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Ernst Haas: On Set
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Ernst Haas: On Set Hardcover - 2015 - 3rd Edition

by Ernst Haas (Photographer)


From the publisher

This book considers the film stills of Ernst Haas (1921-86), one of the most accomplished photographers of the 20th century, transgressing the borders between still photography and the moving image. Haas worked with a variety of eminent directors--from Vittorio de Sica to John Huston, Gene Kelly and Michael Cimino--and depicted cinema genres from suspense (The Third Man, The Train) to the Western (The Oregon Trail, Little Big Man), and from comedy (Miracle in Milan, Love and Death) to musicals (West Side Story, Hello Dolly). Haas inscribed a temporal, filmic dimension into his stills which, when viewed in a sequence, generate movement and narrative. So accomplished was his mastery of color, light and motion that Haas was frequently asked to photograph large group actions--from the battle scenes of The Charge of the Light Brigade and the dances of West Side Story to the ski slopes of Downhill Racer. On Set elucidates a novel perspective on the sets and the stars Haas photographed, and reveals a little-known but crucial dimension of his oeuvre.

Details

  • Title Ernst Haas: On Set
  • Author Ernst Haas (Photographer)
  • Binding Hardcover
  • Edition number 3rd
  • Edition 3
  • Pages 288
  • Volumes 1
  • Language ENG
  • Publisher Steidl
  • Date 2015-06-23
  • ISBN 9783869305875 / 3869305878
  • Weight 4.2 lbs (1.91 kg)
  • Dimensions 11.2 x 9.2 x 1.2 in (28.45 x 23.37 x 3.05 cm)
  • Dewey Decimal Code 779.092
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Ernst Haas: On Set [Hardcover] Haas, Ernst
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Ernst Haas: On Set
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Ernst Haas: On Set

by Haas, Ernst

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On Set

On Set

by Haas, Ernst

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Canada: Steidl, 2013. 1st. Hardcover. Very Good/None. Hardcover without dust jacket. Like new in publisher's shrink-wrap. This book considers the film stills of Ernst Haas (1921-86), one of the most accomplished photographers of the 20th century, transgressing the borders between still photography and the moving image. Haas worked with a variety of eminent directors--from Vittorio de Sica to John Huston, Gene Kelly and Michael Cimino--and depicted cinema genres from suspense (The Third Man, The Train) to the Western (The Oregon Trail, Little Big Man), and from comedy (Miracle in Milan, Love and Death) to musicals (West Side Story, Hello Dolly). Haas inscribed a temporal, filmic dimension into his stills which, when viewed in a sequence, generate movement and narrative. So accomplished was his mastery of color, light and motion that Haas was frequently asked to photograph large group actions--from the battle scenes of The Charge of the Light Brigade and the dances of West Side Story to the ski slopes… Read More
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Ernst Haas  On Set
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