The Tonometer: Explaining and Demonstrating, by an Easie Method, in Numbers and Proportion, All the 32 Distinct and Different Notes, Adjuncts or ... of the Gamut, ... by Ambrose Warren, .. Paperback - 2010

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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British Library

T113618

Three of the plates are entitled 'The musicall compass' 'The musick grammar' and 'The musical index' respectively.

[Westminster]: At the Westminster Printing-Office, near New Palace-Yard, printed by J. Cluer and Alex. Campbell; and sold by B. Creake. 1725. Sold also at the Printing-Office in Bow Church-Yard, 1725. [2],24p., plates: ill., engr.music; 4