Books by thomas moore esq (30 items)

J & B Williams, 1837. Hardcover. Very Good. full leather some wear very tight

London: British Library, 1794. Book. Very Good. Hardcover. Full leather binding in very good condition. PO bookplate. Publication dates for plays are: 1794, 1792, 1791, 1791. Binding secure. All plays adapted for theatrical representation as performed at Theatres-Royal, Drury-Lane and Covent Garden..

12-4: London: John Murray. Very Good- with no dust jacket. 1833. Hardcover.

12-4: London: John Murray. Very Good with no dust jacket. 1833. Hardcover.

12-4: London: John Murray. Good+ with no dust jacket. 1832. Hardcover.

12-4: London: John Murray. Good+ with no dust jacket. 1832. Hardcover.

12-4: London: John Murray. Good+ with no dust jacket. 1832. Hardcover.

New-York: Charles Wells, & Co., 1843. Hardcover. Good. Black leather, elaborately blind-stamped with a vignette of a lion catching a stag in the center of both covers, "Moore's Melodies" in gilt to the spine, all page edges gilt, 4 1/4 x 2 3/4 inches, tight. Waxed yellow end papers. Steel-engraved frontispiece by Hinshelwood of a man in a mountain setting, lacking tissue guard. Title page is printed in red & black. xv., 260 pages of verse, words only (no music). Moderate foxing throughout. The majority of these verses pertain to Ireland and the Irish, but not every one. The first entry is A Canadian Boat Song, written on the River St. Lawrence.Thomas Moore (1779-1852), b. Dublin, Ireland; d. Wiltshire, England. A poet, Moore was known as the "Irish Bard" during his lifetime. His "acclaim rested primarily on the popularity of his Irish Melodies...old Irish tunes verses that spoke to a narrative of Irish dispossession, loss, and resistance. With his romantic work Lalla Rookh (1817), in… Read more

Philadelphia, PA: John Watts. Good. 1806. Hardcover. Leather boards have some rubbing and scuffing, notably around the edges as is typical. Front hinge leather is not detached but is worn. Binding is secure. Pages yellowed and foxed but all around condition. .

Philadelphia: Claxton, Remson, and Haffelfinger, 1872. New Edition Carefully Revised. Cloth Binding. Black embossed title with art on cover. Gilt title on spine with black embossed art. Famous Poet. Light wear on top and bottom of spine. Spine is beginning to separate. . Hard Cover. Very Good.

London: J. Power, 1820. Softcover. Good. Stated second edition. Part two only (second number). Illustrated in black and white with a frontispiece of Henry Bishop and a title page illustration by Thos. Stothard R.A. engraved by Chas. Heath. Folio. [7], 59-113pp. Lacking the wrappers, owner name on the inscription page, foxing throughout, spine cocked with chips and tears, and a chip to the front free endpaper, still a good or better copy. For voice and piano. Plate number 356.

Boston: C. Bradlee, 1837. Softcover. Good. Sheet music. Folio. Single sheet printed on the recto only and folded in half making for two pages of content. Separated along the fold but both leaves are present, notched and worn along the fold from once being bound within an album, offsetting and light foxing throughout, a complete but good only copy. For voice and piano.

top spine splitting, covers scuffedspine gilt title and author's name, decorative embossingmarbled page edgesfront and rear flyleaf marbledno writing, underlining, tears, folds ,mars or dog eared pages

Philadelphia: Henry C. Baird, 1853. Fourth American edition. An Asian romance published originally in 1817. Lalla Rookh is the daughter of the 18th century Mughal emperor Aurangzeb, her story unfolds in four narrative poems, connected by text. 1853 gift inscription on the ffep. 8vo, 3/4 brown leather and marbled boards, marble eps, tissue guarded steel engraved illustrations throughout by E. Corbould. Marbled edges and end papers. Half brown calf binding with different marbled paper, possibly rebound. Spine in six compartments, black title labels and small embossed decoration. Slt. rubbed at edges; internally clean, binding tight.

London: Cramer, Addison & Beale, 1830. Softcover. Good. Unknown edition. Folio. 5pp. Wrappers. Owner name on the front cover, nearly separated at the spine, notched in the spine from once being bound within an album, early tape repair to the verso of the front wrapper and along the spine on the rear wrapper, edgewear, and creasing to the top of the pages, a complete but good only copy. For voice and piano. Plate number 918. *OCLC* locates only one holding of this edition and dates it at 1830.

Boston: C. Bradlee, 1834. Softcover. Very Good. Unknown edition. Folio. A single sheet printed on the recto only and folded once creating two pages of content. Notched and worn along the fold from once being bound within an album, foxing and light offsetting, still a very good copy. For voice and piano. *OCLC* locates only a single holding and it appears to be equally scarce in the trade.

Baltimore: F. D. Benteen / E. Gillingham, 1840. Softcover. Very Good. Unknown edition. Folio. Single bifolium making four pages. Owner inscription in pencil on the front cover, notches in the spine from once being bound within an album, a light dampstain to the top margin affecting throughout, and light foxing throughout, still a very good and complete copy. *OCLC* locates no holdings of this edition.

Boston: C. Bradlee, 1830. Softcover. Very Good. Unknown edition. Folio. Single bifolium making four pages. Notches in the spine from once being bound within an album, foxing throughout, and light edgewear, still a very good copy. For voice and piano. *OCLC* locates seven holdings published by C. Bradlee.

Boston: C. & E. W. Jackson, 1821. Softcover. Very Good. Unknown edition. Folio. Single bifolium making four pages. Notches in the spine from once being bound within a volume, offsetting, and some soiling, still a very good copy. For voice and piano. *OCLC* locates three holdings.

New York: Millet's Music Saloon, 1837. Softcover. Very Good. First edition. Folio. 5pp. Wrappers. Notches in the spine from once being bound within an album, tear at the bottom margin of pages three and four not affecting any content, foxing throughout, and very light edgewear, very good. For voice and piano. *OCLC* locates two holdings.