Search Results: Broadside from Downtown Brown Books, ABAA

[Portland, OR]: Twenty-third Avenue Books and First Choice Books, 1998. First Edition. Fine. A 12-by-18 inch broadside printing of the opening lines of McCourt's acclaimed memoir, Angela's Ashes, published in an edition of 250 copies, signed by McCourt in conjunction with a reading in Portland. The broadside is printed letterpress with a three-color woodblock illustration by (an uncredited) Julie Freeman. This is a very attractive keepsake for a much-loved book. This is one of 50 copies numbered with Roman numerals and printed on deckle edge paper; there were also 200 copies numbered with Arabic numerals, five designated publisher copies, and an unknown, but significant number of unnumbered copies, all signed by McCourt. First edition of this broadside, one of 50 copies with Roman numerals, signed by McCourt. (Your number may differ from the photograph.).

[Portland, OR]: Twenty-third Avenue Books and First Choice Books, 1998. First Edition. Fine. A 12-by-18 inch broadside printing of the opening lines of McCourt's acclaimed memoir, Angela's Ashes, published in an edition of 250 copies, signed by McCourt in conjunction with a reading in Portland. The broadside is printed letterpress with a three-color woodblock illustration by (an uncredited) Julie Freeman. This is a very attractive keepsake for a much-loved book. This is one of 200 numbered copies; there were also 50 copies numbered with Roman numerals, five designated publisher copies, and an unknown, but significant number of unnumbered copies, all signed by McCourt. First edition of this broadside, one of 200 numbered copies signed by McCourt. (Your number may differ from the photograph.).

[Portland, OR]: Twenty-third Avenue Books and First Choice Books, 1998. First Edition. Fine. A 12-by-18 inch broadside printing of the opening lines of McCourt's acclaimed memoir, Angela's Ashes, published in an edition of 250 copies, signed by McCourt in conjunction with a reading in Portland. The broadside is printed letterpress with a three-color woodblock illustration by (an uncredited) Julie Freeman. This is a very attractive keepsake for a much-loved book. This is one of 5 copies, not listed on the colophon, but designated as a publisher's copy. It differs from the other copies in the edition in that it has a small deckled edge and the artist has initials, "JF" next to Frank McCourt's signature. First edition of this broadside, one of 5 "publisher's" copies signed by McCourt and initialed by Julie Freeman. (Your number may differ from the photograph.).

Matanzas, Cuba: Ediciones Vigía, 1990. Pergamino (folded broadside). 7-1/2 by 7-1/4 inches; unfolding to 33 inches. One of 200 signed and numbered copies. Colección not noted, but del San Juan. An exemplary pergamino from the fifth year of Ediciones Vigía. This broadside offers a poem, mimeographed on several pieces of stiff Kraft paper and assembled into a single sheet. Designed and illustrated by Rolando Estévez with a handcolored border and a coarse hemp cord for hanging. OCLC: DEIAI FQG. Near fine. Signed by Zamora at the end of the poem.

Berkeley: Okeanos Press, 1993. First Edition. Broadside. Fine. 5-7/8 by 13 inches. Letterpress printed in two colors. A poem broadside issued by Black Oak Books in conjunction with a reading by Cisneros. First edition (first printing). Fine.