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The Self-Portrait: A Cultural History
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The Self-Portrait: A Cultural History Paperback - 2015

by James Hall


From the publisher

The self-portrait may be the visual genre most identified with our confessional era, but modern artists are far from the first to have explored its power and potential. In this broad cultural survey of the genre, art historian and critic James Hall brilliantly maps the history of self-portraiture, from the earliest myths of Narcissus and the Christian tradition of "bearing witness" to the prolific self-image-making of today's contemporary artists.

Hall's intelligent and vivid account shows how artists' depictions of themselves have been part of a continuing tradition that reaches back centuries. Along the way he reveals the importance of the medieval mirror craze; the explosion of the genre during the Renaissance; the confessional self-portraits of Titian and Michelangelo; the biographical role of serial self-portraits by artists such as Courbet and van Gogh; themes of sex and genius in works by Munch, Bonnard, and Modersohn-Becker; and the latest developments of the genre in the era of globalization.

Comprehensive and beautifully illustrated, the book features the work of a wide range of artists including Alberti, Caravaggio, Drer, Emin, Gauguin, Giotto, Goya, Kahlo, Koons, Magritte, Mantegna, Picasso, Raphael, Rembrandt, and Warhol.

Details

  • Title The Self-Portrait: A Cultural History
  • Author James Hall
  • Binding Paperback
  • Edition Reprint
  • Pages 288
  • Volumes 1
  • Language ENG
  • Publisher Thames & Hudson
  • Date 2015
  • Illustrated Yes
  • Features Bibliography, Illustrated, Index, Maps
  • ISBN 9780500292112 / 0500292116
  • Weight 1.55 lbs (0.70 kg)
  • Dimensions 9 x 6 x 1.1 in (22.86 x 15.24 x 2.79 cm)
  • Library of Congress subjects History, Artists
  • Library of Congress Catalog Number 2013930838
  • Dewey Decimal Code 757
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The Self-Portrait: A Cultural History

The Self-Portrait: A Cultural History

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The Self-Portrait: A Cultural History

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Paperback / softback. New. Offering a rich and lively history, this is an essential read for all those interested in this most enduringly popular and humane of art forms.
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New York: Thames & Hudson, 2015. 288 pages, illustrations (chiefly colour); 23 cm. Tight, clean copy. First paperback edition. "In this broad cultural survey, art historian and critic James Hall brilliantly maps the history of self-portraiture, from the earliest myths of Narcissus to the prolific self-image-making of contemporary artists. His intelligent and vivid account shows how artists' depictions of themselves have been part of a continuing tradition that reaches back for centuries. Along the way he reveals the importance of the medieval 'mirror craze'; the explosion of the genre during the Renaissance; the confessional self-portraits of Titian and Michelangelo; the role of biography for serial self-portraitists such as Courbet and van Gogh; themes of sex and genius in works by Munch, Bonnard and Modersohn-Becker; and the latest developments of the genre in the era of globalization. The full range of self-portraits is covered here, from comic and caricature self-portraits to… Read More
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The Self-Portrait: A Cultural History
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The Self-Portrait: A Cultural History

by Hall, James

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The Self-Portrait: A Cultural History
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The Self-Portrait: A Cultural History

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ISBN 10 / ISBN 13
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The Self-Portrait: A Cultural History
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The Self-Portrait: A Cultural History

by James Hall

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ISBN 10 / ISBN 13
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Thames & Hudson, 2016. Paperback. New. A clean crisp well preserved 2016 Thames & Hudson softcover in a fine tight binding. Little to no shelf wear. Text is bright and free of marks or underlining. Fast shipping in a secure book box mailer with tracking. "Hall provides a lively cultural interpretation of the genre from the Middle Ages to today. . . . Rather than provide a series of 'greatest hits,' he is more concerned with the reasons why artists create self-portraits." ―The Weekly Standard The self-portrait may be the visual genre most identified with our confessional era, but modern artists are far from the first to have explored its power and potential. In this broad cultural survey of the genre, art historian and critic James Hall brilliantly maps the history of self-portraiture, from the earliest myths of Narcissus and the Christian tradition of "bearing witness" to the prolific self-image-making of today's contemporary artists. Hall's intelligent and vivid account shows how artists'… Read More
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