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London, 1 June 1876. 5 x 8 inches, in good condition. Enrico Bevignani Modesto (b.Naples, 1841 - 1903), orchestral conductor, composer and theatrical impressario. In 1864 he moved to London, and from 1871 to 1878 he was the permanent conductor at Covent Garden. On March 17 1879 he conducted the world premiere of Eugene Onegin at the Maly Theatre in Moscow.
Search Results: Titles starting with S from Julian Browning Rare Books & Manuscripts
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Salary receipt, signed E.Bevignani, for £100 received from M.Gye of the Royal Italian Opera, Covent Garden
by BEVIGNANI, Enrico
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Series of five Autograph Letters Signed, to Henry Mogford, discussing the sale or exhibition of Wards pictures, insurance, dispatch, orders, etc
by WARD, George Raphael
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31 Fitzroy Square, March to August 1857. 10 pp., some very light foxing, generally in good condition, all tipped on to one old album page. George Raphael Ward (17991878), painter and engraver. Henry Mogford, exhibition organiser, was closely associated with the Crystal Palace. We proposed paying a visit on Saturday next to the Crystal Palace as it is a long time since I paid a visit to that enchanting place...
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Series of five Autograph Letters Signed, to Sir (his publisher), returning proofs, discussing prices and woodcuts, the blocks for the illustration of Cheshire Chivalry, sending the hunting songs arranged according to the way I wish them printed and have marked the illustrations, etc
by WARBURTON, Rowland Eyles Egerton-
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Arley, 1844-1846. 10½ pages 7 x 4½ inches, minor blemishes only, one letter cleanly torn along centre fold. Rowland Eyles Egerton-Warburton (1804-91), poet, author of Hunting Songs and Miscellaneous Verses (1846), etc. On the subject of proofs he writes, The dead horse wants working up a great deal, pray speak seriously to Mr. L about this, as I am quite fearful that they will all appear to be very coarse and slightly finished.
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Signature cut from the end of a letter: Believe me yours very faithfully James Crichton Browne
by CRICHTON-BROWNE, Sir James
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Undated. 4 x 4½ inches, laid down. Sir James Crichton-Browne (1840-1938), doctor and psychologist, lunatic asylum superintendent, a pioneer of the early treatment of mental breakdown.
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Signed Letter, to Mr. Wayland in Dublin, accepting his offer to purchase a drawing of St. Marks in Venice, discussing whether the drawing has now been sent to London after the closure of the Exhibition
by DA POZZO, Giuseppe
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Venice, 26 June 1887. 2 pp. 7 x 4 inches, in good condition, minor blemishes only. Giuseppe Da Pozzo (1844-1919), watercolour artist.
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The Soul of Malaya. Presentation inscription on half-title, signed H.Fauconnier
by FAUCONNIER, Henri
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London, 1931. English edition. 247 pp., illustrated. Original blue cloth, some fading. Henri Fauconnier (1879 1973), French writer, known mainly for his novel Malaisie, which won the Prix Goncourt in 1930. He developed rubber plantations in Malaya and elsewhere in the Far East.
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Stanza of four lines, in the Guarani language, signed Gregorio Benites
by PARAGUAY. Gergorio Benites
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Undated. 6 x 8 inches, in fine condition. Part album page from an album compiled by Leone Levi (18211888), political economist. Gregorio Benites (1834-1910), Paraguayan diplomat and author.
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A series of three Autograph Letters Signed, to Jabez Hogg, about aplysia and other marine specimens, thanking Hogg for the information which will benefit Hunts collection, with mention of Mr. Gosse
by HUNT, Arthur Roope
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Torquay, November 1875. 3 letters, 9 pp. in good condition. Arthur Roope Hunt (1843-1914), geologist and naturalist.
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A series of 6 original letters (2 in pencil, 2 signed in full, the rest Percy, 2 typed letters signed, 1 in the hand of an amanuensis due to Lubbocks blindness) and 1 autograph postcard, to his cousin Shiela and her mother, about visits, family, etc. thanking Shiela for her letter about books & men & the Soul of God, just the kind of talk I enjoy
by LUBBOCK, Percy
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Gli Scafari, Lerici, 1951-1953. 12 pp. 8 x 6 inches. Percy Lubbock (1879-1965), author and editor. ... old friends and young relations still make me a sort of daisy-chain of visits... I am much as saw me last, save that I am still more set fast in my chair and no sight left to speak of, but what of that, I have kind friends always at hand to do things that I cannot do for myself.
