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Oxford Handbook of Sound and Imagination, Volume 2
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Oxford Handbook of Sound and Imagination, Volume 2 Hardback - 2019

by Mark Grimshaw-Aagaard (Editor); Mads Walther-Hansen (Editor); Martin Knakkergaard (Editor)

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From the publisher

Whether social, cultural, or individual, the act of imagination always derives from a pre-existing context. For example, we can conjure an alien's scream from previously heard wildlife recordings or mentally rehearse a piece of music while waiting for a train. This process is no less true for the role of imagination in sonic events and artifacts. Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games.

Details

  • Title Oxford Handbook of Sound and Imagination, Volume 2
  • Author Mark Grimshaw-Aagaard (Editor); Mads Walther-Hansen (Editor); Martin Knakkergaard (Editor)
  • Binding Hardback
  • Pages 704
  • Volumes 1
  • Language ENG
  • Publisher Oxford Univ PR
  • Publication date 2019-08-22
  • Features Bibliography, Index
  • ISBN 9780190460242 / 0190460245
  • Weight 2.95 lbs (1.34 kg)
  • Dimensions 9.9 x 6.9 x 1.7 in (25.15 x 17.53 x 4.32 cm)
  • Category Music/Songbooks
  • Library of Congress subjects Imagination, Sound - Psychological aspects
  • Library of Congress Catalogue Number 2018049753
  • Dewey Decimal Code 781.11

About the author

Mark Grimshaw-Aagaard is Obel Professor of Music and head of the Music and Sound Knowledge Group (MaSK) at Aalborg University, Denmark. He has published widely across subjects as diverse as sound, biofeedback in computer games, presence, virtuality, the Uncanny Valley, and IT systems and also writes free, open source software for virtual research environments (WIKINDX). Mark is series editor for the Palgrave Macmillan series Studies in Sound, and his books include the anthologies Game Sound Technology & Player Interaction (2011) and The Oxford Handbook of Virtuality (OUP 2014) and, with co-author Tom Garner, a monograph entitled Sonic Virtuality (OUP 2015).

Mads Walther-Hansen is Associate Professor and head of the Music Programme at Aalborg University, Denmark. He writes on music listening, music production, sound technology, and sound analysis, and he has published several articles, chapters, and conference papers on cognition and language in relation to music production which examine the conceptualization of sound and the effect of recording technology on the listening experience.

Martin Knakkergaard is Senior Lecturer in the Music Programme at Aaborg University, Denmark. He is currently the leader of the Obel Music Project and was former head of the Music Programme at Aalborg University for more than 12 years. His research interests are primarily within the field of Music Technology. Martin has in recent years turned towards the study of musicological questions of a more fundamental nature. He is also the editor of the Danish Dictionary of Music, Gads Musikleksikon (2003 and 2005) and editor of the music periodical Col Legno (1993-1999), and the music journal Danish Musicology Online (2010-2015).

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Oxford Handbook of Sound and Imagination, Volume 2

Oxford Handbook of Sound and Imagination, Volume 2

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Hardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Whether social, cultural, or individual, the act of imagination always derives from a pre-existing context. For example, we can conjure an alien's scream from previously heard wildlife recordings or mentally rehearse a piece of music wh
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The Oxford Handbook of Sound and Imagination, Volume 2 (Oxford Handbooks)
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The Oxford Handbook of Sound and Imagination, Volume 2 (Oxford Handbooks)

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The Oxford Handbook of Sound and Imagination, Volume 2 (Oxford Handbooks)

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The Oxford Handbook of Sound and Imagination: Vol 2
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The Oxford Handbook of Sound and Imagination: Vol 2

by Grimshaw- Aagaard, Mark (Editor)/ Walther-hansen, Mads (Editor)/ Knakkergaard, Martin (Editor)

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