Domus Aureus. Plate # 16
by CARLONI, Marco; SMUGLIEWICZ, Franciszek BRENNA, Vincenzo
- Used
- Condition
- See description
- Seller
-
Calabasas, California, United States
Payment Methods Accepted
About This Item
Rome: Ludovico Mirri, 1776-1778. Emperor Nero's Golden Palace
The Domus Aureus
CARLONI, Marco (1742-1796) after SMUGLIEWICZ, Franciszek (1745-1807) and BRENNA, Vincenzo (1745-1820). Detail of a fresco in the 'Domus Aureus'. Rome: Ludovico Mirri, [1776-1778].
Plate # 16. Original engraving with later hand coloring. Fine in a stunning gilt frame. Framed size: (27 1/4 x 23 1/2 inches; 692 x 597 mm.). Plate mark: (18 x 14 inches; 457 x 356 mm.).
A spectacular plate from 'Vestigia delle terme di Tito e loro interne pitture' of an ancient fresco from the 'Domus Aureus', Nero's sumptuous imperial complex in Rome. The image depicts three women and one naked man. The women are dressed in red, gold and blue/green robes, two of them holding infants in their arms. The image is surrounded by a wonderful decorative border.
The Domus Aurea (Latin, "Golden House") was a vast landscaped palace built by the Emperor Nero in the heart of ancient Rome after the great fire in 64 AD had destroyed a large part of the city and the aristocratic villas on the Palatine and Esquiline Hills. It replaced and extended his Domus Transitoria that he had built as his first palace complex on the site.
Carloni's beautifully rendered plates faithfully capture the grotesque style of the ancient frescoes, which was characterized by decorative borders filled with whimsical, often comical animals and foliage taken from both nature and the artist's imagination. The ornamental borders also served the practical functions of framing the central mythological, religious, or historical subject portrayed and separating the various murals in a single decorative scheme.
Designed by architects Severus and Celer. The magnitude and decadent extravagance of the impressive gold-covered, jewel bedecked palace was intended to glorify the Emperor's reign. Its rooms were filled with lavish furniture and its walls and ceilings covered with decorative late-Hellenistic murals by the renowned ancient artist Fabullus. Nero, however, died in 68 AD before the Domus was totally completed. In 1480, practically forgotten, the Domus was excavated, and its subterranean passages and rooms thereafter became known as 'le grotte' (cave). Many of its original frescoes survived, and their motifs and ancient style of ornamentation, called 'grotteschi' (grotesque) after 'grotte', became extremely popular during the Renaissance, influencing many prominent artists such as Raphael, Michelangelo, Ghirlandio, and Pinturicchio. Published in 1776, 'Vestigia delle terme di Tito e loro interne pitture' is an elaborate album of engravings depicting the stunning 'al fresco' and 'al stucco' murals of Nero's Domus Aureus. Carloni's beautifully rendered plates faithfully capture the ancient Roman grotesque style, which became a hallmark of Renaissance Art.
https://archive.org/details/gri_33125008626216/page/65/mode/2up.
The Domus Aureus
CARLONI, Marco (1742-1796) after SMUGLIEWICZ, Franciszek (1745-1807) and BRENNA, Vincenzo (1745-1820). Detail of a fresco in the 'Domus Aureus'. Rome: Ludovico Mirri, [1776-1778].
Plate # 16. Original engraving with later hand coloring. Fine in a stunning gilt frame. Framed size: (27 1/4 x 23 1/2 inches; 692 x 597 mm.). Plate mark: (18 x 14 inches; 457 x 356 mm.).
A spectacular plate from 'Vestigia delle terme di Tito e loro interne pitture' of an ancient fresco from the 'Domus Aureus', Nero's sumptuous imperial complex in Rome. The image depicts three women and one naked man. The women are dressed in red, gold and blue/green robes, two of them holding infants in their arms. The image is surrounded by a wonderful decorative border.
The Domus Aurea (Latin, "Golden House") was a vast landscaped palace built by the Emperor Nero in the heart of ancient Rome after the great fire in 64 AD had destroyed a large part of the city and the aristocratic villas on the Palatine and Esquiline Hills. It replaced and extended his Domus Transitoria that he had built as his first palace complex on the site.
Carloni's beautifully rendered plates faithfully capture the grotesque style of the ancient frescoes, which was characterized by decorative borders filled with whimsical, often comical animals and foliage taken from both nature and the artist's imagination. The ornamental borders also served the practical functions of framing the central mythological, religious, or historical subject portrayed and separating the various murals in a single decorative scheme.
Designed by architects Severus and Celer. The magnitude and decadent extravagance of the impressive gold-covered, jewel bedecked palace was intended to glorify the Emperor's reign. Its rooms were filled with lavish furniture and its walls and ceilings covered with decorative late-Hellenistic murals by the renowned ancient artist Fabullus. Nero, however, died in 68 AD before the Domus was totally completed. In 1480, practically forgotten, the Domus was excavated, and its subterranean passages and rooms thereafter became known as 'le grotte' (cave). Many of its original frescoes survived, and their motifs and ancient style of ornamentation, called 'grotteschi' (grotesque) after 'grotte', became extremely popular during the Renaissance, influencing many prominent artists such as Raphael, Michelangelo, Ghirlandio, and Pinturicchio. Published in 1776, 'Vestigia delle terme di Tito e loro interne pitture' is an elaborate album of engravings depicting the stunning 'al fresco' and 'al stucco' murals of Nero's Domus Aureus. Carloni's beautifully rendered plates faithfully capture the ancient Roman grotesque style, which became a hallmark of Renaissance Art.
https://archive.org/details/gri_33125008626216/page/65/mode/2up.
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Details
- Seller
- David Brass Rare Books, Inc. (US)
- Seller's Inventory #
- 05029
- Title
- Domus Aureus. Plate # 16
- Author
- CARLONI, Marco; SMUGLIEWICZ, Franciszek BRENNA, Vincenzo
- Book Condition
- Used
- Quantity Available
- 1
- Publisher
- Rome: Ludovico Mirri, 1776-1778
- Keywords
- SMUGLIEWICZ, Franciszek BRENNA, Vincenzo
Terms of Sale
David Brass Rare Books, Inc.
We will extend to you a 48-hour approval period on all items that are purchased sight unseen. If you are not completely satisfied with the item simply contact us within 48 hours after receipt, and then return it in the same condition you received it for a full refund, less freight charges, or any related costs including credit card transactions, taxes, and duties levied, especially when returning from other countries.
About the Seller
David Brass Rare Books, Inc.
Biblio member since 2007
Calabasas, California
About David Brass Rare Books, Inc.
David Brass Rare Books, Inc. specializes in buying and selling only the finest examples of English, American and European Literature, Children\\\'s Books, Color-Plate Books, Illustrated Books, Early Printed Books, Private Press Books, Fine Bindings, Original Artwork, Manuscripts, High Spot Modern First Editions, Rare Books and High Spots.
Glossary
Some terminology that may be used in this description includes:
- Plate
- Full page illustration or photograph. Plates are printed separately from the text of the book, and bound in at production. I.e.,...
- Fine
- A book in fine condition exhibits no flaws. A fine condition book closely approaches As New condition, but may lack the...
- Gilt
- The decorative application of gold or gold coloring to a portion of a book on the spine, edges of the text block, or an inlay in...