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A series of three Autograph Letters Signed, to Mr. Knowles, editor of The Nineteenth Century, about the length of his forthcoming article, an indictment of the Post Office, assuring Knowles that the article throbs with public resentment against the Post Office
by HEATON, John Henniker
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36 Eaton Square, March 1893. 3 letters, 5 pp., 8 x 5 inches, occasional light foxing only. Sir John Henniker Heaton (1848-1914), Member of Parliament, redoubtable postal reformer, and journalist in Australia. John Thomas Knowles (1831-1908), editor, friend of Tennyson. In June 1893 there appeared in The Nineteenth Century Heatons article: Post Office Plunders and Blunders.
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A series of four Autograph Letters (one in the third person), to Miss Glover, discussing Ada Crossleys programme of songs, whether ballads or something more classical, the attendance at her concert, etc
by CROSSLEY, Ada
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69 Gloucester Crescent, Regents park, September - November, 1896. 12 pp. different sizes, in very good condition. Ada Jemima Crossley (1871 1929), Australian contralto notable as the first Red Seal recording artist engaged in the US by the Victor Talking Machine Company in 1903. Her first appearance in London was at the Queen's Hall on 18 May 1895, when she had an immediate success. For many years she held a leading place at music festivals and on the concert platform, and she gave five command performances before Queen Victoria in two years. She was also successful in America, and on returning to Australia in 1904 her tour was a series of triumphs.
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A series of four lengthy Autograph Letters Signed, addressed Madame, discussing her paintings and offering useful criticism, with observations on art, mutual acquaintances, etc
by HORNUNG, Joseph
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Switzerland, 27 February 1861; May to July, 1869. In French. 4 letters, 10 pp. folds, in good condition. Joseph Hornung (1792-1870), painter, was born in Geneva. He took drawing lessons with Constant Vaucher but was essentially self-taught in the French Romantic tradition. He was considered the leader of the Geneva school and the most representative painter of the Reformation. He exhibited at the Salon in the Musée Rath, Geneva, as early as 1826 and subsequently at the Royal Academy, London (1839) and the Paris Salon (1831, 1840, 1841, 1843 and 1847). He was praised by the critics and Louis-Philippe and Ary Scheffer were among his admirers.
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A series of six Autograph Letters Signed, to J.Grant Reid, one being autobiographical and mentioning Bryan and the Zig-zag sketches, the others sending drawings and notes of use to Reid in his book (At The Sign Of The Brush And Pen, 1898)
by SHEPHERD, James Affleck
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Bromley, Kent, 1898 and undated. 6 letters, 17 pp., in good condition. J.A.Shepherd (b.1866), Strand illustrator, One of his teachers was Alfred Bryan, the Judy caricaturist. He was introduced to the Punch audience in the 1894 Punch Almanac. J. A. Shepherd was a regular contributor of illustrations to the Strand Magazine. He illustrated Zig Zags at the Zoo in 1894, Zig Zag Fables in 1897, The Story of Chanticleer in 1913, Uncle Remus in 1921, and Songs of the Birds in 1922.
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A series of three Autograph Letters Signed A.F.Rolfe, to Henry Mogford, the exhibition organiser, about entering his paintings for exhibition
by ROLFE, Alexander Frederick
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4 Albert Cottages, Hammersmith & 4 Haymarket, 1854-1856. 3 letters, neatly tipped on to an old album page, in good condition. Alexander Frederick Rolfe (1815-1907), painter.
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A series of 6 long Typed Letters Signed with initials, or as Horatio, or Guy Vachell, to the same correspondent (Mon petit Coco, Amico carissimo mio, My dear Wattie, etc.), one in humoress verse (to My pensive Wattie), commenting and musing on his correspondents novels, giving advice, speculating on how the characters are likely to behave, his own work progress, and much else
by VACHELL, Horace Annesley
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1909-1948. 11 pp. 10 x 8 inches. Horace Annesley Vachell (1861 1955), prolific English writer of novels, plays, short stories, essays and autobiographical works.
