, stepping around and around the fact of their estrangement from their father, rationalizing their love-hate relations with him and the distance that they are unable to close even when their mother attempts to call them home. In counterpoint to their uncomprehending isolation between the extremes of the death before life and the death after is their younger sister, Bridget, who lightly bridges the gaps between youth and age, death and life.

From the rear cover

In one of the most exciting theatrical events of the nineties, Harold Pinter has written his first full-length play since the internationally acclaimed Betrayal in 1978. Pinter, "one of the most important playwrights of our day" (The New York Times), again proves himself a vital and innovative literary voice. Set in two bedrooms and an indefinite dark space, Moonlight is the story of a father on his deathbed, rehashing his youth, loves, lusts, and betrayals with his wife, while simultaneously his two sons - clinical, conspiratorial, the bloodless, intellectual offspring of a hearty anti-intellectual - sit in the shadows, speaking enigmatically and cyclically, stepping around and around the fact of their estrangement from their father, rationalizing their love-hate relations with him and the distance that they are unable to close even when their mother attempts to call them home. In counterpoint to their uncomprehending isolation between the extremes of the death before life and the death after is their younger sister, Bridget, who lightly bridges the gaps between youth and age, death and life.
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