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Icons of Grief: Val Lewton's Home Front Pictures
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Icons of Grief: Val Lewton's Home Front Pictures Paperback - 2005

by Alexander Nemerov

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Reader reviews for Icons of Grief: Val Lewton's Home Front Pictures

From the publisher

This beautifully written study looks at the haunting, melancholy horror films Val Lewton made between 1942 and 1946 and finds them to be powerful commentaries on the American home front during World War II. Alexander Nemerov focuses on the iconic, isolated figures who appear in four of Lewton's small-budget classics--The Curse of the Cat People, The Ghost Ship, I Walked with a Zombie, and Bedlam. These ghosts, outcasts, and other apparitions of sorrow crystallize the anxiety and grief experienced by Americans during the war, emotions decidedly at odds with the official insistence on courage, patriotism, and optimism. In an evocative meditation on Lewton's use of these "icons of grief," Nemerov demonstrates the film-maker's interest in those who found themselves alienated by wartime society and illuminates the dark side of the American psyche in the 1940s.

Nemerov's rich study draws from Lewton's letters, novels, and scripts and from a wealth of historical material to shed light on both the visual and literary aspects of the filmmaker's work. Lavishly illustrated with more than fifty photographs, including many rare film stills, Icons of Grief recasts Lewton's horror films as suggestive commentaries on a troubled and hidden side of America during World War II.

From the rear cover

"This is cultural history at its best. The author's vivid engagement with his material reveals Val Lewton in a bracing new light. Nemerov teases out relationships between film and society with supple writing, imagination, and skill. A critical tour de force."--David M. Lubin, author of Shooting Kennedy

"Icons of Grief is a brilliantly conceived and successfully executed filmmaker study. Nemerov's research is dazzling, as are his highly sophisticated analyses. At every turn, he reveals his deep understanding of cinema. This is an exquisitely crafted book."--Scott Bukatman, author of Terminal Identity

Details

  • Title Icons of Grief: Val Lewton's Home Front Pictures
  • Author Alexander Nemerov
  • Binding Paperback
  • Edition First Printiing
  • Pages 226
  • Volumes 1
  • Language ENG
  • Publisher University of California Press, Berkeley
  • Publication date 2005-07-18
  • Features Annotated, Bibliography, Index, Table of Contents
  • ISBN 9780520241008 / 0520241002
  • Weight 0.67 lbs (0.30 kg)
  • Dimensions 8.76 x 5.98 x 0.6 in (22.25 x 15.19 x 1.52 cm)
  • Category Pop Arts / Pop Culture
  • Library of Congress subjects World War, 1939-1945 - Motion pictures and, Lewton, Val - Criticism and interpretation
  • Library of Congress Catalogue Number 2004022512
  • Dewey Decimal Code 791.430

Media reviews

Citations

  • Books & Culture, 07/01/2006, Page 19
  • New York Review of Books, 03/09/2006, Page 30

About the author

Alexander Nemerov, Vincent Scully Professor of the History of Art at Yale University, is author of The Body of Raphaelle Peale: Still Life and Selfhood, 1812-1824 (California, 2001) and Frederic Remington and Turn-of-the-Century America (1995).

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Icons of Grief: Val Lewton's Home Front Pictures
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Icons of Grief: Val Lewton's Home Front Pictures

by Nemerov, Alexander

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Icons of Grief: Val Lewton's Home Front Pictures
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Icons of Grief: Val Lewton's Home Front Pictures
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Icons of Grief: Val Lewton's Home Front Pictures

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Paperback / softback. New. Looks at the haunting, melancholy horror films Val Lewton made between 1942 and 1946 and finds them to be powerful commentaries on the American home front during WWII. This study demonstrates the film-maker's interest in those who found themselves alienated by wartime society and illuminates the dark side of the American psyche in the 1940s.
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Paperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Looks at the haunting, melancholy horror films Val Lewton made between 1942 and 1946 and finds them to be powerful commentaries on the American home front during WWII. This study demonstrates the film-maker's interest in those who found
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