Search Results: Authors starting with S from exPB

(London: Wells, Gardner & Darton: January 1896) Third Edition. Pictorial cloth pp. xvi, 312 & 26 publisher’s advertisements (213 x 155 mm). Illustrated by Gordon Browne and W.H.C. Groome. Top edge gilt, other edges uncut. A small gift inscription. Very good if not near fine copy.

(København: Centraltrykkeriet: 1949) 6. Udgave. Gilt decorated boards (that is, hard covers) pp. 346 plus folding coloured pictorial table of Semaphore and Morse communications at rear. Illustrated. Several related enclosures present. Form printed on front fixed endpaper filled in; annotations on front free endpaper; annotations on four blank pages at rear, including two pages of autographs with Naval Service Numbers. Spine sunned, and gilt faded; head and foot of spine rubbed and nicked; a few marks to the boards; otherwise a very good copy.

(Sydney: Printed in Australia by President Press for the Publishers The Original Novels Foundation: 1953) First Australian Edition. Pictorial wrappers (that is, paper covers) pp. 132. Phantom Books No. 525. Old price in biro on title page; a near fine copy.

(Melbourne: Cheshire: 1947) First Edition. Cloth (that is, hard covers) pp. 136. First Edition. A near fine copy in very good dust-jacket.

(Toorak, Victoria: Australian Public Relations Services: 1982) Cloth (that is, hard covers) pp. x, 237. Frontispiece. Written originally during World War Two when the Author was a POW in Stalag and later serialised in the 'Sporting Globe', this revision of a novel about steeplechasing includes the 'unique setting' of Oakbank, where spectators can 'almost lean across and touch the horses, whilst at the same time watch every jump on its flowing, beautiful course'. Author's signed and inscribed presentation copy. An about fine copy in like dust-jacket.

(Adelaide: Hassell Press: 1944) Wrappers decorated with 'Stalag VIIIB Gepruft Nr.29' (that is, flexible covers) pp. ii, 26. Introduction by the Author who intended the poems to form an afterword to his 'Stalag Scrapbook', the publication of which was delayed. A near fine copy.

Novel. (London: Published by Leonard and Virginia Woolf at The Hogarth Press: 1932) First Edition. Cloth (that is, hard covers) pp. 352. First Edition. Marks and rubbing to cloth; a small abrasion to spine; internally very good.

(London: The Hogarth Press: 1941) First Edition Bds pp. 78. The New Hogarth Library No. IV First Edition. Fine in price-clipped dust-jacket whose spine is browned but is otherwise fine.

(Sydney: Deaton and Spencer: no date) Muir 6554 suggests 1945. Quarter cloth pictorial boards (that is, hard covers) pp. 28 (180 x 245 mm). With Coloured illustrations. Endpapers heavily stained (from pressed flowers??) otherwise a very good copy.

(London: Constable: 1927) First Ed. Gilt cl. pp. x, 432. Illust. Index. Lower edge uncut. First Edition. Spine faded though gilt lettering still legible, nicked at foot, some (generally light) foxing to the early leaves, internally very good.

(Cambridge: Cambridge University Press: 1975) First Edition Bds pp. viii, 213. Frontispiece Notes. Bibliography. Indexes. First Edition. Fine in like price-clipped dust-jacket.

(NY: Macmillan: 1902) First Edition 'Set up and electrotyped June, 1902'. Norwood Press. Gilt pict. cl. pp. x, 419 including 1 p.a. Illust. Index. Top edge gilt, others uncut. American Sportsman's Library series, Edited by Caspar Whitney. First Edition. A very good bright cancelled ex-Institute copy; a number (lightly) near foot of spine; handsome label showing the Institute building laid down on front cover; cancelled label and number on fixed front endpaper; Institute name stamps discreetly in margins, on backs of some plates, and on title page; text clean and bright.

(London: Ward, Lock: n.d.) Prize label dated 17th Dec. 1919. Illustrated by Warwick Goble. Cheaper re-issue in cloth blocked in blind. Very good

(London: Ward, Lock: n.d.) Prize Label dated Christmas 1904. Muir suggests 1902. Pict. cl. pp. 286, 2 p.a. Illust. by Warwick Goble. All edges gilt. Fine or so

With an Introduction by Philip Collins. (New York: Leicester University Press: 1971) Victorian Library (series) edition, reprinting the 1859 text of the first publication in volume form. SBN 391 00083 7. Gilt decorated and lettered boards (that is, hard covers) pp. <22>, xii, 5-392. Reproduces the original illustrations. Bibliographical Note. An owner's name at head of front free endpaper. A vertical crease to the rear free endpaper; otherwise a fine copy in very good dust-jacket.

(London: Pleiades Books: 1945) First Edition. Quarter cloth pictorial boards (that is, hard covers) pp. 56 (182 x 243 mm) Illustrated presumably by the Author). First Edition. A little wear to the boards; old tapestains to the endpapers otherwise internally very good.

(Melbourne University Press on behalf of the Australian National University: 1962) First Edition. Cloth (that is, hard covers) pp. xxii, 237. Illustrated. Map. Tables. Glossary of Siane Terms. Bibliography. Index. First Edition. About fine copy in very good dust-jacket.

(Adelaide: Openbook Publishers: 1998) First Edition. Pictorial boards (that is, hard covers) pp. x, 278 (252 x 175 mm). Illustrated. Maps. Glossary. Bibliography. Index. An owner’s bookplate on front free endpaper. Spine slightly slanted; otherwise a near fine copy.

A collaborative exhibition between Flinders University Art Museum and Riddoch Art Gallery drawn from the collections of the late Rodney Gooch (1949-2002). (Adelaide: Flinders University: 2008) First Edition. Decorated wrappers (that is, flexible covers) plus pp. 96 (270 x 212 mm). Illustrated. Includes substantial articles about Gooch and his work and the works of the Aboriginal artists he promoted and collected by Fiona Salmon, Christopher Hodges, Philip Batty and Christine Nicholls. A near fine copy.

(Commonwealth of Australia. EW Cole, Book Arcade, Melbourne, Sydney. Adelaide: n.d.) Suggest about 1915. Pictorial cloth pp. 320. With illustrations by J. Shaw Crompton, RI, Henry A. Harper and other Artists. About fine with the JR McGregor bookplate by Adrian Feint.