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Contract with the Skin: Masochism, Performance Art, and the 1970s
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Contract with the Skin: Masochism, Performance Art, and the 1970s Paperback - 1998

by Kathy O'Dell

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Having oneself shot. Putting out fires with the bare hands and feet. Biting the body and photographing the marks. Sewing one's own mouth shut--all in front of an audience. What do these kinds of performances tell us about the social and historical context in which they occurred? Fascinating and accessibly written, CONTRACT WITH THE SKIN addresses the question in relation to psychoanalytic and legal concepts of masochism. 34 photos.

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From the publisher

Places masochistic performance within a social and historical context.

Having yourself shot. Putting out fires with your bare hands and feet. Biting your own body and photographing the marks. Sewing your own mouth shut. These seemingly aberrant acts were committed by performance artists during the 1970s. Why would anyone do these things? What do these kinds of masochistic performances tell us about the social and historical context in which they occurred? Fascinating and accessibly written, Contract with the Skin addresses such questions through a reconsideration of these acts in relation to psychoanalytic and legal concepts of masochism.

O'Dell argues that the growth of masochistic performance during the 1970s must be seen in the context of society's response to the Vietnam War and contemporaneous changes in theories of contract. She contends that the dynamic that exists between audience and performer during these masochistic acts relates to tensions resulting from ruptures in the social contract. Indeed, as the war in Vietnam waned, so did masochistic performance, only to reemerge in the 1980s in relation to the "war on AIDS" and the censorious "culture wars."

Focusing on 1970s performance artists Vito Acconci, Chris Burden, Gina Pane, and collaborators Marina Abramovi c/Ulay as well as those with similar sensibilities from the late 1980s onward (Bob Flanagan, David Wojnarowicz, Simon Leung, Catherine Opie, Ron Athey, Lutz Bacher, and Robby Garfinkel), O'Dell provides photographic documentation of performances and quotations from interviews with many of the artists. Throughout, O'Dell asks what we can do about the institutionalized forms of masochism for which these performances are metaphors.

Contract with the Skin is a provocative guide to this little-studied area, and offers new ways of thinking about performance art and artistic production.

Details

  • Title Contract with the Skin: Masochism, Performance Art, and the 1970s
  • Author Kathy O'Dell
  • Binding Paperback
  • Edition First edition
  • Pages 144
  • Volumes 1
  • Language ENG
  • Publisher University of Minnesota Press, Minneapolis
  • Publication date 1998-05
  • Illustrated Yes
  • Features Illustrated
  • ISBN 9780816628872 / 0816628874
  • Weight 0.79 lbs (0.36 kg)
  • Dimensions 10.03 x 7.05 x 0.43 in (25.48 x 17.91 x 1.09 cm)
  • Category Art & Art Instruction
  • Library of Congress subjects Performance art, Masochism in art
  • Library of Congress Catalogue Number 97-45530
  • Dewey Decimal Code 700.904

About the author

Kathy O'Dell is assistant professor of art history and theory at the University of Maryland Baltimore County.

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