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Paths to the Absolute

Paths to the Absolute

Paths to the Absolute
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Paths to the Absolute Hardback - 2000

by John Golding

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Used - Very good

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Princeton University Press. Used - Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner’s name, short gifter’s inscription or light stamp.
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Details

  • Title Paths to the Absolute
  • Author John Golding
  • Binding Hardback
  • Edition first edition
  • Condition Used - Very good
  • Pages 240
  • Volumes 1
  • Language ENG
  • Publisher Princeton University Press, Princeton, NJ
  • Publication date 2000-10
  • Illustrated Yes
  • Features Bibliography, Illustrated, Index
  • Bookseller's Inventory # L05C-01508
  • ISBN 9780691048963 / 0691048967
  • Weight 2.58 lbs (1.17 kg)
  • Dimensions 10.6 x 7.88 x 1.26 in (26.92 x 20.02 x 3.20 cm)
  • Category Art & Art Instruction
  • Library of Congress subjects Painting, American - 20th century, Painting, European - 20th century
  • Library of Congress Catalogue Number 00023172
  • Dewey Decimal Code 759

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From the publisher

A groundbreaking account of the meaning of abstract painting

From Mondrian's bold geometric forms to Kandinsky's use of symbols to Pollock's "dripped paintings," the richly diverse movement of abstract painting challenges anyone trying to make sense of either individual works or the phenomenon as a whole. Applying his insights as an art historian and a painter, John Golding offers a unique approach to understanding the evolution of abstractionism by looking at the personal artistic development of seven of its greatest practitioners. He re-creates the journey undertaken by each painter in his move from representational art to the abstract--a journey that in most cases began with cubism but led variously to symbolism, futurism, surrealism, theosophy, anthropology, Jungian analysis, and beyond. For each artist, spiritual quest and artistic experimentation became inseparable. And despite their different techniques and philosophies, these artists shared one goal: to break a path to a new, ultimate pictorial truth.

The book first explores the works and concerns of three pioneering European abstract painters--Mondrian, Malevich, Kandinsky--and then those of their American successors--Pollock, Newman, Rothko, and Still. Golding shows how each painter sought to see the world and communicate his vision in the purest or most expressive form possible. For example, Mondrian found his way into abstraction through a spiritual response to the landscape of his native Holland, Malevich through his apprehension of the human body, Kandinsky through a blend of religious mysticism and symbolism. Line and color became the focus for many of their creative endeavors. In the 1940s and 50s, the Americans raised the level of pictorial innovation, beginning most notably with Pollock and his Jung-inspired concept of action.

Golding makes a powerful case that at its best and most profound, abstract painting is heavily imbued with meaning and content. Through a blend of biography, art analysis, and cultural history, Paths to the Absolute offers remarkable insights into how a sense of purpose is achieved in painting, and how abstractionism engaged with the intellectual currents of its time.

Media reviews

Citations

  • Booklist, 12/15/2000, Page 774
  • Library Journal, 12/01/2000, Page 118

About the author

John Golding (1929-2012) was a distinguished art historian, art critic, curator, and painter. He was a lecturer and reader in the history of art at the Courtauld Institute; a senior tutor at the Royal College of Art, London; and Slade Professor of Fine Arts at the University of Cambridge. His history of cubism published in 1959 remains a standard work on the subject. His other books include Braque: The Late Works, Picasso: Sculptor/Painter, and Visions of the Modern.

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