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VISUALIZING WITH CAD - WHY AND HOW TO GENERATE FORMS FROM GEOMETRY TO ARCHITECTURE USING AUTOCAD

VISUALIZING WITH CAD - WHY AND HOW TO GENERATE FORMS FROM GEOMETRY TO ARCHITECTURE USING AUTOCAD

VISUALIZING WITH CAD - WHY AND HOW TO GENERATE FORMS FROM GEOMETRY TO
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VISUALIZING WITH CAD - WHY AND HOW TO GENERATE FORMS FROM GEOMETRY TO ARCHITECTURE USING AUTOCAD Paperback - 1994 - 1st Edition

by BERTOL,

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This book focuses on Computer-Aided Design (CAD) as a real design/modeling aid, where the visualization of 3-D models becomes a means of exploring forms. CAD is analyzed from a cross-disciplinary perspective, combining how-to techniques with rich visual materials, theories, and conceptual interpretations. Many of the CAD models in the book are provided on the companion disk. 125 illustrations.

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Springer, 1994. 1st. Paperback. New/New.
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Details

  • Title VISUALIZING WITH CAD - WHY AND HOW TO GENERATE FORMS FROM GEOMETRY TO ARCHITECTURE USING AUTOCAD
  • Author BERTOL,
  • Binding Paperback
  • Edition number 1st
  • Edition 1st
  • Condition New
  • Pages 359
  • Volumes 1
  • Language ENG
  • Publisher Springer, New York, New York, U.S.A.
  • Publication date 1994
  • Bookseller's Inventory # AME_9780387942759
  • ISBN 9780387942759 / 0387942750
  • Weight 1.72 lbs (0.78 kg)
  • Dimensions 10 x 8 x 0.81 in (25.40 x 20.32 x 2.06 cm)
  • Category Architecture
  • Library of Congress subjects Computer-aided design, Computer graphics
  • Library of Congress Catalogue Number 94017611
  • Dewey Decimal Code 745.4
  • Quantity available 1

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Reader reviews for VISUALIZING WITH CAD - WHY AND HOW TO GENERATE FORMS FROM GEOMETRY TO ARCHITECTURE USING AUTOCAD

From the publisher

I spent the first twenty six years of my life in Rome. I used to go for ice cream to a popular place near the Pantheon and I remem- ber the excitement I felt, beyond the chocolate and whipped cream, when I entered this ancient Roman temple. After staring at the "shower" of light coming from the circular opening at the center of the dome, as strong as a spotlight, I remember being attracted almost hypnotically to the place below the opening. I remember counting the coffers carving the concave dome, com- posed in five rows of circular arrays, and could feel the power and protection created by the concave space. I also recall going every Sunday to Piazza San Pietro. This Baroque square is well known for its colonnades, which have an oval shape defined by two interlocking circles. For each of these circles there is a mark, located approximately at its center, from which the four aligned rows of columns appear as one. Before entering the church, almost as a part of a ritual, I had to find the mark in the pavement of the oval square. I was amazed by how the rows of columns could appear and disappear according to my position in relation to the mark: .
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