Studio (The). Vols 1to 180. by HOLME, Geoffrey (Editor), CUNDALL, H M

New York: Oxford University Press, 1978. Boldly Signed by Rem Koolhaas on a large sheet (6" x 8") of archival Arches paper, laid into the book First edition / First printing. Pink paper-covered boards. Fine in very near fine dust jacket with light wear to the edges, an outstanding copy of a scarce title. Rem Koolhaas is the Pritzker Prize Winner for 2000.

Beautifully signature-bound in publisher's raw tan linen; front board & spine decoratively lettered; decorative endpapers. Generally, a very good or better set with signature satiric & anarchistic illustrations. One of the most important illustrated radical periodicals. Artists include but are not limited to: A. Roubille, Gustave-Henri Jossot, Konrad-Wagner, Valery Muller, Hermann-Paul, Leonetto Cappiello, Jules Cheret, Juan Gris, Jules-Alexandre Grun, Jossot, Frantisek Kupka, Paul Iribe, Theophile-Alexandre Steinlen, Orazi, Adrien Barrere, Poulbot, H. G. Ibels, Kees van Dongen, Armand Gallo, Ricardo Flores, and many others. Being a periodical that did not shy away from less attractive topics, they covered such topics as crime, economy, leisure and travel, politics, current events, international relations, religion, health and even the Press itself. Color and black and white illustrations copiously throughout. Vol. 1, 2, and 9: front board and spine are beginning to detach but are still sturdy. 10 1/4… Read More

1te. - (4te.) Lieferung. 4 instalments (= all published). Basel und Genf, H. Georg's Buch- und Kunsthandlung (1864 ?). 20 original photographs (albumen – various sizes ca 110 x 180 mm to 225 x 280 mm) mounted onto white cardboards. Loosely contained in publisher's lithographed wrappers, with calligraphed title on front cover and contents on back cover. Folio (450 x 310 mm). Spine of fourth instalment restored, wrappers lightly dust-soiled and with a few short tears in margins. Cf. ADB XL, 460-465 (for Wackernagel) ; not in Heidtmann. Bibliographie der Photographie. Jakob Hoeflinger (1819-1892), was a native from the Black Forest region who emigrated to Swiss and became a photographer around 1853. He established his very successful business in Bale in 1857. His son Albert (1855-1936) took over the company in 1885. In 1896 he sold it to his cousin August Höflinger (1867-1939), who had joined the management the same year as he. From then on, August himself devoted himself to portrait painting. Until… Read More

Set of 36 handcoloured lithographs after satirical illustrations by Jean-Gabriel Scheffer from What one says and what one thinks, Little Scenes of the World.An album of rare lithographs that depict comical scenes of daily life in Paris during the reign of King Charles X, in the Restoration era. Women in the voluminous puff-sleeved dresses and bonnets of the time, the men in elegant jackets and pants, lounging in restaurants, cafes, libraries, gardens and galleries.With title page and 36 hand-coloured plates lithographed and printed by Gihaut Frères in Paris (last six plates printed by Charles Tilt, London). These delightful satirical scenes mock the hypocrisies and annoyances of bourgeois society, in the same way as Thomas Rowlandson depicted the Miseries of Human Life in Regency England. The captions show what the characters say on the left, and what they really think on the right. Women flatter Plain Janes and ugly men, men flatter ugly women, a widow takes a new lover before her husband's… Read More

East Hampton, New York:: Barry McCallion,, 2018.. Edition of 3 variants. 13 x 10"; 18 text pages, 9 original linoleum block prints. Handwritten text on beige Rives BFK paper. Lino prints enhanced with acrylic inks and paints. Includes two original carved blocks of the prints adhered to the interior of the box. Signed and numbered by the artist McCallion has handwritten the text of Poe's short story "The Cask of Amontillado". The text is accompanied by McCallion's original artwork. Poe's short story is a revenge plot with the resulting punishment.  McCallion's lino cuts begin with the narrator meeting his "friend" Fortunato on the street at Carnival time. He lures Fortunato to test a cask of Amontillado. Our next image is of the long and winding spiraling staircase that Fortunato descends to the catacombs (the next lino image). The images continue as the fate of Fortunato is revealed. The last image being that of the narrator building a wall… Read More

New York: Oxford University Press, 1978. Boldly Signed by Rem Koolhaas on a large sheet (6" x 8") of archival Arches paper, laid into the book First edition / First printing. Pink paper-covered boards. Fine in very near fine dust jacket with light wear to the edges, an outstanding copy of a scarce title. Rem Koolhaas is the Pritzker Prize Winner for 2000.

