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Performing Rites

Performing Rites

Performing Rites Paperback - 1998

by Simon Frith

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Paperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This volume asks what we talk about when we talk about music. Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, it takes these forms of engagement and discloses their place at the very c
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Details

  • Title Performing Rites
  • Author Simon Frith
  • Binding Paperback
  • Edition First Edition
  • Condition New
  • Pages 364
  • Volumes 1
  • Language ENG
  • Publisher OUP Oxford
  • Publication date 1998-07-16
  • Bookseller's Inventory # ria9780192880604_inp
  • ISBN 9780192880604 / 0192880608
  • Weight 1.12 lbs (0.51 kg)
  • Dimensions 9.21 x 6.14 x 0.75 in (23.39 x 15.60 x 1.91 cm)
  • Reading level 1530
  • Category Pop Arts / Pop Culture
  • Library of Congress Catalogue Number 96020507
  • Dewey Decimal Code 781.641
  • Quantity available 661

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Reader reviews for Performing Rites

From the publisher

Who's better? Billie Holiday or P.J. Harvey? Blur or Oasis? Dylan or Keats? And how many friendships have ridden on the answer? Such questions aren't merely the stuff of fanzines and idle talk; they inform our most passionate arguments, distil our most deeply held values, make meaning of our ever-changing culture. In this book, the author asks what we talk about when we talk about music. What's good, what's bad? What's high, what's low? Why do such distinctions matter? Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, Simon Frith takes these forms of engagement as his subject and discloses their place at the very centre of the aesthetics that structure our culture and colour our lives.

From the rear cover

In Performing Rites, one of the most influential writers on popular music asks what we talk about when we talk about music. What's good, what's bad? What's high, what's low? Why do such distinctions matter? Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, Simon Frith takes these forms of engagement as his subject - and discloses their place at the very center of the aesthetics that structure our culture and color our lives. Taking up hundreds of songs and writers, Frith insists on acts of evaluation of popular music as music. Ranging through and beyond the twentieth century, Performing Rites puts the Pet Shop Boys and Puccini, rhythm and lyric, voice and technology, into a dialogue about the undeniable impact of popular aesthetics on our lives.
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