BIBLIO is the largest independent book marketplace in the world, with over 100 million books.

Skip to content

Refocus

Refocus

Refocus
Stock photo: cover may vary

Refocus Hardback - 2021

by Smith, Frances,

Add to wish list
  • Used
New

Description

like new.
Ask the seller a question Add to wish list
A$236.82
A$5.87 Delivery within USA
Standard delivery: 2 to 14 days
More delivery options
Ships from GreatBookPrices (Maryland, United States)

Details

  • Title Refocus
  • Author Smith, Frances,
  • Binding Hardback
  • Condition New
  • Pages 296
  • Volumes 1
  • Language ENG
  • Publisher Edinburgh University Press
  • Publication date 2021-04-13
  • Features Bibliography, Index
  • Bookseller's Inventory # 33207380
  • ISBN 9781474449021 / 1474449026
  • Weight 1.31 lbs (0.59 kg)
  • Dimensions 9.21 x 6.14 x 0.69 in (23.39 x 15.60 x 1.75 cm)
  • Category Performing Arts
  • Library of Congress subjects Hughes, John - Criticism and interpretation
  • Dewey Decimal Code 791.430
  • Quantity available 5

About GreatBookPrices Maryland, United States

Biblio member since 2024

Since 1991, we have worked every day to serve our customers with state-of-the-art technology and world class service. We are dedicated to providing customers around the world with the widest selection of books, DVDs, and CDs at the absolute lowest price.

Terms of Sale: 30 day return guarantee, with full refund including original shipping costs for up to 30 days after delivery if an item arrives misdescribed or damaged.

Browse books from GreatBookPrices

Reader reviews for Refocus

From the publisher

The films of John Hughes (1950-2009) have enjoyed popular and critical success alike, from his first scripts in the early 1980s through to his celebrated work later in the decade and into the 1990s. While Hughes is best remembered for his stories about teenagers, such as Sixteen Candles (1984), The Breakfast Club (1985) and Ferris Bueller's Day Off (1986), almost all of his films deal with comical conflicts within everyday American families. He directed eight films and wrote over thirty in a career spanning a quarter of a century, and is fondly remembered for influencing American perceptions of - and appreciation for - the daily lives of (primarily) common citizens.
This wide-ranging collection examines the films of John Hughes from diverse angles, considering how he depicted young characters, how he revealed the humour of family life, and how his films subtly critiqued social issues such as class, race, gender, education and domestic relationships.

From the rear cover

The films of John Hughes (1950-2009) have enjoyed popular and critical success alike, from his first scripts in the early 1980s through to his celebrated work later in the decade and into the 1990s. While Hughes is best remembered for his stories about teenagers, such as Sixteen Candles (1984), The Breakfast Club (1985) and Ferris Bueller's Day Off (1986), almost all of his films deal with comical conflicts within everyday American families. He directed eight films and wrote over thirty in a career spanning a quarter of a century, and is fondly remembered for influencing American perceptions of - and appreciation for - the daily lives of (primarily) common citizens. This wide-ranging collection examines the films of John Hughes from diverse angles, considering how he depicted young characters, how he revealed the humour of family life, and how his films subtly critiqued social issues such as class, race, gender, education and domestic relationships. Timothy Shary is a professor of communications at Eastern Florida State College. Frances Smith is Lecturer in Film Studies at the University of Sussex.

About the author

Timothy Shary is the author of Teen Movies: American Youth on Screen (Wallflower, 2005) and Generation Multiplex: The Image of Youth in American Cinema Since 1980 (Texas, 2014). He teaches at Eastern Florida State College.

Frances Smith is Lecturer in Film Studies at the University of Sussex. She is the author of 'Rethinking the Hollywood Teen Movie' (Edinburgh University Press, 2017), which combines close textual analysis and critical theory to argue that the genre possesses a distinct narrative and aesthetic.

tracking-