Beautifully signature-bound in publisher's raw tan linen; front board & spine decoratively lettered; decorative endpapers. Generally, a very good or better set with signature satiric & anarchistic illustrations. One of the most important illustrated radical periodicals. Artists include but are not limited to: A. Roubille, Gustave-Henri Jossot, Konrad-Wagner, Valery Muller, Hermann-Paul, Leonetto Cappiello, Jules Cheret, Juan Gris, Jules-Alexandre Grun, Jossot, Frantisek Kupka, Paul Iribe, Theophile-Alexandre Steinlen, Orazi, Adrien Barrere, Poulbot, H. G. Ibels, Kees van Dongen, Armand Gallo, Ricardo Flores, and many others. Being a periodical that did not shy away from less attractive topics, they covered such topics as crime, economy, leisure and travel, politics, current events, international relations, religion, health and even the Press itself. Color and black and white illustrations copiously throughout. Vol. 1, 2, and 9: front board and spine are beginning to detach but are still sturdy. 10 1/4… Read More

1te. - (4te.) Lieferung. 4 instalments (= all published). Basel und Genf, H. Georg's Buch- und Kunsthandlung (1864 ?). 20 original photographs (albumen – various sizes ca 110 x 180 mm to 225 x 280 mm) mounted onto white cardboards. Loosely contained in publisher's lithographed wrappers, with calligraphed title on front cover and contents on back cover. Folio (450 x 310 mm). Spine of fourth instalment restored, wrappers lightly dust-soiled and with a few short tears in margins. Cf. ADB XL, 460-465 (for Wackernagel) ; not in Heidtmann. Bibliographie der Photographie. Jakob Hoeflinger (1819-1892), was a native from the Black Forest region who emigrated to Swiss and became a photographer around 1853. He established his very successful business in Bale in 1857. His son Albert (1855-1936) took over the company in 1885. In 1896 he sold it to his cousin August Höflinger (1867-1939), who had joined the management the same year as he. From then on, August himself devoted himself to portrait painting. Until… Read More

Set of 36 handcoloured lithographs after satirical illustrations by Jean-Gabriel Scheffer from What one says and what one thinks, Little Scenes of the World.An album of rare lithographs that depict comical scenes of daily life in Paris during the reign of King Charles X, in the Restoration era. Women in the voluminous puff-sleeved dresses and bonnets of the time, the men in elegant jackets and pants, lounging in restaurants, cafes, libraries, gardens and galleries.With title page and 36 hand-coloured plates lithographed and printed by Gihaut Frères in Paris (last six plates printed by Charles Tilt, London). These delightful satirical scenes mock the hypocrisies and annoyances of bourgeois society, in the same way as Thomas Rowlandson depicted the Miseries of Human Life in Regency England. The captions show what the characters say on the left, and what they really think on the right. Women flatter Plain Janes and ugly men, men flatter ugly women, a widow takes a new lover before her husband's… Read More

East Hampton, New York:: Barry McCallion,, 2018.. Edition of 3 variants. 13 x 10"; 18 text pages, 9 original linoleum block prints. Handwritten text on beige Rives BFK paper. Lino prints enhanced with acrylic inks and paints. Includes two original carved blocks of the prints adhered to the interior of the box. Signed and numbered by the artist McCallion has handwritten the text of Poe's short story "The Cask of Amontillado". The text is accompanied by McCallion's original artwork. Poe's short story is a revenge plot with the resulting punishment.  McCallion's lino cuts begin with the narrator meeting his "friend" Fortunato on the street at Carnival time. He lures Fortunato to test a cask of Amontillado. Our next image is of the long and winding spiraling staircase that Fortunato descends to the catacombs (the next lino image). The images continue as the fate of Fortunato is revealed. The last image being that of the narrator building a wall… Read More