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A series of four Autograph Letters Signed, to Miss Mortimore, with seven amusing pen and ink sketches in the text, illustrating the themes of the letters
by STAMPA, G.L
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3 Clifton Hill Studios, N.W., undated. 4 letters, 11 pp., in good condition, with a separate sepia photograph of the young Stampa. George Loraine Stampa (1875-1951), black and white artist, a contributor to Punch and other illustrated papers and magazines, also designed posters for London Transport. The portraits I have been trying to paint lately from photographs have been ... breaking great lumps off my Spirit ... Now with one sad blow you have shattered the remaining slab, & I see like the pilgrim of love, theres no rest for me but the grave ... you pain me more than words can tell, or ears can hear, or crocodiles forget.
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A series of four Autograph Letters Signed by Robinson, to Geo: Harris at Rugby School, acknowledging Drafts of Twenty Pounds, being payments for his Exhibition to Trinity College Cambridge. Together with two certificates of residence at Trinity, also sent as letters, each signed by William Lort Mansel, Bishop of Bristol and Master of Trinity
by CAMBRIDGE. Thomas Robinson, Trinity College
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Trinity College Cambridge, 1811-1815. 6 letters 9 x 7 inches, in good condition, with the integral address leaves (postal markings). Thomas Robinson (1790-1873), Master of the Temple, and Arabic scholar, was educated at Rugby and at Trinity, Cambridge, where he graduated in 1813 as thirteenth wrangler and second classical medallist. He went out to India as a missionary priest, and there he began the translation of the Old Testament into Persian. He was chaplain to Reginald Heber, and was present at Trichinopoly on 2 April 1826 when Heber was drowned. In 1837 Robinson was appointed lord almoners professor of Arabic in the University of Cambridge.
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A series of four substantial Autograph Letters Signed by Thomas Biddulph, to the Revd. T.Jennings, Redcliff Crescent, Bristol, about meetings, discord in the Bible Society, the purchase of a floating church, Bristol Penitentiary, Dr. Doddridges teachings, the curacy at Chepstow, and all matters evangelical
by BIDDULPH, Thomas Treganna
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Bristol, 1802, 1810, 1822, 1825. 4 letters, 12 pp., in good clean condition. Thomas Tregenna Biddulph (17631838) was an English cleric, a leading evangelical in the Bristol area. He particularly opposed the evangelical secession around George Baring (17811854), the "western Schism". A lengthy catalogue of Biddulph's writings is in Bibliotheca Cornubiensis. All his works were of evangelical doctrine and theology; he engaged in controversy with John Hey, Richard Warner, and Richard Mant. A periodical called at first Zion's Trumpet, then known for many years under as The Christian Guardian,' was set up him in 1798.
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A series of 11 Autograph Letters Signed, to Frederick William Hamstede, the secretary of Our Club, about Club meetings, the promised honor of Thackerays presence among us, mention of Shirley Brooks, thoughts of old evenings ... and vanished faces, discussing a chronology of three dining clubs, including the Museum, praising Hamstede as the Clubs guardian, family news, etc
by MASSON, David
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1851-1880. 11 letters, 20 pp. in good condition. David Masson (1822-1907), Scottish scholar and literary critic, whose works included Memories of London in the Forties.
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A series of six Autograph Letters Signed, to Henry Mogford, exhibition organiser at the Crystal Palace, about sending drawings for exhibition, frames, wondering whether the drawing of Westminster Abbery is too large, etc
by NASH, Frederick
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44 Montpelier Road, Brighton, 1854-1855. 6 letters, 7 pp. in good condition, lightly tipped on to an old album page, overlapping. Frederick Nash (1782-1856), watercolour painter, architectural draughtsman. His published works include: A Series of Views of the Collegiate Chapel of St.George at Windsor [1805], Twelve Views of the Antiquities of London [1805-10], and some of the drawings which were engraved for Ackermanns History of the University of Oxford [1814].
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