Search Results: Music from Kate Mitas, Bookseller

Nashville: Hatch Show Print, (1994). Very Good. 22" x 14". White paper letterpress printed in red and blue, three photographic images. Minor wear to corners, light ink offsetting to verso. Starring Carl Perkins / Ronnie McDowell / Scotty Moore / D. J. Fontana / The Jordanaires. Frank Page, M. C. Municipal Auditorium Shreveport. Sunday October 16 7 P.M.

Nashville: Hatch Show Print, 1996. Very Good. 22-3/4" x 13-3/4". White paper letterpress printed in blue. Slight bumping to corners, slight ink offsetting to verso. Performers include: The Smokin Joe Kubek Band, featuring Bnois King; Amy Watkins; Candy Martin Shines; Big Mike Griffin; The Roland Allen Band; Hamilton Loomis; James Peterson; and Dorothy Moore. Managed by Judy Blue Promotions.

Nashville: Hatch Show Print, 1996. Very Good. 22-3/4" x 14-1/2". Red-coated paper letterpress printed in white and black. Minor wear to edges, few ink smudges to verso.

Nashville: Hatch Show Print, (1996). Near Fine. 22" x 13-1/4". White paper letterpress printed in black and red, with photographic image of Skaggs. Additional performers include J. D. Crowe & The New South, Third Tyme Out, Charlie Waller & The Country Gentlemen, The Lonesome River Band, and many others. Slight wear to lower corner, few ink spatters to verso.

Nashville, TN: Hatch Show Print, [1994]. Very Good+. 22" x 14". White paper letterpress printed in green, yellow and red with black lettering and photographic halftone of Brown holding his famous "guit-steel" guitar at center. Small crease to upper corner, slight streaking to printer's name at base, slight ink offsetting to verso.

Nashville, TN: Hatch Show Print, (1983). Near Fine. 22" x 14". White cardstock letterpress printed with a blue to yellow fade, red lettering and b/w photographic halftone of McDaniel. Hint of wear to corners, ink offsetting to verso

Nashville: Hatch Show Print, (1995). Near Fine. 22" x 14-1/4". White paper letterpress printed in black and red, with photographic halftone of Skaggs. Slight ink smudge to verso.

[New York]: [Metropolitan Opera House], [1885]. Very Good. 23.5 x 17 cm. [5], 17 double pages, [1]pp. Light blue-grey wrappers printed in black, text in English and German. Light foxing to wrappers; light vertical center crease throughout. Libretto from the first American season of "The Queen of Sheba", whose opening performance was in Vienna in 1875, and which debuted in America at the Metropolitan Opera House in December 1885. The Boston Globe reported that at the opening night's performance in New York, "[e]verybody was there, from Vanderbilt up, including George Jones, Whitelaw Reid, Perry Belmont, the Damrosch family ... and many others" (Dec. 3, 1895).Rare. Not located in OCLC, although an 1889 edition is at the NYPL.

Nashville: Hatch Show Print, (1996). Very Good. 26" x 13". White paper letterpress printed in orange and red, with center woodblock illustrations of a guitar and saxophone. Fold line to lower margin, creasing/light bumping to corners, ink smear to verso.

Nashville: Hatch Show Print, (1994). Near Fine. 21-5/8" x 13-1/4". White paper letterpress printed in red and green, with a large woodcut illustration of a clown and amusement park. "R" in "Porter" slightly misprinted, minor ink offsetting to verso, else fine.

Nashville: Hatch Show Print, [1996]. Very Good. 23" x 14-1/2". White paper letterpress printed in red-orange and black. Minor wear to corners, few ink smears to lower margin and verso.

Nashville: Hatch Show Print, 1991. Very Good. 22" x 14". White paper letterpress printed in red and blue. Minor wear and slight ink spattering to edges.

Tuskegee, Alabama: Music Press, Tuskegee Institute, (1949). Very Good. 10" x 7". 8 pp. White self-wrappers printed in black. Minor soiling and wear. Sheet music for the classic African American spiritual.

(n. p.), (1918). Wraps. Good. 6" x 3-5/8". Stapled grey-green wrappers printed in black. Wear and small losses/tears to wrappers; small stain to front wrapper; light staining from staples to some inner margins. A grouping of post-WWI patriotic writings and correspondence by the singer and monologuist, arguing that American exceptionalism, pacifism, and, in her view, Christian Science represent the "spirit of democracy" more than "The Star Spangled Banner" does. Originally from Tennessee, Cheatham trained in Europe and became quite popular there and in the US, performing regularly for members of the royal family in England; she was a friend and follower of Mary Baker Eddy. The other titles in the booklet are: "Corresondence Resulting from the Circulation of the Pamphlet Entitled Words and Music ..."; "A Protest in Defense of Children" (also about the "Star Spangled Banner"); and "Excerpts from Letters".OCLC is wrong on this one: many of the institutions noted as having only the digital copy… Read More