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Opera in Performance: Analyzing the Performative Dimension of Opera Productions (Routledge Advances in Theatre & Performance Studies) 1st Edition

Opera in Performance: Analyzing the Performative Dimension of Opera Productions (Routledge Advances in Theatre & Performance Studies) 1st Edition

Opera in Performance: Analyzing the Performative Dimension of Opera Productions
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Opera in Performance: Analyzing the Performative Dimension of Opera Productions (Routledge Advances in Theatre & Performance Studies) 1st Edition Papeback -

by Clemens Risi

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  • Title Opera in Performance: Analyzing the Performative Dimension of Opera Productions (Routledge Advances in Theatre & Performance Studies) 1st Edition
  • Author Clemens Risi
  • Binding Papeback
  • Condition New
  • Pages 188
  • Volumes 1
  • Language ENG
  • Publisher Routledge
  • Publication date
  • Illustrated Yes
  • Features Bibliography, Illustrated, Index
  • Bookseller's Inventory # 6384630185
  • ISBN 9780367645021 / 0367645025
  • Weight 1.01 lbs (0.46 kg)
  • Dimensions 9.21 x 6.14 x 0.5 in (23.39 x 15.60 x 1.27 cm)
  • Category Music/Songbooks
  • Library of Congress subjects Opera - 21st century, Opera - Production and direction - Germany -
  • Library of Congress Catalogue Number 2021009452
  • Dewey Decimal Code 792.509
  • Quantity available 4

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Reader reviews for Opera in Performance: Analyzing the Performative Dimension of Opera Productions (Routledge Advances in Theatre & Performance Studies) 1st Edition

From the publisher

Opera in Performance elucidates the performative dimension of contemporary opera productions.

What are the most striking and decisive moments in a performance? Why do we respond so strongly to stagings that transform familiar scenes, to performers' bodily presence, and to virtuosic voices as well as ill-disposed ones? Drawing on phenomenology and performance theory, Clemens Risi explains how these moments arise out of a dialogue between performers and the audience, representation and presence, the familiar and the new. He then applies these insights in critical descriptions of his own experiences of various singers, stagings, and performances at opera houses and festivals from across the German-speaking world over the last twenty years. As the first book to focus on what happens in performance as such, this study shifts our attention to moments that have eluded articulation and provides tools for describing our own experiences when we go to the opera.

This book will particularly interest scholars and students in theater and performance studies, musicology, and the humanities, and may also appeal to operagoers and theater professionals.

About the author

Clemens Risi is professor of theater studies at the Friedrich-Alexander-Universitt Erlangen-Nrnberg.

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