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Visual Representations of the Cold War and Postcolonial

Visual Representations of the Cold War and Postcolonial

Visual Representations of the Cold War and Postcolonial
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Visual Representations of the Cold War and Postcolonial Hardback - 2021

by Midori Yamamura (Editor); Yu-Chieh Li (Editor)

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Details

  • Title Visual Representations of the Cold War and Postcolonial
  • Author Midori Yamamura (Editor); Yu-Chieh Li (Editor)
  • Binding Hardback
  • Condition New
  • Pages 256
  • Volumes 1
  • Language ENG
  • Publisher Routledge
  • Publication date 2021-06-25
  • Illustrated Yes
  • Features Bibliography, Illustrated, Index
  • Bookseller's Inventory # 25-03-07-1138
  • ISBN 9780367615291 / 0367615290
  • Weight 1.25 lbs (0.57 kg)
  • Dimensions 9.21 x 6.14 x 0.69 in (23.39 x 15.60 x 1.75 cm)
  • Themes
    • Chronological Period: 20th Century
    • Cultural Region: Asian - General
  • Category Art & Art Instruction
  • Library of Congress subjects Postcolonialism and the arts - East Asia, Postcolonialism and the arts - Southeast Asia
  • Library of Congress Catalogue Number 2021000551
  • Dewey Decimal Code 700.904
  • Quantity available 1

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Reader reviews for Visual Representations of the Cold War and Postcolonial

From the publisher

The essays and artworks gathered in this volume examine the visual manifestations of postcolonial struggles in art in East and Southeast Asia, as the world transitioned from the communist/capitalist ideological divide into the new global power structure under neoliberalism that started taking shape during the Cold War.

The contributors to this volume investigate the visual art that emerged in Australia, China, Cambodia, Indonesia, Korea, Okinawa, and the Philippines. With their critical views and new approaches, the scholars and curators examine how visual art from postcolonial countries deviated from the communist/capitalist dichotomy to explore issues of identity, environment, rapid commercialization of art, and independence. These foci offer windows into some lesser-known aspects of the Cold War, including humanistic responses to the neo-imperial exploitations of people and resources as capitalism transformed into its most aggressive form.

Given its unique approach, this seminal study will be of great value to scholars of 20th-century East Asian and Southeast Asian art history and visual and cultural studies.

About the author

Midori Yamamura is an Assistant Professor at CUNY Kingsborough.

Yu-Chieh Li is a Research Assistant Professor in the Department of Visual Studies, Lingnan University.

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