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Visual Style and Constructing Identity in the Hellenistic World: Nemrud Dağ and Commagene under Antiochos I (Greek Culture in the Roman World)

Visual Style and Constructing Identity in the Hellenistic World: Nemrud Dağ and Commagene under Antiochos I (Greek Culture in the Roman World)

Visual Style and Constructing Identity in the Hellenistic World: Nemrud Dağ and
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Visual Style and Constructing Identity in the Hellenistic World: Nemrud Dağ and Commagene under Antiochos I (Greek Culture in the Roman World) Hardback -

by Miguel John Versluys

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  • Title Visual Style and Constructing Identity in the Hellenistic World: Nemrud Dağ and Commagene under Antiochos I (Greek Culture in the Roman World)
  • Author Miguel John Versluys
  • Binding Hardback
  • Edition Hardback
  • Condition New
  • Pages 332
  • Volumes 1
  • Language ENG
  • Publisher Cambridge University Press
  • Publication date
  • Features Bibliography, Index, Maps
  • Bookseller's Inventory # 6379531887
  • ISBN 9781107141971 / 1107141974
  • Weight 1.2 lbs (0.54 kg)
  • Dimensions 10.09 x 7.04 x 0.17 in (25.63 x 17.88 x 0.43 cm)
  • Themes
    • Chronological Period: Ancient (To 499 A.D.)
  • Category History - General History
  • Library of Congress subjects Turkey - Antiquities, Antiochus
  • Library of Congress Catalogue Number 2017023172
  • Dewey Decimal Code 939.36
  • Quantity available 4

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Reader reviews for Visual Style and Constructing Identity in the Hellenistic World: Nemrud Dağ and Commagene under Antiochos I (Greek Culture in the Roman World)

From the publisher

Located in the small kingdom of Commagene at the upper Euphrates, the late Hellenistic monument of Nemrud Dağ (c.50 BC) has been undeservedly neglected by scholars. Qualified as a Greco-Persian hybrid instigated by a lunatic king, this fascinating project of bricolage has been written out of history. This volume redresses that imbalance, interpreting Nemrud Dağ as an attempt at canon building by Antiochos I in order to construct a dynastic ideology and social order, and proving the monument's importance for our understanding of a crucial transitional phase from Hellenistic to Roman. Hellenistic Commagene therefore holds a profound significance for a number of discussions, such as the functioning of the Hellenistic koine and the genesis of Roman 'art', Hellenism and Persianism in antiquity, dynastic propaganda and the power of images, Romanisation in the East, the contextualising of the Augustan cultural revolution, and the role of Greek culture in the Roman world.
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